CLOTHES are to us what fur and feathers are to beasts and birds;
they not only add to our appearance, but they are our appearance.
How we look to others entirely depends upon what we wear and how we
wear it; manners and speech are noted afterward, and character last
of all. In the community where we live, admirableness of character
is the fundamental essential, and in order to achieve a position of
importance, personality is also essential; but for the transient
impression that we make at home, abroad, everywhere in public, two
superficial attributes are alone indispensable: good manners and a
pleasing appearance. It is not merely a question of vanity and
inclination. In New York, for instance, a woman must dress well, to
pay her way. In the world of smart society—in America at any
rate—clothes not only represent our ticket of admission, but our
contribution to the effect of a party. What makes a brilliant
party? Clothes! Good clothes!
Fashion Has Little in Common with
Beauty
Fashion ought to be likened to a tide
or epidemic; sometimes one might define it as a sort of hypnotism,
seemingly exerted by the gods as a joke. Fashion has the power to
appear temporarily in the guise of beauty, though it is the
antithesis of beauty nearly always. If you doubt it, look at old
fashion plates. Even the woman of beautiful taste succumbs
occasionally to the epidemics of fashion, but she is more immune
than most. All women who have any clothes sense whatever know more
or less the type of things that are their style—unless they have
such an attack of fashionitis as to be irresponsibly
delirious.
To describe any details of
dress, that will not be as “queer” tomorrow as today’s fashions are
bound to be, would seem at the outset pretty much like writing
about next year’s weather. And yet, there is one unchanging
principle which must be followed by every woman, man and child that
is well dressed—suitability. Nor does suitability mean merely that
you must choose clothes suitable to your age and appearance, and
that you must get a ball dress for a ball, and a street dress to
walk in; it means equally that you must not buy clothes out of
proportion to your income, or out of keeping with your
surroundings.
Disproportionate Expenditure is
Bad Taste
About fifteen years ago the
extravagance in women’s dress reached such a high-water mark that
it was not unheard of for a New York woman to spend a third of her
husband’s income on clothes. All women of fashion bought clothes
when it would not have occurred to them to buy furniture—when it
would have seemed preposterous to buy a piece of jewelry—but
clothes, clothes, and more clothes, each more hand-embroidered than
the last, until just as it seemed that no dress was fit to be seen
if it hadn’t a month or two of some one’s time embroidered on it,
the work on clothes subsided, until now we are at the other
extreme; no work is put on them at all. At least, clothes today are
much more sensible, and let us hope the sense will be
lasting.
Vulgar Clothes
Vulgar clothes are those which, no
matter what the fashion of the moment may be, are always too
elaborate for the occasion; too exaggerated in style, or have
accessories out of proportion. People of uncultivated taste are apt
to fancy distortions; to exaggerate rather than modify the
prevailing fashions.
For example: A conspicuous evidence of
bad style that has persisted through numberless changes in fashion,
is the over-dressed and over-trimmed head. She will elaborate her
hairdressing to start with and then she will “decorate” it with
everything in the way of millinery and jewelry that she can lay her
hands on. Or, in the daytime, she fancies equally over-weighted
hats, and rich-looking fur coats and the latest edition in the most
conspicuous possible foot-wear. And she much prefers wearing rings
to gloves. Maybe she thinks they do not go together? She despises
sensible clothing; she also despises plain fabrics and untrimmed
models. She also cares little for staying at home, since she is
perpetually seen at restaurants and at every public entertainment.
The food she orders is rich, the appearance she makes is rich; in
fact, to see her often is like nothing so much as being forced to
eat a large amount of butter—plain.
When one attracted too much
notice, one could be sure of being not well-dressed but
over-dressed, has for a hundred years been the comfort of the
dowdy. It is, of course, very often true, but not invariably. A
person may be stared at for any one of many reasons. It depends
very much on the stare. A woman may be stared at because she is
indiscreet, or because she looks like a left-over member of the
circus, or because she is enchanting to look at. If you are much
stared at, what sort of a stare do you usually meet? Is it bold, or
mocking, or is it merely that people look at you wistfully? If the
first, change your manner; if the second, wear more conventional
clothes; if the third, you may be left as you are. But be sure of
your diagnosis of this last.
