秦腔梆子响高低 

                   ——梆子腔演变路径初探

摘  要：最早见诸文献记载的梆子腔，在明末清初即呈现出不同的形态，同时其内部沿各自的发展路径进入明清以来中国戏曲文化的交融与发展大潮中。文献中有关记载需要我们结合现存之梆子、皮黄剧种中有关腔调名称加以认真对比、分析与研究，否则单从声腔一个方面去考察，可能会得到与实际情况不符的结论。本文则通过比对历史上梆子腔、乱弹腔以及其流传变化的轨迹、面貌，参以“二重证据法”之“实物资料”台湾北管戏与陕西本地二黄戏，通过对文献的梳理，试图描述梆子腔在不同时期的发展变化及其走向。

关键词：梆子腔；秦腔；乱弹；梆子；北管戏；二黄；腔调

（正文略）或见：“戏剧研究”网站：http://www.xiju.net/view_con.asp?id=2666

The Comparing of “Bangziqiang Evolution of The Path of Another Analysis”

                                              JiaoHaimin

   Abstract: Can be found in the earliest records of Bangziqiao in the late Ming and early Qing that is a different form, at the same time its in-house development along their path into the Ming and Qing Dynasties of China's cultural blend of opera and development tide. Documents relating to the records we need to combine the existing opera, drama concerning the Xipi-Erhuang tone to the name of a serious comparison, analysis and research, or from single-Tune to one aspect of the study, may be inconsistent with the conclusions of the actual situation. In this paper, than through the history of Bangziqiang, Luan, as well as changes in the spread of its track, the outlook Senate to "double the law of evidence" of "materials" Taiwan Beiguan opera with Erhuang Shaanxi local drama, combing through the literature In an attempt to describe Bangzi opera in different stages of development and change direction.

Key words: Bangziqiang; Qinqiang; Luan;Bangzi; Beiguan opera;Erhuang opera;qiangdiao

[题注]  此标题句系清嘉庆年间定晋岩樵叟《成都竹枝词》（成都新太平斋刊于清代嘉庆10年）组诗中的一句，原诗为“会馆虽多数陕西，秦腔梆子响高低；观场人多坐板凳，炮响酬神散一齐。”诗中反映了秦腔当年在四川地区的流布，足见“梆子腔”影响之大，观众反应亦相当热烈。诗中还反映了戏曲酬神演出的情形。