乾隆时的官、民器中以金彩描绘山水人物、翎毛、花卉，或以书写整篇词赋等。常见有珐琅彩、斗彩、古铜彩及粉彩、冬青、紫釉、红釉、蓝釉等，官窑以金彩绘纹饰或诗句的，皆为创新的精细之作。所见加金彩的器物不胜枚举，金色黄澄醒目，金碧辉煌，成色远胜清代后期。乾隆瓷不惜工本，动辄加金彩的工艺，体现了崇尚华贵艳丽的典型时代风尚。

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            金描填彩的常见于松石绿地，且小件器居多，乾隆晚期及嘉庆早期多见。http://s11/middle/94b41492gc59dd6ce5faa&690

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    嘉庆早期官窑虽少，但较为精致、规整，与乾隆器相同。精细之器多加金彩，其中以彩器为上。嘉庆后期的瓷器釉面稀薄不够均匀，泛青光润不足，彩色厚薄不一。较前期厚者色重，薄者浅淡。官窑器中出现帽筒，渐次取代了以前的圆球形带座冒架。

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