乾隆时的珐琅彩极为盛行，造型更为奇巧雅致，纹饰更为绚丽多彩。其色彩特点为杏黄细腻而泛红，蓝色鲜艳明媚，胭脂红色浓而透明。此外，在装饰工艺上它集彩绘、描金、扎道、凸印、开光等多种工艺于一身，充分反映出乾隆时期高超的制瓷工艺水平。

Qianlong's color is very popular, the shape is more elegant, the decoration is more colorful. Its color characteristics are apricot yellow delicate and red, bright blue, red and transparent. In addition, in the decoration process it sets painting, tracing gold, zha do, convex, light and other processes in one, fully reflects the Qianlong period of superb porcelain craft level.

但乾隆珐琅彩瓷器的艺术水平总的来说要逊于雍正时期，这或许与宫廷珐琅作内人员更替和缺乏有关。尽管是乾隆时期珐琅彩瓷器的彩绘和烘烧，也几乎百分之百是在北京宫廷造办处完成的。

But the artistic level of Qianlong's porcelain is generally inferior to that of the Zheng dynasty, which may have something to do with the turnover and lack of personnel in the palace's enamel. Although it was painted and baked in Qianlong period, it was almost 100 percent done at the Beijing Court Office.

珐琅彩釉色鲜艳且柔和，很少以纯色而为粉彩型偶合色。色种多，同一物上可同时出现七、八种颜色，有时甚至多达十多种。料特点：每一图案均由多种釉色料调配而成。其釉料在烧结后，表面光滑，有玻璃质反光感，有时还可以反射出蛤蜊光效果，十分美观。釉料均凸出底釉，略高于底釉面，有明显的立体凹凸感，闭眼用手摸可明显感觉到，若用高倍放大镜可看，可以看到，在釉面上能看到极少的开光纹，这一现象用普通方式是看不出来的，这也是最重要的一个特征。而粉彩则感觉不到有明显的凹凸感。绘画与纹饰：珐琅彩瓷器的画功特别讲究，多为工笔画，细腻传神，各个朝代有所不同。如康熙时期的珐琅彩大多底色以红、黄、蓝、绿、紫、胭脂色为多。在色地上画以缠枝牡丹，折枝花卉等图案。康熙珐琅彩的特点是有花无鸟，其色彩调配比雍正、乾隆两代都略差一些。雍正时期的珐琅彩工艺比较成熟，工艺上也有所突破，釉料颜色更为丰富，雍正时期的珐琅彩也是底色加彩绘，但更多的则采用了白底加彩绘。白底彩绘能更好地突出珐琅彩釉的艳丽鲜亮。雍正珐琅彩纹饰多为山水、竹石、花鸟等图案，同时在绘画中在配以相应的诗句，融诗、书、画于一体，别有风味，显得更加高雅。雍正时期还盛行单色作画，如用胭脂红、深兰、墨彩……任选一色成画，颇有中国画风格。这是独创，特别亮丽。

The glaze is bright and soft, and rarely makes it a powdered even color. Many colors, the same thing can appear at the same time seven or eight colors, and sometimes as many as ten kinds. Material characteristics: Each pattern is made of a variety of glazed materials. Its glaze after sintering, the surface is smooth, has a glass reflective, and sometimes can reflect the effect of clam light, very beautiful. Glazes are protruding the bottom glaze, slightly higher than the bottom glaze, there is a clear three-dimensional concave sense, closed-eye hand touch can obviously feel, if you use a high magnifying glass can be seen, you can see, in the glaze can see very little light, this phenomenon is not visible in ordinary ways, this is the most important feature. The pink color does not feel obvious bumps. Painting and decoration: the painting of porcelain is particularly exquisite, mostly for the work of painting, delicate transmission of God, different dynasties. Such as Kangxi period of the color of most of the color to red, yellow, blue, green, purple, sebum color for many. Draw on the color floor to tangled peonies, folding flowers and other patterns. Kangxi color is characterized by flowers without birds, its color mix than The Zheng, Qianlong two generations are slightly worse. The color process of the period is more mature, the craft has also made a breakthrough, the glaze color is more abundant, the color of the period is also the base color plus painting, but more use of white background and painting. White-bottomed painting can better highlight the bright and bright glaze. Yu Zheng's color decoration for the landscape, bamboo stone, flowers and birds and other patterns, at the same time in the painting with the corresponding verses, poetry, books, painting in one, not with flavor, it appears more elegant. The period also popular monochrome painting, such as the use of sebum red, deep blue, ink color ... Choose a color into painting, quite a Chinese style of painting. It's original, especially brilliant.

http://5b0988e595225.cdn.sohucs.com/images/20191227/ef0efd469a1842448f4a9d3d106214b1.jpeg

