Uttanasana
(2016-10-07 16:58:20)Uttanasana
A good way to prepare for Uttanasana is to begin by squatting
(see the section on squatting on the main page).
In the squatting position, your abdominal skin touches the skin of
your thighs. To transition into Uttanasana,
place your hands on the floor and begin to straighten your knees to
whatever extent you can while still keeping your abdominal skin
touching your thighs. Keeping your abdominal
skin (or preferably your front lower ribs) touching your thighs is
the "name of this game." Allowing your abdomen
to rest on your thighs helps prevent strain in your lower back.
When you get to the point where your abdominal
skin begins to separate from your thigh skin, stop.
This is your "edge." This is
the point where your hamstring flexibility limits you.
You can pause at this point and just hang, holding both elbows
in your hands, and relax for a while before adding in more
activity.
After relaxing for a while, you can lightly grasp your ankles
or calves and begin to place some tension into your hamstrings
while being careful not to place strain in your low back.
Keep your knees bent as much as necessary to
allow your back to hang without tension. If your
hamstrings are tight and you can only straighten your knees a
little, respect that, and do not try to force your legs straight at
the expense of placing strain on your lower back.
This is being "honest" in the pose.
Trying to straighten the legs too fast is done
either out of ignorance or greed (= pride).
Acknowledge that the back of the body is tight and respect that.
There is no shame.
Eventually, you will be able to straighten your legs fully
while still keeping your abdomen resting on your thighs.
When your knees are bent, the backs of your legs
and hamstrings are not able to stretch and open fully, though they
can stretch and open somewhat. So this is the
initial work in the pose and eventually you want to move on to the
classical work in the pose. But practice this
preparatory version of the pose while warming up and also for the
first weeks or months of your yoga practice before moving on to the
classical straight legged Uttanasana.
Actions of the legs and feet
Have your feet hip width apart for at least the first few
months of practicing this pose. Even after you
are able to bring your feet together, it is good to do your first
two or three Uttanasanas in each class with your feet hip width and
then as you become more warm later in the class, to progress to
bringing your feet together. Note that "feet hip
width" should bring your legs into a position that is perpendicular
to the floor, this is closer together than most people think for
their body. Check yourself in a mirror.
Eventually, as your flexibility allows, you will
want to bring your feet together with your inner ankles touching as
in Tadasana. Generally, if you have your feet
apart, you are holding your elbows, and if your feet are together,
you are placing your hands on the floor, though there may be
reasons why you might choose to do otherwise.
Having your feet hip width helps to soften your groins, it is
easier to balance, and it easier to open the backs of your thighs
and hamstrings. Keeping your knees and feet
together is more toning for the abdominal organs.
Doing this pose with your feet apart is more
releasing for the abdominal muscles and inner organs.
Establish Tadasana in your legs. Spread all
of your toes wide, but do not grip the floor with them.
Lift both your inner and outer ankles equally.
Straighten your knees completely without
hyperextending them. Your weight should be
evenly balanced between your feet.
Engage your leg muscles strongly to your bones on all sides.
Draw the flesh of your thighs into your femurs.
Lift the skin on the backs of your thighs and
hamstring muscles toward your buttocks. Tighten
your quadriceps muscles and draw your kneecaps both inward into
your knees and upward toward your groins. The
bottoms of the knees tend to move inward fast -- they should not
draw into your legs any faster or more than the tops of your
kneecaps. Keep your thighs contracted and
lifting throughout the pose. Keep recharging
your thigh muscles into your thigh bones (femurs) every time they
fall. Have the feeling of drawing the skin of
your thighs into your quadriceps, into your thighbones, and all the
way into the backs of your legs strongly. Allow
this action to broaden the backs of your legs, especially the backs
of your thighs.
Also keep raising all of the skin and flesh of your legs
upward into your pelvis. Raise both inner knees
toward your groins, raise both outer knees upward toward your hips
-- all four points raising equally and equally bearing the weight
of the pose. Your legs must move up for your
spine to release down. (This is true even for
the relaxing variation of the pose.)
A common mistake in Uttanasana is to press the knees back
rather than lifting them up. "Uttanasana legs"
should be the same as "Tadasana legs." Though
the backs of your thighs are moving toward the wall behind you,
your upper calves move away from the wall to keep your knees
straight and avoid knee hyperextension. If you
don't move your calves away from the wall you will be
hyperextending your knees, or "sleeping on your calves".
Balance on the front sides of your heels and shift your hips
forward until you feel the balls of your feet taking on some of
your weight.