Dress for Dinners and
Balls
Supposing, since
clothes suitable to the occasion are the first requisite of good
taste, we take up a few details that are apart from fashion. A
dinner dress really means every sort of low, or half low evening
dress. A formal dinner dress, like a ball dress, is always
low-necked and without sleeves, and is the handsomest type of
evening dress that there is. A ball dress may be exquisite in
detail but it is often merely effective. The perfect ball dress is
one purposely designed with a skirt that is becoming when dancing.
A long wrapped type of dress would make Diana herself look like a
toy monkey-on-a-stick, but might be dignified and beautiful at a
dinner. A dinner dress differs from a ball dress in little except
that it is not necessarily designed for freedom of
movement.
Hair ornaments
always look well at a ball but are not especially appropriate
unless universally in fashion on other occasions. A lady in a ball
dress with nothing added to the head, looks a little like being
hatless in the street. This sounds like a contradiction of the
criticism of the vulgarian. But because a tiara is beautiful at a
ball, or a spray of feathers, or a high comb, or another ornament,
does not mean that all of these should be put on together and worn
in a restaurant; which is just what the vulgarian would do.
Whether, to wear a head-dress, however, depends not alone upon
fashion but upon the individual. If the type of hair ornament at
the moment in fashion is becoming, wear it, especially to balls and
in a box at the opera. But if it is not becoming,
don’t.
Ladies of fashion,
by the way, do not have their hair especially dressed for formal
occasions. Each wears her hair a certain way, and it is put up
every morning just as carefully as for a ball. The only time it is
arranged differently is for riding. An informal dinner dress is
merely a modified formal one. It is low in front and high in the
back, with long or elbow sleeves—or perhaps it is Dutch neck and no
sleeves. When trains are in fashion, all older women should wear
them. Fashion or no fashion, no woman who has passed forty looks
really well in a cut-off evening dress. An effect of train,
however, can very adequately be produced with any arrangement or
trimming that extends upon the floor. The informal dinner dress is
worn to the theater, the restaurant (of high class), the concert
and the opera. Informal dinner dresses are worn in the boxes at the
opera on ordinary nights, such as when no especially great star is
to sing, and when one is not going on to a ball afterward, but a
ball dress is never inappropriate, especially without head-dress.
There is one rule that is fairly safe to follow: When in doubt,
wear the plainer dress. It is always better far to be under-dressed
than over-dressed. If you don’t know whether to put on a ball dress
or a dinner dress, wear the dinner dress. Or, whether to wear cloth
or brocade to a luncheon, wear the cloth.
Country Clothes and Habit
Nothing
so marks the “person who doesn’t know” as inappropriate choice of
clothes. To wear elaborate clothes out of doors in the country, is
quite as out of place as to parade “sports” clothes on the streets
in town. It is safe to say that “sport” clothes are appropriate
country clothes—especially for all young people. Young people going
to the country for the day wear sports clothes; which if seen early
in the morning in town and again late in the afternoon, merely show
you have been to the country. But town clothes in the country
proclaim your ignorance of fitness. Sport shoes are naturally
adapted to the sport for which they are intended. High-heeled
slippers do not go with any country clothes, except organdie or
muslins or other distinctly feminine “summer” dresses. Elaborate
afternoon dresses of “painted” chiffons, embroidered mulls, etc.,
are seen only at weddings, lawn parties, or at watering-places
abroad.
Never mind if you look like Mme. Recamier with your hair fluffed
and like a skinned rabbit with it tight back, tight, flat back it
must go. Brush it smooth as you can, braid it or coil it about
level with the top of your ears and wind it in a door mat, not a
knob in the back. If you have a great quantity of hair, you should
take all the inner part of it, coil it on top of your head so it
will go under your hat out of the way. Then take the outer edge of
it and braid or wind it as flat as possible. A large bun at the
back of the head is almost as bad as hair drawn over the ears at
the side. If you have short hairs likely to blow, you must wear a
hunting hair net. And if it is bobbed, it must be drawn back into a
silk riding net and made to look trim.
When the Income is
Limited
No one can dress well on nothing a
year; that must be granted at the outset. But a woman who has
talent, taste, and ingenuity can be suitably and charmingly dressed
on little a year, especially at present.
