God is an astronaut:太空游民的庇护所

我们并不是为了成为后摇而去做音乐,我们是为自己而做。
——God
is an astronaut Torsten
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BOONE::“上帝……上帝啊,这是真的……”
PELOQUIN:“这当然是真的。一切都是真实的……上帝是个宇航员,彩虹之上是绿野仙踪,米甸是怪物们的生存之地。而你正在死去。”
温润多雨的爱尔兰岛上,一对双胞胎兄弟在克里夫·巴克
的邪典电影《夜行骇传》中找到灵感,为自己的新乐队寻得一个满意的名字。
酷似的外貌、相像的性情、互相为伴的成长,这些足以使两人成为亲密兄弟的条件在上帝看来似乎还不够。也许他有意要将两兄弟更紧密地连结在一起,于是又赐给他们共同的爱好,让他们听同样的音乐,一起学习吉他,成为彼此最志同道合的朋友。
他们就是God
Is An Astronaut的核心成员:Niels和Torsten。
Niels和Torsten从80年代便开始一起演奏音乐,多年来在音乐行业摸爬滚打,也算是小有成就。但他们始终无法满意自己的成绩,兄弟俩真正需要的是冠以己名的足够响亮的作品。凭着通过时间的历练培养出的默契,两人在2002年录制了第一张专辑《The
End of the Beginning》,其中歌曲的演奏运用了大量合成器,以及少部分的trip hop吉他loop。
这原本是一张他们打算用来与音乐产业告别的专辑,在离开这个既钟爱又不得志的行业之前,画上一个漂亮的句号。不曾想专辑一经推出即受到大量的关注与好评,本以为的句号意外地变成了破折号,成为承接与转折的开始。2004年,兄弟二人由于演出需要的缘故招募了鼓手Lloyd,鼓手的加入使得GIAA真正成型。所以在2005年,GIAA做出了最具代表性的一张专辑《All
is Violent, All is Bright》。
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作为同时代出世的乐队,GIAA很容易被拿来与Explosions
in the sky相比。恰巧这两支乐队站在磁场的两极,如果将explosions比作白昼,那GIAA更像是夜晚。在对GIAA的聆听中,仔细些仍然能发现金属乐的特质,它向外物传达的并非沉静,而是挑起。它用空灵音色编织出的大网将你包裹,通过扎实的连复段和琶音入侵你的思绪,再经由美妙的乐句将你带入异世的空间里。
GIAA是具有侵略性的,它能敏锐地洞察到你对摆脱俗世的渴求,并将其唤醒。正如Torsten在采访中所说:“
和Explosions的专辑《The Earth Is Not a Cold Dead Place》所要表达的正相反,我们采取的方式是逃离,我们更多的是想要逃避现实。和Explosions比起来,我们的负面情绪浓重多了。”也许可以用GIAA的专辑名来回应Explosions:组成这个世界的,是暴力和光明。
明显可以听出,GIAA早期作品受到trip
pop曲风的影响很大,Torsten也承认从Massive Attack身上得到灵感。提及给予启蒙的音乐人,乐队成员们说出了很多耳熟能详的名字:Michael Jackson、Metallica、Nine Inch Nails、Massive Attack、Chemical Brothers……令我最为欣赏的是,他们的喜好没有让他们成为同偶像一样的乐队,而是另辟蹊径开垦出属于自己的风格。如同任何一支独树一帜的乐队,他们旺盛的创造力输出成为涌流不断的生命力之源。
GIAA并不是“为了后摇而后摇”那类乐队,实际上他们站在更为宽广的平台。最初创作时,他们并没有考虑过自己的音乐会被归纳于哪类风格条目中,他们所期望的是跳脱传统框架,研制出真正令自己满意的实验品。
Jamie:“有很多后摇乐队努力让自己听起来就很‘后摇’。”
Torsten:“是的。有那么些比较小的乐队就是很想成为‘后摇乐队’。这就是我为什么我觉得靠谱的乐队不会想被叫作‘后摇乐队’的原因。我们并不是为了成为后摇而去做音乐,我们是为自己而做。这就是最大的区别所在。”
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落:据说你们的乐队名GOD
IS AN ASTRONAUT灵感来源于克里夫·巴克 的电影《夜行骇传》。为什么选用这句台词作为乐队名字?这部cult电影能够反映出你们的气质吗?
Niels:我们只是比较喜欢这个名字。它很适合我们创作的音乐,也很适合我们所拥有的太空感的、异世的声音。这部电影本身并没有影响到我们的音乐或气质。恰恰相反,我们的名字并没有任何宗教的意味。
落:目前为止你们一共录制了7张专辑,这些专辑中你们也在不停尝试新的元素。比如《Origins》里就加入了铜管器乐和人声。但是很多时候,人们会更喜欢你之前的样子,他们也许会觉得你们过去的作品会更好一些。对此你怎么看?已经有了像《Forever
Lost》这样特别受欢迎的曲子,会给你们现在的创作带来压力吗?
