德国Vitra维特拉博物馆

由著名解构主义大师弗兰克·盖里于1989年设计的德国Vitra维特拉博物馆，位于德国莱茵河畔；这座现代风格的博物馆的建筑面积有8000平方英尺，是世界上最大的家具收藏馆之一，也是弗兰克·盖里在欧洲的首件作品。
外观白色造型如同一个不断变化的漩涡，看上去彼此之间毫无联系，而内部又相互作用，反过来直接影响外部的螺旋形式。作为一个整体，建筑内部分解成一种盘绕而又连贯的展览场地。同时，塔楼、斜坡道与立方体建筑融合多种功能，再加上建筑的体量，这些都是根据照明装置以及规划设计的必要条件来设计的。从塔楼与坡道中能发现博物馆形式上的联系，这两处地点均与生产区域、展厅、测试实验室、自助餐厅以及多功能室和办公室相连。在该建筑背后，工厂厂房与附近由Nicholas Grimshaw设计的建筑在大小和高度上都相互协调。与弗兰克•盖里惯常的设计不同，在材料方面，采用了白色石膏与钛锌合金。
Vitra Design Museum Germany designed by the deconstructionist architect Frank Gehry in 1989 is situated near Weil am Rhein, Germany; the deconstructive sculptural building with area of only 8,000 square feet, is one of the world’s largest collections of furniture and also is the first building of Frank Gehry in Europe.
The continuous changing swirl of white forms on the exterior, each seemingly without apparent relationship to the other, with its interiors a dynamically powerful interplay, in turn directly expressive of the exterior convolutions.As a totality it resolves itself into an entwined coherent display platform. Afunctional mix of towers, ramps and cubes, the volumes of the building are determined by lighting and programmatic necessities. A formal link between the museum is found in the towers and ramps, which bridge together the production areas, showroom, test laboratory, cafeteria, a multi-purpose room and offices.At the rear end of the building, the factory hall relates to the adjacent building by Nicholas Grimshaw in both size and height. Easily recognizable as the architectural style of Frank Gehry, the deconstructive sculptural building differs only slightly than his usual designs in that he limits his materials to white plaster and a titanium-zinc alloy.