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对于现世生活享受的肯定和追求，从中得到乐趣，本是中国文化的一种传统，然而一般来说，世俗社会往往以追求物质享受为目的，没有更高的精神和审美追求；高洁的文人又往往重视对精神世界的向往，鄙视物质享乐。

唐宋以后，文人与士大夫意在把这两者结合起来：在物质享乐的同时，寻求精神的享受，创造了一种以消闲遣兴、修心养性为目的的艺术化的生活方式，这种生活方式到了晚明被发挥得淋漓尽致。

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日月跳丸，忽忽如梦。加以名奔利竞，膏火自煎，只令人叹蜉蝣耳。夫鸟飞花落，目前光景，为欢自饶。七尺我身，定有安排处也。

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晨起点梅花汤，课奚奴洒扫护阶苔。禺中〖将近午时〗，取蔷薇露浣手，薰玉蕤香，读赤文绿字书。晌午，采笋蕨，供胡麻饭，汲泉试新茗。午后，乘款段马，执剪水鞭，携斗酒双柑，往听黄鹂。日晡，坐柳风前，裂五色笺，集锦囊佳句。薄暮，绕径灌花、种鱼。

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晨起芰荷为衣，傍花枝吸露润肺。禺中，披古图画，展法帖临池。晌午，脱巾石壁，据匡床，谈《齐谐》、《山海》，倦则取左宫枕，烂游华胥国。午后，刳椰子杯，浮瓜沉李，捣莲花饮碧芳酒。日晡，浴罢朱砂温泉，擢小舟，垂钓于古藤曲水边。薄暮，箨冠蒲扇，立层冈，看火云变现。

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晨起下帷，检牙签，挹露研珠点校。禺中，操琴调鹤，玩金石鼎彝。晌午，用莲房洗砚，理茶具，拭梧竹。午后，戴白接篱，著隐士衫，望红树叶落，得句题其上。日晡，持蟹螯鲈脍，酌海川螺，试新酿，醉弄洞箫数声。薄暮，倚柴扉，听樵歌牧唱，焚伴月香壅菊。

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晨起饮醇醪，负暄盥栉。禺中，置毡褥，市鸟薪，会名士作黑金社。晌午，挟筴理旧稿，看晷形移阶濯足。午后，携都统笼，向古松悬崖间，敲冰煮建茗。日晡，布衣皮帽，装嘶风镫，策蹇驴，问寒梅消息。薄暮，围炉促膝煨芋魁，说无上妙偈，谈剑术。

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