高度58cmHeight 58cm

此件珐琅彩六方将军罐。瓶体修长，瑞兽加身，线条流畅，器身施珐琅彩料，以花卉纹为主，图案清晰，多姿多彩，雍容华贵。器型大方、端正，保存完好，十分难得。每个开光面边框的设计十分精巧别致，无不让人赏心悦目，整个六方图案，承上启下，表现画师深厚的功力和精湛的画艺。这件珐琅彩六方将军罐，具有珍贵的收藏价值。 乾隆时期，瓷器工艺可以说达到六方瓶，又称六棱瓶。明中晚期流行的瓶式之一，因瓶体作六棱柱形而得名。 乾隆皇帝儒雅好古，对于康熙、雍正时期遗留宫内的珐琅彩瓷更视为珍宝。除承前制继续在宫中烧制外，并为每件器物配制楠木匣钵，专门储藏于乾清宫珐琅彩瓷的专库(端凝殿)内。乾隆时期珐琅彩瓷在数量上远远超过了康、雍两朝，器型更加丰富。此时珐琅作里，群英荟萃，人才济济，有专画花鸟鱼虫的画家余省，画人物楼景的画家张廷彦，画人物花卉的画家金廷标等达17人之多。是参与画珐琅瓷器制作人员最多的时期。乾隆时期画珐琅的画匠大多来自广东、江西和宫廷，乾隆皇帝还从江西调会画磁器、会吹釉水兼炼料烧造磁器匠役胡信侯入内廷造办处。形成乾隆珐琅彩瓷“取材种类多样”、“装饰繁缛华美”的艺术特色。乾隆时烧珐琅彩瓷的地点除了延续在清宫内务府造办处外，在圆明园造办处亦有烧造。出现了珐琅彩与粉彩合绘的现象，同时多使用轧道工艺表现器物的立体效果。 瓷器部分汇集了清康熙、乾隆、嘉庆、道光等朝官窑瓷器，其中乾隆时期的一对黄地粉彩描金堆花博古纹六方瓶皇家御用瓷是本场拍卖的最大亮点，与此相仿的一件拍品曾在2007春季香港苏富比拍卖中以2272万港元的高价成交，国内目前仅见上海博物馆藏有一件器型、纹饰相同的“清雍正绿地粉彩描金堆花博古纹六角形瓶”，此件精品将会在拉斯维加斯亮相，实属难得。

This piece of colorful six-sided general cans. Bottle body slender, rui beast plus body, smooth lines, body cast color material, to flower pattern-based, clear pattern, colorful, elegant and luxurious. The instrument is generous, correct, well-preserved, very rare. Each open-light border design is very delicate and chic, all people are pleasing to the eye, the whole six-sided pattern, bearing the up and down, the performance of the artist's profound power and exquisite painting. This six-sided general can has a valuable collection value. Qianlong period, porcelain technology can be said to reach six-sided bottles, also known as six-ring bottles. One of the most popular bottles in the middle and late Ming Dynasty, named for the bottle body as a six-prism. Qianlong Emperor Confucian good ancient, for Kangxi, Gong Zheng period left in the palace of the enamel porcelain is more regarded as a treasure. In addition to the pre-production system continues to burn in the palace, and for each piece of objects prepared Nanmu box, specially stored in the Qianqing Palace color porcelain library (end of the temple). Qianlong period enamel in the number far more than Kang, Gong two dynasties, more abundant instrument type. At this time, the composition, the group of English, talent, there is a special painting of flowers and birds fish insect situ painter Yu Province, painting the figure of the painter Zhang Tingyan, painting the figure of flowers painter Jin Tingbiao and so on as many as 17 people. Is involved in the painting of porcelain production staff of the period. Qianlong period painters are mostly from Guangdong, Jiangxi and the court, Qianlong emperor also from Jiangxi to draw magnets, can blow glazed water and refining magnets to burn magnets artisan Hu Xinhou into the Inner Court. The formation of Qianlong color porcelain "from a variety of materials", "decorative and beautiful" artistic characteristics. In addition to the place where Qianlong burned the porcelain, it was also burned in the Yuanmingyuan Office, in addition to the construction office of the Qing Palace House. There is a phenomenon of color and pink painting, while the use of rolling process performance objects of the three-dimensional effect. Porcelain part brings together QingKangxi, Qianlong, Jiaqing, Daoguang and other official kiln porcelain, including Qianlong period of a pair of yellow-colored pink paint gold pile flower Bo ancient six-sided bottle royal royal porcelain is the biggest highlight of this auction, similar to a piece of auction in the spring of 2007 at Sotheby's in Hong Kong sold for 22.72 million Hong Kong dollars, At present, only see the Shanghai Museum contains a piece of instrument-type, the same decoration of the "Qingyu Zheng green space pink paint gold pile flower Bo ancient hexagonal bottle", this piece of fine will be unveiled in Las Vegas, it is rare.