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点之形态千变万化。永字八法中称“点为侧，如鸟之翻然侧下”。侧是倾斜之意，因此写“点”应取倾斜之势，如石侧立，险劲而雄踞。欧阳询《八诀》称“点如高峰之坠石”。这说明点的笔法之峻，笔势之险。

点在笔法上务必取侧势，从一分笔到二分笔到三分笔，然后再从三分笔到二分笔到一分笔，有起有收，不可懈怠！

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一、竖点

竖点近似短竖，然而它却是一个点的形态。如：“帝”、“玄”、“宫”、“實”四字的上部均为竖点。

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我们取“帝”字上的点加以放大，说明其笔法要领

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1.横向笔锋入纸，自左向右下按铺毫，下按的角度、大小幅度要按照写此字的字势要求而定;

2.折笔，顿、挫，捻管下行同时进行，并在行下之同时提笔收锋到笔尖;

3.折锋上回。

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二、撇点

撇点近似短撇，它在字的点部位，用撇的笔法写成。如：“武”右上撇点、“深”字三点水中的上中两点、“炎”右边两撇点、“典”左下撇点。

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我们取“武”字撇点放大，说明其笔法要领

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1.笔锋入纸，自左向右(或自上向右下)下按铺毫，下按的角度、大小幅度要按照写此字的笔势要求而定;

2.顿笔、折锋向左下撇出，同时进行；

3.在撇出之同时顺势提笔收锋到笔尖，或接写下一笔。

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三、提点

提点也称挑点。如:“心”字中间一点，“清”字三点水的第三点，此挑点也称为“斜挑”或“竖挑”。“以”字中间一点，“渠”字上左三点水的第三点，下木字底的左点。

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我们选择“心”字中间的一点放大，说明其笔法要领

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1.笔锋入纸，自左向右下按铺毫，下按的角度、大小幅度要按照写此字的笔势要求而定;

2.略顿挫，驻锋，随即折锋向右上提笔;

3.上提之同时收锋到笔尖，顺势写下一笔。

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四、长点

长点代替捺笔，又称反捺。如:“不”，“懷”，“养”，(繁体“养”字中部一捺，下部为长点反捺，这符合楷书中字不双捺之规则)、“安”。

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我们取“丕”字中长点放大来说明

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1.笔锋入纸，自左向右下按铺毫，渐行渐按，背圆腹平，下按的角度、大小幅度要按照写此字的笔势要求而定;

2.略驻锋并略作停顿调锋，随即向右下提笔;

3.向下提笔之同时渐提渐收，提笔收锋到笔尖，作空回或实回之回锋。

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下面列出原碑中部分有点的字供练习

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