​清代·何绍基书法对联大全200副

李叔同是著名音乐家、美术教育家、书法家、戏剧活动家，是中国话剧的开拓者之一。他从日本留学归国后，担任过教师、编辑之职，后剃度为僧，法名演音，号弘一，晚号晚晴老人，后被人尊称为弘一法师。

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八指头陀、曼殊上人和弘一法师三位是近、现代最著名的爱国诗僧。

八指头陀专精于诗；曼殊上人能诗，能画，能文，能翻译；弘一法师则更为多才多艺，他除了精诣诗、词、文、画，还能演剧弹琴，书法和金石也得心应手。

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物忌全胜，事忌全美，人忌全盛，涵容以待人，恬淡以处世。

—— 弘一法师

德胜者，其心平和，见人皆可取，故口中所许可者多。德薄者，其心刻傲，见人皆可憎，故目中所鄙弃者众。

—— 弘一法师

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修己以清心为要，涉世以慎言为先。恶莫大于纵己之欲，祸莫大于言人之非。

—— 弘一法师

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人生最不幸处，是偶一失言，而祸不及；偶一失谋，而事幸成；偶一恣行，而获小利。后乃视为故常，而恬不为意。则莫大之患，由此生矣。

—— 弘一法师

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穷天下之辩者，不在辩而在讷。伏天下之勇者，不在勇而在怯。

—— 弘一法师

喜闻人过，不如喜闻己过。乐道己善，何如乐道人善。

—— 弘一法师

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于作事，必克己谨严，要做到极致。于生活，应戒绝奢华，一切从简。

—— 弘一法师

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修己，以清心为要。涉世，以慎言为先。律己，宜带秋气。处世，须带春风。心术，以光明笃实为第一。容貌，以正大老成为第一。言语，以简重真切为第一。不自重者，取辱。不自畏者，招祸。恶，莫大于纵己之欲。祸，莫大于言人之非；施之君子，则丧吾德，施之小人，则杀吾身。

—— 弘一法师

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律己，宜带秋气；处世，须带春风。

——弘一法师

何绍基行书

正气磅礴.恣意纵横.遒劲跌宕

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王羲之圣教序风格集字春联分享给大家。

这些字大都集于怀仁集王羲之圣教序，圣教序全称为《大唐三藏圣教序》，最早由唐初四大书法家之一的褚遂良所书，称为《雁塔圣教序》，后由沙门怀仁从王羲之书法中集字，刻制成碑文，称《唐集右军圣教序并记》，或《怀仁集王羲之书圣教序》，因碑首横刻有七尊佛像，又名《七佛圣教序》。这批圣教序集字春联都有配套的横批，希望对临习圣教序的书友写春联有帮助。

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老子道德经

原文 译文 注释 引语 评析 解读 

《老子·道德经》原文及註繹 刘先银 編註 

刘先银题写书名《道德经》

《老子·道德经》原文及註繹刘先银整理编绎

体道章第一 【老子·第一章】 道可道非常道

道可道，非常道。名可名，非常名。无，名天地之始，有，名万物之母。故常无，欲以观其妙；常有，欲以观其徼（jiao）。此两者同出而异名，同谓之玄，玄之又玄，众妙之门。

养身章 第二 【老子·第二章】天下皆知美之为美

天下皆知美之为美，斯恶已。皆知善之为善，斯不善已。故有无相生，难易相成，长短相较，高下相倾，音声相和，前后相随。是以圣人处无为之事，行不言之教；万物作焉而不辞，生而不有，为而不恃，功成而弗居。夫唯弗居，是以弗去。

第三章不尚贤，使民不争；不贵难得之货，使民不为盗；不见可欲，使民心不乱。是以圣人之治，虚其心，实其腹，弱其志，强其骨。常使民无知无欲。使夫智者不敢为也。为无为，则无不治。

第四章道冲而用之或不盈，渊兮似万物之宗；挫其锐，解其纷，和其光，同其尘，湛（chén，通假字“沉”）兮似或存。吾不知谁之子，象帝之先。

万物各得其和以生，各得其养已成。

道者，同于道；德者，同于德；

玄牝之门，是谓天地根。

功遂身退，天之道也。

凡益之道，与时偕行。