Niels:新专辑的反馈非常好,我们收到很多来自歌迷的正面的评论和反应。在新专辑里,我们改变了我们的编曲技巧。以前的专辑创作中,我们会用钢琴、木吉他或电吉他搭建歌曲框架,之后添加别致的实质内容。但这一次我们是从实质内容开始,通过大量的单块制作了很多有趣的噪音、吉他连复段和音墙,感觉更像是在进行雕塑。有小部分歌迷不喜欢新的声音元素,这是预料之中的。我们非常满意《Origins》,它和我们的其他专辑都运作得很好。我们不打算做《Origins》的part
2,所以我觉得当回顾我们的作品目录时,这将是一张非常独特的唱片。做音乐而言,最重要的是要使你的音乐足够真诚及真实,而不是担心歌迷的反应或思考人们想要听到什么,这太虚伪了。
落:当提及GOD
IS AN ASTRONAUT,给人的第一反应通常是:后摇乐队。但我了解到其实你们并不喜欢被贴上“后摇”的标签,是这样吗?那为了摆脱既定的风格头衔,你们在编曲和布局方面有进一步的打算么?
Niels:我们为God
Is An Astronaut创作音乐的时候从来没有真正考虑过关于标签或流派的问题。我们的作曲和布局已经完全不同于其他摇滚乐。影响我们的风格很多样化:金属、氛围、摇滚、电子。这在我们的音乐中应该也有所反映。我们并不介意人们想把我们标记为后摇或太空摇滚或其他任何音乐类型。
落:当你们在创作新歌时,通常的灵感来源在哪里?
Niels:我们自身的体验、环境,我们的朋友和家人,都是灵感的来源。我们的音乐就像一张情感的照片,它捕捉到我们生活的谷底到巅峰,以及在它之间一切的一切。
落:在别的专访中,我看到你们说给GIAA影响最大的音乐是像比如Metallica那样的重金属乐队。在最近的一张专辑《Origins》中,我注意到在《Calistoga》等曲目中,你们也运用了一些金属连复段。如今重金属风格仍然影响着你们吗?或者说哪些音乐/音乐人影响了你们?
Niels:在80年代末,我们是听着鞭挞金属长大的,但我们现在的音乐口味非常多元。我可以去听任何风格的音乐,并且在当中找到我喜欢的东西。God
Is An Astronaut的音乐特点起源于神游舞曲和电子乐,这些在第一张专辑中可以听出来。我们的风格是多种音乐风格的融合:从金属到氛围,从舞曲到摇滚。
落:据我所知很少有爱尔兰的独立乐队能像你们这样在世界范围内如此受欢迎。在你看来这一现象的核心问题是什么?你觉得爱尔兰现在的音乐氛围如何?
Niels:爱尔兰是一个仅拥有450万人口的小国家;在中国甚至有的城市都比它更大。我觉得爱尔兰音乐出口所做的非常好,比如U2、Thin
Lizzy、Cranberries、Therapy等等……爱尔兰很商业化,流行音乐是主流导向,所以确实有很多另类乐队通常被媒体所忽视。近年来我们打破了例外,我们代表爱尔兰被邀请参加2012年的Eurosonic音乐节。
落:你听过中国乐队的歌曲吗?有没有推荐的中国乐队?
Niels:我不太熟悉当前的中国音乐,但我知道惘闻的音乐很不错。
落:你们练习、录音和演出的时候,会不会使用一些特殊的设备?能给音乐爱好者们推荐一些设备吗?
Niels:当然可以啦。这些是我们的吉他所使用的设备:
AXE
FX XL MFC101
MK2 Midi Controller Empress
FX EQ Pharaoh
Fuzz Manx
LAOGHTAN FUZZ DEVI
EVER SHOEGAZER NEUNABER
WET REVERB DIAMOND
MEMORY LANE King
of Tone DRIVE Timmy
Pedal DIAMOND
COMPRESSOR Empress
Buffer COSMIC
CHORUS Dr. Scientist Ernie
Ball Volume Pedal Fulltone
OCD Rocktron
Patchmate STONEDEAF
FX TDF1 FULLTONE
FAT BOOST V1 DEEP
TRIP BOG FUZZ DEVI
EVER ROCKET PEDAL EMPRESS
BUFFER + TC
ELECTRONIC POLYTUNE ANALOGMAN
PRINCE OF TONE EMPRESS
COMPRESSOR 1291 LIGHTFOOT
LABS GOATKEEPER Fulltone
Clyde Wah Boss
Expression Pedal Digitech
Spacestation XP300
落:这是你们第一次来中国巡演对吧?之前有没有了解过你们在中国的受欢迎程度呢?对这次演出有没有什么期望?
Niels:我们不知道我们在中国受不受欢迎,只是很高兴终于能够如己所愿到中国演出。我们真的很期待这次巡演,这将是我们乐队生涯一个空前绝后的亮点。
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附英文原版采访对话:
Luoo:
I
know that your name GOD IS AN ASTRONAUT is inspired by Clive Barker’s film Nightbreed. Why did you choose this lines as the name of the band? Does this cult film reflect your temperaments?
