“线之间”柏林犹太博物馆
“Between the lines”The Jewish Museum Berlin

由"解构主义"建筑大师丹尼尔·里柏斯金设计的柏林犹太博物馆，占地3000平方米，位于柏林第五大道和92街交界处，；多边、曲折的锯齿造型，全面展示了德国犹太人两千年的生活历程及德国纳粹迫害屠杀犹太人的历史，已成为柏林的代表性建筑物。

The Jewish Museum Berlin designed by Deconstructionist architect Daniel Libeskind covers an area of 3000m2 and adjoins Berlin Fifth Avenue and 92 Street; the multilateral zigzag shape completely displaying the two millennia of German Jewish history and holocaust and persecution of German Nazis has been the landmark of Berlin.

设计灵感来源于奥地利作曲家勋伯格未完成话剧《摩西与亚纶》，在五线谱上画出建筑初型"线之间"；并将地图上犹太历史遗迹标出一个个点，相连成线，构成博物馆建筑外形。一条虚空的中轴将旧馆与新馆贯穿，冲破巴洛克风格的三角几何型建筑。折叠多次、连贯的锯齿形平面线条被一组排列成直线的窗户打断。博物馆外墙以镀锌铁皮构成不规则的形状，带有棱角尖的透光缝，由表及里，所有的线条、面和空间都是破碎而不规则的，寓意犹太人所受的痛苦、曲折。

The inspiration of "between the lines" was taken from the final act of Arnold Schoenberg's unfinished opera, Moses und Aron; the dots of Jewish historical sites marked out in the map were connected by lines and developed into the appearance of the building. One empty central axis slicing linearly through the entire building broke the Baroque architecture and went through the existing building and the new wing. An irregular matrix of windows cuts in all orientations across the building's facade. A thin layer of zinc coats the building's exterior, which forms the irregular shapes; lights through the gaps in the buildings come into and cut all the lines, surface and space, meaning the suffering life of Jews.



















设计 "屠杀"，"流放"和"延续"三条地下轴线，贯穿六个"虚空"展馆，分别到"屠杀塔"，"流放花园"。空空的、混凝土色的扭曲的内部展廊，没有任何装饰，只是从裂缝似的窗户和天窗透出模糊的光亮。曲折的通道、沉重的色调和灯光无不给人以精神上的震撼和心灵上的撞击。流放花园由49根混凝土柱体构成的雕塑，使人联想到犹太人沉重、艰难的经历，顶部茂密的树木显示出犹太人生生不息的奋斗精神。

The three underground axes of "Holocaust", "Exile" and "Continuity" go through the six "Void" exhibitions and arrive at "Holocaust Tower" and "Garden of Exile". The empty interior exhibitions don't have any decoration but the gaps of windows and the obscure lights. The zigzag tunnels, the serious tone and lights give people the spiritual shock. The Garden of Exile consists of 49 concrete pillars, creating a disjointed and uncomfortable experience, each with a living tree at the top, representing hope for the future.