In this pose, we tend to shift our weight into our heels
because it is easier to balance that way so we must consciously
shift our weight forward into the balls of our feet in order to
establish our legs perpendicular to the floor.
Use a mirror until you ingrain the feeling of where your weight
should fall because it is often not intuitive.
Incidentally, this is just the opposite from Tadasana where our
tendency is to shift our weight more into the balls of our feet and
we often need to bring it back into the heels with conscious
effort.
This tendency to be slipping back in the hips, allowing the
legs to tilt backwards is to counterbalance the weight of the torso
moving forward. Resist it.
Make sure your hips stay directly over your ankles.
The back of your heels should be directly in
line with the back of your buttocks. Move your
torso forward as needed to achieve this alignment.
You can use a wall to verify your alignment by
placing your heels and buttock up flush against the wall to get the
feeling of the pose.
You will probably need to turn your thighs slightly inward to
ensure that the front center line of each thigh is facing directly
forward, since the thighs have a tendency to turn outward.
This involves internally rotating your legs so
that you are taking your inner thighs back more than your outer
thighs. Turning your thighs inward also helps to
spread your sitting bones (buttock bones) apart, which is an
important action in this pose. So, both thighs
roll from outside inward. Open the backs of both
of your thighs well. And spread the backs of
your thighs away from each other. Your top inner
thighs should move back and your inner calves should move forward
to help keep the knees centered toward the front.
This is true not only in Uttanasana but also in
such poses as Padangusthasana and Padahastasana.
There is also a tendency not to bring attention or
consciousness to the inner thighs. Take care to
lift your inner thighs strongly into your pelvis.
Hit the inner edge of your thighs away from each
other as you lift them upward toward your pelvis.
One way to practice this action is to hold a
light foam block between your thighs and practice lifting it upward
with the contraction of your inner thigh muscles.
Then use the muscle intelligence you have
learned from that practice and apply it to the pose.
This inner thigh consciousness is important in
all the standing poses, as it is for Adho Mukha Svanasana and other
asanas.
Also in full Uttanasana, take your inner calves closer to each
other and resist outward with your inner knees.
Actions of the torso, hips, and pelvis
This pose can be dangerous for the lumbar discs so it is
important not to bend forward from your low back.
Bend from deep in your groins.
Strive for the feeling of moving from your groin
area like a fulcrum. Don't just sink your upper
torso down toward your knees while bending your lower back to give
you a sense that you're going deep into the pose.
And don't pull your head to your knees if your
torso is not ready, overstretching the back of your neck.
Any forward bend, standing or sitting, is done in two phases.
We always come into and then out of the pose
with a concave spine. So in the first phase, you
bend forward and go as deeply as you can with your spine concave
and your head up, looking toward the front of the room, and then
hold that position for a moment. In the concave
phase, look up toward the front of the room, not just with your
eyes, but from your sternum (the "eyes of the chest").
Extend your chest forward.
Lengthen your sternum away from your pelvis. In
the second phase of the forward bend, you move deeper into the
pose, into the convex phase of the pose, where your spine rounds
and you allow your head to hang and experience the cooling of the
forward bend. After being in the convex
position, to come out of the forward bend, always return your torso
to the concave position before bringing your torso all the way back
up.
Even when you move deeply into Uttanasana, into the second,
convex, phase, keep your low back feeling concave as much as is
possible for you and your sternum uplifting strongly to maintain
the extension of your spine and the length of the front of your
torso. Roll your sternum toward your chin,
letting it drop away from your pelvis. Even
though your head hangs to elongate your neck and spine, keep the
front of your torso long, separating your pubic bone and your
sternum as much as possible. Strive for this
front body elongation in every pose, especially in every forward
bend. Although in a deep forward bend there will
be a natural, gentle convex curve in your low back, the feeling of
having your spine extended and the front of your torso long must
not be compromised.
In the concave position in this pose, have your hands on the
floor or blocks if you need to in order to concave your spine.
Draw your inner calves toward each other while
still pressing down on the outer fifth metatarsals of your feet
(the base of the little toes). This is part of
the "tripod" of each foot, along with the posterior heel, and the
big toe mound. Take your dorsal (thoracic) spine
into the body. Then in the convex aspect of this
pose bring the posterior trunk to the thighs. In
full Uttanasana, take your hands back onto the floor behind your
legs so the roots of your fingers do not quite touch the floor.
Lengthen your side ribs. Do
not harden your diaphragm. Then take your hands
along the sides of your feet, and return to the concave phase with
your head up before inhaling to come up.
If you are unable to take your hands to the floor in
Uttanasana without straining your low back, you can place your
hands on a brick on the floor in front of you.
