尊敬的朋友:

我们诚挚地邀请您参加于2010年03月27日下午3点在北京798艺术区映艺术中心举行的“不一样的风景:首届无忌摄影年展暨色影无忌十周年摄影联展”开幕式，期待您的光临！如需更多信息，敬请联系我们。

Dear Friends,

Xitek.com and inter art center and gallery are pleased to invite you to attend the opening reception ofAnother Landscape：The 1st Annual Photographic Exhibition by Xitek.com to be held on 27th March 2010 at 3pm. Please find attached an invitation including a map to the gallery.

For further information, please do not hesitate to contact us.

不一样的风景

Another Landscape

主办：色影无忌网

Host：www.xitek.com

参展摄影师: （按姓氏笔画排名）王久良、卢彦鹏、区志航、任曙林、许宝宽、陈焕庭、何宜昌、吴沁沁、辛冈、张晓、杭鸣峙、佬京、罗凯星、徐永春、黄觉、矫健、储楚、塔可、蒙超、游莉、潘钺。

photographers: Wang Jiuliang, Lu Yanpeng, Ou Zhihang ,Ren Shulin, Xu Baokuan，Chen Huanting,He Yichang，Chinchin Wu，Xin Gang，Zhang Xiao，Hang Mingzhi，Lao Jing，Luo Kaixing，Xu Yongchun，Huang Jue，Jiao Jian，Chu Chu，Taca，Meng Chao，Eris Yo ，Pan Yue

策展人：那日松

Curator：Na Risong

顾问：（按姓氏笔画排名）任悦、林路、尚陆、顾铮、鲍昆、颜长江

Consultant :Ren Yue,Lin Lu,Jean Loh,Gu Zheng,Bao Kun,Yan Changjiang

开幕时间: 2010.03.27 下午3点

Opening: 27.03.2010 / 3 pm

展览时间: 2010.03.27 – 2010.04.5

Duration: 27.03.2010 – 05.04.2010

展览地点: 映艺术中心（北京市朝阳区酒仙桥路4号“798艺术区”七星中街）.

Venue: inter art center and gallery. Sevenstar Main Street 798 Art Zone No.4 Jiuxianqiao Road Chaoyang District Beijing

没有风光，只有风景……

策展人：那日松

在一般意义上的风光摄影中，摄影家们总是习惯把自然景观表达成一种艳俗的明信片式的影像，里面几乎没有任何艺术和精神的含量。而且，随着数码技术的发展以及地理交通等因素的变化，那些曾经难得的奇特光线下的风景照片正变得几乎唾手可得。也正因此，所谓“风光摄影”已经开始从中国的高端影像艺术殿堂逐渐的淡出，那些曾经高高在上的“风光摄影家”们也开始走下神坛。曾经的中国特色的“风光摄影”正逐渐变成一个美丽的“传说”。

近几年，关于“风光摄影”的争论和批判也经常见诸网络和报端。其中，著名摄影家陈长芬（早在上世纪90年代初期，陈长芬就已经坚决拒绝别人把他归类为“风光摄影家”）看法最有震撼力和代表性，他说：“今天中国的风光摄影存在着界定不清的问题。我们今天讲的风光都是一种气象。风光是人在环境里的一种心态，你自己不能和自然对话，你怎么是风光艺术家？顶多是一个旅游者。风光摄影不等于摄影艺术，但摄影艺术里面不能没有风光。风光本身没毛病，而是我们现在的人把它弄乱了，弄脏了。”

过去的中国风光摄影，掺杂了太多的功利和虚妄。

再见，无聊的风光！……让我们重新回到真正的“风景”。

关于此次展览的主题——“不一样的风景”。

这对策展人来说，不是一个简单的命题。什么是“不一样”？“人”的风景？“灵魂”的风景？或者“社会”的风景？太宽泛了——因为每个人心中都有自己的“风景”。于是我们在挑选参展作品时，选择了多元，选择了自由表达，也选择了对过去几十年“中国式沙龙风光摄影”的突破和反叛。

这里要感谢最终入选的22摄影师，以及所有参与投稿和讨论的无忌网友，还要感谢鲍昆、顾铮、尚陆、林路、任悦、颜长江等几位老师。因为你们的倾情参与，让这次展览本身也成为一道非常不一样的风景。

There Is No Landscape Photography, Only Natural Scenery

Curator: Na Risong

In the general sense of landscape photography, photographers are always used to transfer natural scenery to some gaudy postcard-like images, even without any trail of art or spirit. With the development of digital technology and the changes occurred in the factors such as geology and traffic, the former rare landscape images with great light are becoming easy to obtain, due to which, the so-called “landscape photography” has been gradually faded away from the high-end image art sanctuary of China, along with those ever highly respected “landscape photographers” went down from the altar. The former “landscape photography” with Chinese characteristics is becoming a beautiful “myth”.

Recent years saw disputes and criticism on “landscape photography” frequently appeared on internet and newspaper, among which, the standpoint of the famous photographer Chen Changfen (In the early 90s of the last century, Chen Changfen has been firmly refusing people to characterize him as a “landscape photographer”) is of the most powerful and representative. He said: “Nowadays, landscape photography in China has the ill-defined problem. The landscape we are talking about is all about meteorological phenomena. Landscape should be a state of mind. How could you be a landscape artist if you cannot talk with nature yourself? You are at best a traveler. Landscape photography does not equal to photographic art, but it is an integral part of the latter. Landscape photography has no fault by its own. It is people who mass it up and stain it.”

The former Chinese landscape photography is mixed with too much utilitarianism and fabrication.

Farewell, the tedious landscape photography! Let us go back to the true “natural scenery”.

About the theme of this exhibition—“another landscape”.

To curators, this is not an easy task. What is the “another?” “Human’s” nature? “Soul’s” nature? Or “Society’s” nature? It is way too wide—because everyone has his own “nature” in his mind. So when we do selection of the exhibited works, we choose variety, free expression, as well as breakthrough and rebellion to the “Chinese salon landscape photography” in the past decades.

Here, thanks must be given to the 22 exhibited photographers and all those Xitek cyber-friends who contributed their works or joined the discussion. Thanks should also be given to Bao Kun, Gu Zheng, Jean Loh, Lin Lu, Ren Yue and Yan Changjiang etc., whose warm participation also makes this exhibition a different scenery.