内 容 摘 要

本文分三章，分别对杜鸿小说的文本思想、文本形式进行阐释，并将其置于现当代文学潮流的流变中进行考察。

第一章论述杜鸿小说在思想上的悖论。他善于运用梦境、魔幻等手法打破现实主义文学所不能逾越的理性屏障，借此表现出人性的善与恶，以及自己偏于传统、保守的社会、文化价值观。在人性的倾轧与畸变过程中，以先锋自命的杜鸿表现出浓厚的传统意识，其凸显人性的文本中也显露出隐藏的历史观念。

第二章论述的是杜鸿小说的艺术手法。作为60年代生人，杜鸿刚好于20世纪80年代中后期开始关注文学并尝试进入文学创作领域，因此那个时代先后涌现的文学潮流如先锋文学、寻根文学等对他的文学创作风格影响甚大。杜鸿小说的实验性和技巧的先锋性，上接先锋文学的影响，在技巧上比寻根文学走得更远。他的小说也得以形成了自己的特色，那就是写实传统的现实主义以及偏向叛逆的现代主义。他的小说善于运用时间、空间双向度倒置的手法，产生强烈的对比效果：借用先锋文学的技巧，使创作的主体精神及其文化旨归得到 “复苏”。他通过文学话语与故事情节的奇妙组合，营造出小说的“荒诞感”和“恐怖感”，进而在文体、风格、技巧上留下了一系列震悚人心的人物形象和具有生命力的故事情境。很显然，这是杜鸿小说创作的现代意识与其所依托的传统文化的融合，是其创作在借鉴寻根文学、先锋文学等中国当代文学潮流的基础上，超越现实主义创作单一文学视点的结果。

第三章论述杜鸿的小说创作见证了先锋文学在新世纪的流变，而他的小说风格特色也刚好契合了先锋文学综合化的趋势。从概念上看，先锋小说与通俗小说存在着不可调和的矛盾。先锋叙事的最大功绩就是瓦解传统，消解体制，其最大的魅力在于它的非主流性和反抗性，这与强调读者市场的通俗文学在本质上是格格不入的。而杜鸿一方面被视作先锋文学的余绪，一方面却又混迹在网络等通俗文学市场。人们如果将杜鸿的小说创作纳入到当代文学的历史流变之中进行考量，不难发现杜鸿小说的价值所在。杜鸿处身于先锋文学综合化的潮流之中，在保持个人创作特色的基础上，若能在文学综合化道路上走得再远一些，他完全有可能在新的文学潮流中找到属于他自己的位置。

关键词：双向倒置  先锋文学  传统  综合化

Abstract

This paper has there parts which interpret the natural thinking of DU Hong’s creation and put his thinking into the trend of the evolution of contemporary literature in an inspection.

In the first part, we describe the paradox aspect of DU Hong’s novel in terms of ideology. He was good at using dreams, magical writing method to break the rational barriers that realism literary can not transcend and to demonstrate the good and evil of human nature and his conservative social and cultural values. In the distortion of human nature and the process of friction, DU Hong, a self-proclaimed pioneer, performed a strong traditional consciousness of the text and revealed a latent historical concept of human nature.

The second part deals with approaches in writing in DU Hong’s novel. As a person born in 1960’s, DU Hong concerned about literature and tried to enter the field of literary creation in the 1980's. Thus trends of literature emerged in that era such as the vanguard literary, root-searching literature had a strong impact upon his style of creation.

Influenced by the vanguard literary, experimental and skills of the vanguard of DU Hong’s novel is more professional than root-searching literature. His novels have also been able to form its own characteristics which are realism and the modernism using in the recoding traditional story. His articles are good at using time and space inversion degrees two-way approach, resulting in strong contrast effect. DU Hong’s novel with the skills of vanguard of literary enables the nature spirit of objective recovery. His works, by using words and stories create a sense of ridiculous and horror, and left us a series of impressive characters and the story.

Obviously, this is a combination of modern ideology and underlying traditional culture in his creation, thus results of employing root-searching literary and vanguard literary.

The third part of this paper focuses on the transform of vanguard literary expressed in DU Hong’s creation. Correspondingly, his style is in line with the trend of vanguard literary.

In term of the name of Vanguard literary and Popular Novels, they seem to be contradictory. Vanguard trend aims to break the shell of tradition. Its most important characteristic is radicalism which is incompatible with the reader-oriented popular literature. However, DU Hong’s creation on one hand be regarded as vanguard literary, on the other hand be known as Popular Novels. Putting his works into the transformation of history will shed some light on the understanding of the value of his creation.

In the end we provide some suggestion for DU Hong’s creation, such as holding his own style and to be more comprehensive. In that way, DU Hong’s creation will find a position in the new age of literature.

Key words: Inverted two-way  Vanguard literature  tradition  Integrated