Report from the Besieged City
Too old to carry arms and fight like the others -
they graciously gave me the inferior role of chronicler
I record - I don't know for whom - the history of the siege
I am supposed to be exact but I don't know when the invasion began
two hundred years ago in December in September perhaps yesterday at dawn
everyone here suffers from a loss of the sense of time
all we have left is the place the attachment to the place
we still rule over the ruins of temples spectres of gardens and houses
if we lose the ruins nothing will be left
I write as I can in the rhythm of interminable weeks
monday: empty storehouses a rat became the unit of currency
tuesday: the mayor murdered by unknown assailants
wednesday: negotiations for a cease-fire the enemy has imprisoned our messengers
we don't know where they are held that is the place of torture
thursday: after a stormy meeting a majority of voices rejected
the motion of the spice merchants for unconditional surrender
friday: the beginning of the plague saturday: our invincible defender
N.N. committed suicide sunday: no more water we drove back
an attack at the eastern gate called the Gate of the Alliance
all of this is monotonous I know it can't move anyone
I avoid any commentary I keep a tight hold on my emotions I write about the facts
only they it seems are appreciated in foreign markets
yet with a certain pride I would like to inform the world
that thanks to the war we have raised a new species of children
our children don’t like fairy tales they play at killing
awake and asleep they dream of soup of bread and bones
just like dogs and cats
in the evening I like to wander near the outposts of the city
along the frontier of our uncertain freedom.
I look at the swarms of soldiers below their lights
I listen to the noise of drums barbarian shrieks
truly it is inconceivable the City is still defending itself
the siege has lasted a long time the enemies must take turns
nothing unites them except the desire for our extermination
Goths the Tartars Swedes troops of the Emperor regiments of the Transfiguration
who can count them
the colours of their banners change like the forest on the horizon
from delicate bird's yellow in spring through green through red to winter's black
and so in the evening released from facts I can think
about distant ancient matters for example our
friends beyond the sea I know they sincerely sympathize
they send us flour lard sacks of comfort and good advice
they don’t even know their fathers betrayed us
our former allies at the time of the second Apocalypse
their sons are blameless they deserve our gratitude therefore we are grateful
they have not experienced a siege as long as eternity
those struck by misfortune are always alone
the defenders of the Dalai Lama the Kurds the Afghan mountaineers
now as I write these words the advocates of conciliation
have won the upper hand over the party of inflexibles
a normal hesitation of moods fate still hangs in the balance
cemeteries grow larger the number of defenders is smaller
yet the defence continues it will continue to the end
and if the City falls but a single man escapes
he will carry the City within himself on the roads of exile
he will be the City
we look in the face of hunger the face of fire face of death
worst of all - the face of betrayal
and only our dreams have not been humiliated
1982
tr. John & Bogdana Carpenter
The Trial
During his great speech the prosecutor
kept piercing me with his yellow index finger
I'm afraid I didn't appear self-assured
unintentionally I put on a mask of fear and depravity
like a rat caught in a trap an informer a fratricide
the reporters were dancing a war dance
slowly I burned at a stake of magnesia
all of this took place in a small stifling room
the floor creaked plaster fell from the ceiling
I counted knots in the boards holes in the wall faces
the faces were alike almost identical
policemen the tribunal witnesses the audience
they belonged to the party of those without any pity
and even my defender smiling pleasantly
was an honorary member of the firing squad
in the first row sat an old fat woman
dressed up as my mother with a theatrical gesture she raised
a handkerchief to her dirty eyes but didn't cry
it must have lasted a long time I don't know even how long
the red blood of the sunset was rising in the gowns of the judges
the real trial went on in my cells
they certainly knew the verdict earlier
after a short rebellion they capitulated and started to die
one after the other
I looked in amazement at my wax fingers
I didn't speak the last word and yet
for so many years I was composing the final speech
to God to the court of the world to the conscience
to the dead rather than the living
roused to my feet by the guards
I managed only to blink and then
the room burst out in healthy laughter
my adoptive mother laughed also
the gavel banged and this really was the end
but what happened after that – death by a noose
or perhaps a punishment generously chained to a dungeon
I’m afraid there is a third dark solution
beyond the limits of time the senses and reason
therefore when I wake I don't open my eyes
I clench my fingers don't lift my head
breathe lightly because truly I don't know
how many minutes of air I still have left
tr. John & Bogdana Carpenter
Parable of the Russian Émigrés
It was in the year twenty
or perhaps twenty-one
the Russian émigrés
came to us
tall blond people
with visionary eyes
and women like a dream
when they crossed the market-place
we used to say – migratory birds
they used to attend the soirées of the gentry
everyone would whisper – look what pearls
but when the lights of the ball were extinguished
helpless people remained
the grey newspapers were continuously silent
only solitaire showed pity
the guitars beyond the windows would cease playing
and even dark eyes faded
in the evening a samovar with a whistle
would carry them back to their family railway-stations
after a couple of years
only three of them were spoken about
the one who went mad
the one who hanged himself
she to whom men used to come
the rest lived out of the way
slowly turning into dust
This parable is told by Nicholas
who understands historical necessities
in order to terrify me i.e. to convince me
tr. Peter Dale Scott
Report from Paradise
In paradise the work week is fixed at thirty hours
salaries are higher prices steadily go down
manual labour is not tiring (because of reduced gravity)
chopping wood is no harder than typing
the social system is stable ad the rulers are wise
really in paradise one is better off than in whatever country
At first it was to have been different
luminous circles choirs and degrees of abstraction
but they were not able to separate exactly
the soul from the flesh and so it would come here
with a drop of fat a thread of muscle
it was necessary to face the consequences
to mix a grain of the absolute with a grain of clay
one more departure from doctrine the last departure
only John foresaw it: you will be resurrected in the flesh
not many behold God
he is only for those of 100 per cent pneuma
the rest listen to communiqués about miracles and floods
some day God will be seen by all
when it will happen nobody knows
As it is now every Saturday at noon
sirens sweetly bellow
and from the factories go the heavenly proletarians
awkwardly under their arms they carry their wings like violins
tr. Czeslaw Milosz
Why the Classics
1
in the fourth book of the Peloponnesian War
Thucydides tells among other things
the story of his unsuccessful expedition
among long speeches of chiefs
battles sieges plague
dense net of intrigues of diplomatic endeavours
the episode is like a pin
in a forest
the Greek colony Amphipolis
fell into the hands of Brasidos
because Thucydides was late with relief
for this he paid his native city
with lifelong exile
exiles of all times
know what price that is
2
generals of the most recent wars
if a similar affair happens to them
whine on their knees before posterity
praise their heroism and innocence
they accuse their subordinates
envious collegues
unfavourable winds
Thucydides says only
that he had seven ships
it was winter
and he sailed quickly
3
if art for its subject
will have a broken jar
a small broken soul
with a great self-pity
what will remain after us
will it be lovers' weeping
in a small dirty hotel
when wall-paper dawns
tr. Czeslaw Milosz
加载中,请稍候......