2018年3月SAT亚太真题阅读小说文章原文

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梅錫斯的《海蒂十二族》優美而沉重,從頭到尾都與人驚嘆──讀來令人既愉快又悲痛,更沒想到還能讓人感到振奮,熊熊燃燒著生命力。梅錫斯初試啼聲,便引人入勝,扣人心弦,刻畫出主人翁頑強抵抗無法克服的逆境,一而再再而三地描繪出人類精神的強韌和驅動美國夢的力量,在現代小說界宣示了重要的新代言人即將登場。
选自:《The Twelve Tribes of Hattile》 @2012
作者:Ayana Mathis
内容简介:透過一個令人難以忘懷的家庭所經歷的重重試煉,以二十世紀美國黑人往北移居之「大遷徙」為背景,梅錫斯娓娓道來一群孩童的故事,有愛有恨,還有新美國的應允。
一九二三年,十五歲的海蒂薛珀逃離喬治亞,到費城定居,望能建立更好的生活。卻嫁給了一個除了挫折以外什麼都不能給她的男人,無助地看著頭胎的雙生兒死於幾分錢就能預防的疾病。海蒂又生了九個孩子,以過人的勇氣和毅力養大,但他們從她身上得不到一絲極為渴望的溫柔。她發誓要讓孩子們有能力面對成人後一定會碰到的悲慘困境,去面對不會愛他們、一點也不和善的世界。本書分成十二條清楚易懂的支線,訴說一名母親無比的勇氣,以及美國一路走來的模樣。梅錫斯的《海蒂十二族》優美而沉重,從頭到尾都與人驚嘆──讀來令人既愉快又悲痛,更沒想到還能讓人感到振奮,熊熊燃燒著生命力。梅錫斯初試啼聲,便引人入勝,扣人心弦,刻畫出主人翁頑強抵抗無法克服的逆境,一而再再而三地描繪出人類精神的強韌和驅動美國夢的力量,在現代小說界宣示了重要的新代言人即將登場。
THIRTY-TWO HOURS AFTER Hattie and her mother and sisters crept
through the Georgia woods to the train station, thirty-two hours on
hard seats in the commotion of the Negro car, Hattie was startled
from a light sleep by the train conductor’s bellow, “Broad
StreetStation, Philadelphia!” Hattie clambered from the train, her
skirt still hemmed with Georgia mud, the dream of Philadelphia
round as a marble in her mouth and the fear of it a needle in her
chest. Hattie and Mama, Pearl and Marion climbed the steps from the
train platform up into the main hall of the station. It was dim
despite the midday sun. The domed roof arched. Pigeons cooed in the
rafters. Hattie was only fourteen then, slim as a finger. She stood
with her mother and sisters at the crowd’sedge, the four of them
waiting for a break in the flow of people so they too might move
toward the double doors at the far end of the station. Hattie
stopped into the multitude. Mama called, “Come back! You’ll be lost
in all those people. You’ll be lost!” Hattie looked back in panic;
she thought her mother was right behind her. The crowd was too
thick for her to turn back, and she was borne along on the current
of people. She gained the double doors and was pushed out onto a
long sidewalk that ran the length of the station.
The
main thoroughfare was congested with more people than Hattie had
ever seen in one place. The sun was high. Automobile exhaust hung
in the air alongside the tar smell of asphalt softening in the heat
and the sickening odor of garbage rotting. Wheels rumbled on the
paving stones, engines revved, paperboys called the headlines.
Across the street a man in dirty clothes stoodon the corner wailing
a song, his hands at his sides, palms upturned.Hattieresisted the
urge to cover her ears to block the rushing city sounds. Shesmelled
the absenceof trees before she saw it. Things were bigger
inPhiladelphia—that was true—and therewasmore of everything, too
much of everything. But Hattie did not see apromised land in
thistumult. It was, she thought, only Atlanta on a largerscale. She
could manage it. But even asshe declared herself adequate to
thecity, her knees knocked under her skirt and sweat rolleddown her
back. Ahundred people had passed her in the few moments she’dbeen
standing outside,but none of them were her mother and sisters.
Hattie’s eyes hurt with the effort of scanningthe faces of the
passersby.
A
cart at the end of the sidewalk caught her eye. Hattie had
neverseen a flower vendor’scart. A white man sat on a stool with
hisshirtsleeves rolled and his hat tipped forwardagainst the sun.
Hattie set hersatchel on the sidewalk and wiped her sweaty palms on
herskirt. A Negro womanapproached the cart. She indicated a bunch
of flowers. The white manstood—he did not hesitate, his body didn’t
contortinto a posture of menace—and took theflowers from abucket.
Before wrapping them in paper, he shook the water gently from
thestems.The Negro woman handed him the money. Had their hands
brushed?
As
the woman with the flowers took her change and moved to put itin
her purse, she upset threeof the flower arrangements. Vases and
blossomstumbled from the cart and crashed on to thepavement. Hattie
stiffened, waitingfor the inevitable explosion. She waited for the
otherNegroes to step back andaway from the object of the violence
that was surely coming. Shewaited for themoment in which she would
have to shield her eyes from the woman andwhateverhorror would
ensue. The vendor stooped to pick up the mess. The Negrowoman
gestured
apologetically and reached into her purse again, presumably to
payfor what she’d damaged. Ina couple of minutes it was allsettled,
and the woman walked on down the street with her nosein the paper
coneof flowers, as if nothing had happened.
Hattie looked more closely at the crowd on the sidewalk. TheNegroes
did not step into thegutters to let the whites pass and they did
notstare doggedly at their own feet. Four Negrogirls walked by,
teenagers likeHattie, chatting to one another. Just girls in
conversation,giggling and easy,the way only white girls walked and
talked in the city streets ofGeorgia.Hattie leaned forward to watch
them progress down the block. At last,her mother and sistersexited
the station and came to stand next to her. “Mama,” Hattie said.
“I’llnever go back.Never.”