一《春》（1865年） 

春天是怎么来的

 

春天就是有过爱的姑娘，

被最心仪的爱迷失了方向，

我告诉你吧，她们为了爱情，

化成了你眼前的春天景象。

当她们向田野河岸告别，

悲泣中有动人的心伤，

但我告诉你，她们原本相同，

除了名字，其它都一模一样。

 

How Springs Came First

 

These springs were maidens once that loved,
But lost to that they most approved:
My story tells, by Love they were
Turn'd to these springs which we see here:
The pretty whimpering that they make,
When of the banks their leave they take,
Tells ye but this, they are the same,
In nothing changed but in their name.

二《无言的歌》（1875年）

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柳树

 

唯一的树啊，在这世界上，

为了失落的爱而生长，

在痛苦中挣扎的少男少女们，

来这里包扎爱的创伤。

 

当爱人的玫瑰失去芳香，

被抛弃在一旁，

头上的柳枝翠环，

挂着泪珠，已然枯黄。

 

当被狠心的爱人遗忘，

可怜少女的仅有珍藏，

是从那远去的爱中，

花圈里编织的迷惘。

 

躲进你树荫的清凉，

憔悴的暮色苍茫，

那些被爱刺伤的少男少女，

来彻夜哭出他们的悲伤。

 

To The Willow-Tree

 

Thou art to all lost love the best,
The only true plant found,
Wherewith young men and maids distrest
And left of love, are crown'd.

When once the lover's rose is dead
Or laid aside forlorn,
Then willow-garlands, 'bout the head,
Bedew'd with tears, are worn.

When with neglect, the lover's bane,
Poor maids rewarded be,
For their love lost their only gain
Is but a wreath from thee.

And underneath thy cooling shade,
When weary of the light,
The love-spent youth, and love-sick maid,
Come to weep out the night.

 

三《埃拉加巴卢斯的玫瑰》（1888年）

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致伊莱克卓

  

不敢请求一个亲吻，

不敢乞求一个微笑，

你的爱, 神圣纯真，

拥有它, 生命充满自豪。

 

不，那只是一个奢望，

去亲吻你花园里的空气，

它充满着芳香，

弥漫着你的气息。

 

TO ELECTRA

  

I dare not ask a kiss,

I dare not beg a smile,

Lest having that, or this,

I might grow proud the while.

 

No no, the utmost share

Of my desire shall be

Only to kiss that air

That lately kissed thee.

 

四，《四重奏：一个画家对音乐艺术的赞颂》（1868年）

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音乐

 

迷人的起奏回荡在耳旁，

你的魅力催我热泪盈眶，

随着你的手滑过了琴弦，

我的魂魄烈焰一样疯狂，

轻轻地转入了银铃终曲，

再还我香脂香油般舒畅。

 

To Music

 

Begin to charm, and as thou strok'st mine ears
With thine enchantment, melt me into tears.
Then let thy active hand scud o'er thy lyre,
And make my spirits frantic with the fire;
That done, sink down into a silvery strain,
And make me smooth as balm and oil again.

 

 五《克琳娜，达格尔的宁芙女神》，（1880年）

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朱丽叶的衣裳 

我的朱丽叶，漫步，春风习习，

身披绸丝，似月下的小溪，

是什么使它荡漾涟漪？

 

当它吸引着我的眼睛，

激情的波浪, 阅目赏心，

啊！那晶光，溶进了我的情。

 

UPON JULIA'S CLOTHES

  

Whenas in silks my Julia goes,

Why then, methinks, how sweetly flows

The liquefaction of her clothes!

 

Next, when I cast mine eyes and see

That brave vibration each way free,

- O how that glittering taketh me!

六，《古典美》，(1906年)

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好运来到

 

好运来到，在我的屋顶降临，

像雪片的宁静，夜露的晶莹，

不是骤然而聚，而是似轻柔的阳光，

一下一下地逗着树儿高兴。

 

The Coming of Good Luck

 

So Good-Luck came, and on my roof did light,
Like noiseless snow, or as the dew of night;
Not all at once, but gently,--as the trees
Are by the sun-beams, tickled by degrees.

七《农妇》，(1872年)

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论人

 

人本二分灵与物，

先是自然后艺术，

艺术来源于自然，

自然神通人折服。

 

Upon Man

 

Man is composed here of a twofold part;
The first of nature, and the next of art;
Art presupposes nature; nature, she
Prepares the way for man's docility.

八《海边捡拾鹅卵石的希腊女孩》，（1871年）

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欧洲油画来自网络

诗歌来自木草堂先生博客