If you are able to take your hands to the floor, work toward being
able to take your hands to the floor to the sides of your feet.
When you are able to reach the floor at the
sides of your feet, then try to take your hands to the floor to the
sides and behind your feet. The heels of your
palms will not be on the floor, but stretch into the heels of your
palms and take them toward the floor with your arms straight to
draw your torso more toward your legs. If the
heels of your palms do touch the floor, then take your hands even
further back.
While in the pose firm your shoulder blades into your back to
help your chest expand and draw your shoulder blades upward toward
your rear pelvis (i.e. "down" your back). Expand
the skin of your front torso toward your chin.
Also lengthen the sides of your torso from your hips to your
armpits down away from your pelvis.
Spread your sitting bones wide and lift them toward the
ceiling. Turning your thighs inward will assist
this action. Lift your hips toward the ceiling
as well. Feel as though someone is pressing down
strongly toward the floor on the tops of your hips and resist them
by pressing upward through your hips with your feet and legs,
trying to make your legs grow taller. As your
hamstrings lift and lengthen, your upper buttock flesh is able to
release downward toward your lower back more.
Rotate your pubic bone back between your thighs.
Occasionally practice with your sitting bones against a wall and
physically them move them up the wall to provide some sensation to
this action. If you press your hands on the
floor in Uttanasana, use them not so much to lengthen your arms as
to raise your sitting bones higher.
In Uttanasana, as in most forward bends, the rear part of your
hips will open naturally as a result of the direction of bending.
This means you have to direct more conscious
thought into opening and creating space in the front of your hips
where they form a crease (your groins) since they will have the
tendency to become collapsed or congested there.
Lifting your inner thighs upward through the sacrum should
create a hollowness in your abdomen. Release
your groins. Relax them. Hold
no tension there. Feel as though you are raising
your inner groins deep into your pelvis from the action of lifting
your sitting bones. Broaden your pelvis so that
you have a "smiling" perineum. Feel your groins
move up away from your hands. This action is
important in all forward bends.
Inhale to come up and out of the pose (as with all standing
asanas).
There are several ways to vary the classical Uttanasana.
One variation is to use the pose as a resting
posture by allowing your torso just to hang rather than actively
trying to lengthen it toward the floor. In the
hanging version, remember to keep your knees lifted and your thighs
turned inward to face directly forward, even though your torso is
relaxing. This hanging version an interesting
pose in that your legs are very active and ascending, while your
torso is passive and descending. As mentioned
before, having your feet hip width helps to soften your groins, it
is easier to balance, and it easier to open the backs of your
thighs and hamstrings. It is also more releasing
for your abdominal muscles and your inner organs.
Your abdominal muscles must be passive in the
resting version of this pose.
In a resting Uttanasana, in grasping your elbows (Baddha
Hastasana), the point is to relax, release, and cool your brain
cells more than anything else (and bring blood to your brain and
relax your eyes). Grasping your elbows also
helps lengthen your side ribs. In the relaxed
version of this pose make sure that the crown of your head is
facing the floor so you are relaxed. If you have
been working hard in your asana sequence, at some point in your
sequence you have to rest your brain cells.
Resting Uttanasana is a good way to do it. Your
head goes down, relax there. Both sides of your
trunk are going downward, release your neck.
Keep the back of your next soft. Keep the crown
of your head relaxing. Keep the back of your
head quiet. Keep your tongue passive and your
eyes quiet.
Another variation exercise, mentioned above, is to practice
the pose with the backs of your legs and buttocks pressing on a
wall. This practice is not as easy as it may
seem. Trying to begin with the backs of the legs
on the wall and taking the torso forward will cause most people to
fall forward. Instead, begin with your feet a
few inches out from the wall, take Uttanasana, and then walk back
until the backs of your legs and buttocks make contact with the
wall. Press the entire surface of the backs of
your legs and buttocks into the wall strongly.
Learn from the wall what it feels like to have the backs of your
legs perfectly vertical. One goal in this
exercise is to be able to lift your hands up without falling.
This requires you to have enough hamstring
flexibility to bring your torso (and thus your center of gravity)
close to your legs.
You can also practice Uttanasana while standing on a chair,
bending forward and lightly grasping underneath the front of the
chair seat to provide a light pulling action to lengthen your torso
downward. This is not a variation for beginners
due to the possible hazard for the lumbar spine.
This practice is more suited to the end of a practice session than
the beginning, when your body and spine are more warm and supple.
If you use this practice, take care to respect
your lower back by always using less pull than you think you're
capable of managing. Your hands on the chair
seat should provide more of a direction for your torso and an
encouragement to lengthen than an actual weight.
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