First of
all, to mind wearing a dress many times because it indicates a
small bank account, is to exhibit a false notion of the values in
life. Any one who thinks well or ill of her, in accordance with her
income, can not be too quickly got rid of! But worthwhile people
are influenced in her disfavor when she has clothes in number and
quality out of proportion to her known financial
situation.
It is tiresome
everlastingly to wear black, but nothing is so serviceable, nothing
so unrecognizable, nothing looks so well on every occasion. A very
striking dress can not be worn many times without making others as
well as its owner feel bored at the sight of it. “Here comes the
Zebra” or “the Cockatoo!” is inevitable if a dress of stripes or
flamboyant color is worn often. She who must wear one dress through
a season and have it perhaps made over the next, would better
choose black or cream color. Or perhaps a certain color suits her,
and this fact makes it possible for her habitually to wear it
without impressing others with her lack of clothes.
Supposing you
are a young woman with more beauty than wealth! Let us also suppose
you have three evening dresses, a blue, a pink and a green. At the
moment you can wear flesh-colored slippers and stockings with
everything, which rather weakens the argument—however, a blue fan
does not look well with a pink or a green dress, nor do the other
combinations. Supposing, however, you had instead a cream-colored
dress, a flesh-colored, and an orchid one. Flesh-colored slippers
look much better with cream and orchid than with either green or
blue, at any rate! A watermelon pink fan is lovely in night-light
with all three; so is a cream one. Or perhaps by changing both fan
and slippers, a different effect is produced, since the colors of
your clothes are background colors.
Don’t Get too Many Clothes
Choose the clothes which
you must have, carefully, and if you must cut down, cut down on
elaborate ones. There is scarcely anywhere that you can not
fittingly go in plain clothes. Very few, if any, people need fancy
things; all people need plain ones.
A very beautiful Chicago
woman who is always perfectly dressed for every occasion, worked
out the cost of her own clothes this way: On a sheet of paper,
thumb tacked on the inside of her closet door, she put a complete
typewritten list of her dresses and hats, and the cost of each.
Every time she put on a dress she made a pencil mark. By and by
when a dress was discarded, she divided the cost of it by the
number of times it had been worn. In this way she found out
accurately which were her cheapest and which her most expensive
clothes. When getting new ones she has the advantage of very
valuable information, since she avoids the dress that is never put
on, which is a bigger handicap for the medium-sized allowance than
many women realize.
A Few General Remarks
The fault of bad taste is usually in
over-dressing. Quality not effect, is the standard to seek for. Cut
and fit are the two items of greatest importance in women’s
clothes, as well as in men’s. But fashion changes too rapidly to
make value of material always wise expenditure for one of slender
purse. Better usually have two dresses, each cut and made in the
whim of the moment, than one which must be worn after the whim has
become a freak. In men’s clothes the opposite rule should be
followed since good style in men’s clothes is
unchanging.
To buy things at sales is
very much like buying things at an auction; if you really know what
you want and something about values, you can often do marvellously
well; but if you are easily bewildered and know little of values,
you are apt to spend your good money on trash. A woman of small
means must either be (or learn to be) discriminatingly careful, or
she would better have her clothes made at home, or if she is of
“model” type, buy them ready-made. The ready-to-wear clothes in the
Misses’ Department are growing every year better looking;
unfortunately and for some inexplicable reason, the usual Women’s
Department does not compare in good taste in selection of models
with the former, and it is unusual to find a dress that a lady of
fashion would choose except among the imported models, for which
store prices are as a rule higher than those asked by the greatest
dressmakers. Evening clothes are still usually unbuyable by the
over-fastidious, and the ultra-smart woman is still obliged to go
to the private importers for her daughter’s ball-dresses as well as
her own—or else into her own sewing-room.
The Clothes of a Gentleman
If you
would dress like a gentleman, you must do one of two things; either
study the subject of a gentleman’s wardrobe until you are competent
to pick out good suits from freaks and direct your misguided
tailor, or, at least until your perceptions are trained, go to an
English one. This latter method is the easiest, and, by all odds,
the safest. It is not Anglomania but plain common sense to admit
that, just as the Rue de la Paix in Paris is the fountainhead of
fashions for women, Bond Street in London is the home of
irreproachable clothes for men. And yet, curiously enough, just as
a woman shopping in Paris can buy frightful clothes—or the most
beautiful; a man can in America buy the worst clothes in the
world—and the best. However, let us suppose that you are either
young, or at least fairly young; that you have unquestioned social
position, and that you are going to get yourself an entire
wardrobe. Let us also suppose your money is not unlimited, so that
it may also be seen where you may not, or may if necessary,
economize.