Niels:We
just liked the name; we felt it was suitable for the music we were writing and it suited the spacey/other worldly sound we have. The film itself has little bearing on our temperaments or influence on our music. The name is not intended to be religious, quite the opposite.
Luoo:
Up
to now, you have recorded 7 albums. I can see you keep trying new elements. For example, you put brass and added some vocals in Origins. But you know, sometimes people like the way you were, they may think the previous compositions are better. So how do you think about it? Having popular tracks like Forever Lost, will it exert pressure for your creating now?
Niels:The
new album has been received very well, with lots of great reviews and good reaction from the fans. For the new album we changed our writing technique, on previous albums we would write the songs on a piano, acoustic guitar or electric guitar and then add the other worldly textures after, but this time we began with them. We created interesting noises, riffs and soundscapes with guitars through a multitude of stomp boxes, it felt more like sculpturing. A minority of the fans did not like the new vocal element but that was expected. We are very happy with „Origins“ and it works very well with our other albums. We don't plan to make an „Origins“ part 2 so I think this will be a very unique record from us when looking back at our catalogue. The most important thing is to release music which is honest and real and not to worry about the fan reaction or think about what people want to hear, this would be disingenuous.
Luoo:
When
people talk about GOD IS AN ASTRONAUT, the first idea is: they are a post rock band. But I know you don’t like to fall into post rock category, right? So do you have further plan in composing and arrangement to get rid of the post-rock title?
Niels:We
don't really think about tags or genres when we make music for God Is An Astronaut. Our
compositions and arrangements are already quite different from other post rock music. Our influences are quite diverse everything from Metal to Ambient to Rock to Electronica, I think this reflects in our music. We don't mind if people want to tag us post-rock or space rock or whatever.
Luoo:
When
you produced new tracks, generally, where the inspiration came from?(Films? Book? Weather? Emotion?)
Niels:Inspiration
comes from our own experiences, surroundings, our friends and family. Our music is like a photograph of emotion, it captures the low points and high points of our lives and everything in between.
Luoo:
I
read an interview you said the GIAA's biggest influence is heavy metal, bands like Metallica. In the recent album Origins, I mentioned that some tracks such as Calistoga, there are some heavy riffs. Does heavy metal still influence on you? Or what kind of music/musicians influenced you?
Niels:We
grew up listening to a lot of trash metal in the late 80’s but our music tastes today are extremely varied. I can listen to any style of music and find something I like in it. The
God Is An Astronaut sound has its origins in trip-hop and electronica which you can still hear on the first album. It is a fusion of a wide selection of styles of music everything from Metal to Ambient, from Dance to Rock.
Luoo:
As
we know, very little Irish band can be so popular around the world as you guys. In your opinion, what’s the core problem of this phenomenon? And what do think about the music atmosphere in Ireland now?
Niels:Ireland
is a very small country of 4.5 million people; there are bigger cities in China. I think Ireland has done extremely well with its musical exports, just look at U2, Thin Lizzy, Cranberries, Therapy etc… Ireland is a very commercial, pop music orientated country so it is true that the more alternative bands are generally ignored by the press. There have been some exceptions for us in recent times, we were asked to represent Ireland at the Eurosonic festival in 2012.
Luoo:
Have
you ever listened to some Chinese bands? If so, which band will you prefer to recommend?
Niels:I
am not too familiar with the current Chinese music scene but Wang Wen have released some great music.
Luoo:
When
you are practicing, recording and performing, do you use special equipments? Could you recommend some equipments to us philharmonic?
Niels:
Sure
here is a list of the guitar fx equipment we use:
AXE
FX XL MFC101
MK2 Midi Controller Empress
FX EQ Pharaoh
Fuzz Manx
LAOGHTAN FUZZ DEVI
EVER SHOEGAZER NEUNABER
WET REVERB DIAMOND
MEMORY LANE King
of Tone DRIVE Timmy
Pedal DIAMOND
COMPRESSOR Empress
Buffer COSMIC
CHORUS Dr. Scientist Ernie
Ball Volume Pedal Fulltone
OCD Rocktron
Patchmate STONEDEAF
FX TDF1 FULLTONE
FAT BOOST V1 DEEP
TRIP BOG FUZZ DEVI
EVER ROCKET PEDAL EMPRESS
BUFFER + TC
ELECTRONIC POLYTUNE ANALOGMAN
PRINCE OF TONE EMPRESS
COMPRESSOR 1291 LIGHTFOOT
LABS GOATKEEPER Fulltone
Clyde Wah Boss
Expression Pedal Digitech
Spacestation XP300
Luoo:
This
is your first time touring in China, right? Do you know how popular you are in China and do you have any expection for this touring?
Niels:We
have no idea how popular we are, we are just happy to be finally playing some shows in China on our terms. We are really looking forward to it; I suspect it will be one of our all-time highlights.
试听原文配乐《Calistoga》:
http://www.luoo.net/essay/301
落网微信,扫一扫吧,不一样的惊喜等着你:
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an astronaut:太空游民的庇护所" TITLE="God is an astronaut:太空游民的庇护所" />