siren

1汽笛

2警报器

3 妖冶而危险的女人; 危险的诱惑; 塞壬（古希腊传说中半人半鸟的女海妖，惯以美妙的歌声引诱水手，使他们的船只或触礁或驶入危险水域）

声音的恐惧

声音的政治

The name Mallarmé is obstinately associated with a twofold image: that of a poetry that is carried to the quintessence of something akin to the silence of infinite spaces; and that of an obscurity close to the impenetrable night. Mallarmé symbolizes the poet of obscurity par excellence.His poems, and even his prose pieces, have a tight-knit network whose mesh counters the eye habituated to reading a line ahead trying to grasp the meaning of the following sentence. Matching the obscurity of the text is the figure of poet, insomniac and sterile, grappling with the virgin sheet of paper and the nothingness encountered in hollowing out verse. From the letters that Mallarmé wrote as a young man, in which he confessed his mad ambition and radical deadlock, to his last will as a poet, in which he recommended burning the vain pile of notes destined for the grand oeuvre of the Book, it is easy to trace a line straight to some
confrontation with the night of the absolute, of which his posthumously published booklet of obscure poems is said to reveal the debris.