The Business Suit
The business suit or
three-piece sack is made or marred by its cut alone. It is supposed
to be an every-day inconspicuous garment and should be. A few rules
to follow are:
Don’t choose striking
patterns of materials; suitable woolen stuffs come in endless
variety, and any which look plain at a short distance are “safe,”
though they may show a mixture of colors or pattern when viewed
closely.
Don’t get too light a blue,
too bright a green, or anything suggesting a horse blanket. At the
present moment trousers are made with a cuff; sleeves are not.
Lapels are moderately small. Padded shoulders are an abomination.
Peg-topped trousers equally bad. If you must be eccentric, save
your efforts for the next fancy dress ball, where you may wear what
you please, but in your business clothing be
reasonable.
Above everything, don’t
wear white socks, and don’t cover yourself with chains, fobs, scarf
pins, lodge emblems, etc., and don’t wear “horsey” shirts and
neckties. You will only make a bad impression on every one you
meet. The clothes of a gentleman are always conservative; and it is
safe to avoid everything that can possibly come under the heading
of “novelty.”
Other Hints
The well-dressed man is
always a paradox. He must look as though he gave his clothes no
thought and as though literally they grew on him like a dog’s fur,
and yet he must be perfectly groomed. He must be close-shaved and
have his hair cut and his nails in good order (not too polished).
His linen must always be immaculate, his clothes “in press,” his
shoes perfectly “done.” His brown shoes must shine like old
mahogany, and his white buckskin must be whitened and polished like
a prize bull terrier at a bench show. Ties and socks and
handkerchief may go together, but too perfect a match betrays an
effort for “effect” which is always bad. The well-dressed man never
wears the same suit or the same pair of shoes two days running. He
may have only two suits, but he wears them alternately; if he has
four suits he should wear each every fourth day. The longer time
they have “to recover” their shape, the better.
What to Wear on Various
Occasions
The appropriate clothes for
various occasions are given below. If ever in doubt what to wear,
the best rule is to err on the side of informality.
Clothes
|
Occasions
|
FULL DRESS
|
At the opera.
|
At an evening wedding.
|
At a dinner to which the invitations are
worded in the third person.
|
At a ball, or formal evening
entertainment.
|
At certain State functions on the Continent of
Europe in broad daylight.
|
TUXEDO
|
At the theater.
|
Dining in a restaurant.
|
At most dinners.
|
At informal parties.
|
Dining at home.
|
BUSINESS SUITS
|
All informal daytime occasions.
|
Traveling.
|
The coat of a blue suit with white flannel or
duck trousers for a lunch, or to church, in the country.
|
A blue or black sack suit will do in place of
a cutaway at a wedding, but not if you are the groom or an
usher.
|
COUNTRY CLOTHS
|
Only in the country.
|
To wear odd tweed coats and flannel trousers
in town is not only inappropriate, but bad taste.
|
A Few Tips
Always:
Dress in a simple and clean manner.
Wear underwear and makeup that will not
attract attention
Wear plain shoes with closed heels and
toes.
Err on the conservative side if you are
uncertain
Select clothing a step more formal than the
job you are interviewing for.
Never:
Wear anything sexy for an
interview.
Wear any kind of knitted garment.
Dress in men’s clothes
Wear a fad item or new fashion.
Wear anything too bold, bright or sharply
contrasting
Wear anything with a designer’s name or logo
showing.
Advice:
Clean and polished dress shoes are
imperative. Suit, shirt and
skirt should be clean and pressed.
Hair should he well-groomed.
Make sure fingernails cleaned and trimmed.
Avoid perfume (some people are
allergic).
Avoid flashy jewelry and watches. Keep it simple.
Well-brushed teeth and fresh breath are a
must.
Finally, check your attire in the rest room
just before your interview and make sure you are ready for the
moment.
(鲁东大学 滕延江 整理)