加载中…安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴
(2013-01-22 06:32:19)
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arteitaliarinascimentopittura文化 |
分类： 艺术Arte |
Andrea del
Castagno
http://s12/mw690/bf08251fgd3d4478b4eab&690Andrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
安德烈·德·卡斯塔格诺
最后的晚餐,与耶稣受难记
安德烈·德·卡斯塔格诺，英文名“andrea del
castagno”，卡斯塔格诺是意大利文艺复兴时期画家，创作了大量壁画。
安德烈·德·卡斯塔格诺生于1421年，卒于1457年8月19日，意大利画家，作品风格主要受意大利著名画家马萨乔的影响，安德烈·德·卡斯塔格诺出生在离佛罗伦萨不远的卡斯塔尼奥，一个小村庄里，战争期间，来到了克雷利亚，战争结束的时候，又回到了自己的家乡，1440年，安德烈·德·卡斯塔格诺移居到了佛罗伦萨，在那里，主要创作了一些市民形象的人物作品。1442年，安德烈·德·卡斯塔格诺来到了威尼斯，参与了教堂壁画的创作于装饰工作。其作品具有浓烈的宗教色彩。
安德烈·德·卡斯塔格诺的代表作有：《圣母子与圣子》《耶稣受难》《墓中基督与两位天使》等等，极具影响力.
http://files.myopera.com/Prayerman/albums/454251/ANDREA%20DEL%20CASTAGNO.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Andrea di Bartolo, detto Andrea
del Castagno, nacque a Castagno Mugello nel 1419
circa.
Ci è ignota la sua iniziale
formazione, ma sappiamo che si trasferì a Firenze dove fu
influenzato dall'arte di Masaccio, e Donatello.
David,
National Gallery of Art, Washington
http://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Andrea_del_Castagno_002.jpg/407px-Andrea_del_Castagno_002.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Il pittore realizzò le sueopere
più importanti nel refettorio del convento delle benedettine di
Santa Apollonia. I primi affreschi che eseguì tra il 1445 il 1450
comprendono le scene della Resurrezione, della Crocifissione e
della Deposizione collegate da un fondo rappresentante un
paesaggio.
Nei gli stessi anni eseguì
anche un affresco nella lunetta del chiostro rappresentante Cristo
nel sepolcro tra due angeli. Sempre nel 1450 dipinse il grande
affresco del refettorio di Santa Apollonia che rappresenta L'ultima
cena ; la scena è rappresentata in un interno rivestito di marmi
policromi, le figure si dispongono intorno al tavolo in ordine
simmetrico e sono caratterizzate da un modellato duro e da un forte
stacco degli colori.
Dormition of the Virgin and
visitation
http://upload.wikimedia.org/wikipedia/commons/thumb/5/51/Andrea_del_castagno,_Dormition_of_the_Virgin_and_visitation.jpg/640px-Andrea_del_castagno,_Dormition_of_the_Virgin_and_visitation.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Della sua produzione tarda
fanno parte le figure del Salvatore e di San Giuliano e il
monumento a equestre a Niccolò di Tolentino che si trova in Santa
Maria del Fiore a Firenze accanto a quello di Giovanni Acuto di
Paolo Uccello. Evidenti sono le differenze tra le due opere, il
dipinto di Andrea del Castagno ha un plasticismo più vivo e linee
di contorno più ondulate che danno maggiore animazione all'
insieme. L'artista morì, a Firenze, di peste nel
1457.
The Holy
Trinity
http://upload.wikimedia.org/wikipedia/commons/thumb/e/e8/Andrea_del_Castagno,_The_Holy_Trinity.jpg/370px-Andrea_del_Castagno,_The_Holy_Trinity.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
(or Andrea di Bartolo di
Bargilla) (c. 1421–19 August 1457) was an Italian painter from
Florence, influenced chiefly by Tommaso Masaccio and Giotto di
Bondone. His works include frescoes in Sant'Apollonia in Florence
and the painted equestrian monument of Niccolò da Tolentino (1456)
in the Cathedral in Florence. He in turn influenced the Ferrarese
school of Cosmè Tura, Francesco del Cossa and Ercole de'
Roberti.
Early years
Andrea del Castagno was born at
Castagno, a village near Monte Falterona, not far from Florence.
During the war between Florence and Milan, he lived in Corella,
returning to his home after its end. In 1440 he moved to Florence
under the protection of Bernadetto de' Medici. Here he painted the
portraits of the citizens hanged after the Battle of Anghiari on
the facade of the Palazzo del Podestà, gaining the nickname of
Andrea degli Impiccati.
Crocifissione di Santa Maria
Nuova, Ospedale di Santa Maria Nuova, Firenze
http://upload.wikimedia.org/wikipedia/commons/thumb/9/93/Del_Castagno_Andrea_Crucifixion_and_Saints.jpg/483px-Del_Castagno_Andrea_Crucifixion_and_Saints.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Little is known about his
formation, though it has been hypothised that he apprenticed under
Fra Filippo Lippi and Paolo Uccello. In 1440-1441 he executed the
fresco of Crucifixion and Saints in the Ospedale di Santa Maria
Nuova, whose perspective-oriented construction and figures shows
the influence of Masaccio.
In 1442 he was in Venice where
he executed frescoes in the San Tarasio Chapel of the church of San
Zaccaria. Later he also worked in St. Mark's Basilica, leaving a
fresco of Death of the Virgin (1442–1443).
SAN GIULIANO
http://www.storiadellarte.com/biografie/castagno/immcast/san%20Giuliano.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Back in Florence, he designed a
stained window with Deposition for the local Cathedral. On May 30,
1445 he became member of the Guild of the Medicians. From the same
year is the fresco of Madonna with Child and Santi in the Contini
Bonacossi Collection (Uffizi).
The Last
Supper
http://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Andrea_del_Castagno_001.jpg/640px-Andrea_del_Castagno_001.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
In 1447 he worked in the
refectory of Sant'Apollonia in Florence, painting, in the lower
part, Last Supper fresco, accompanied by other scenes portraying
the Deposition, Resurrection, and Crucifixion, which are now
damaged. He also painted a lunette in the cloister, depicting a
Pietà.
http://www.storiadellarte.com/biografie/castagno/immcast/cena%20part.jpgAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
The Last Supper displays del
Castagno's talents at his best. The detail and naturalism of this
fresco portray the ways in which del Castagno departed from earlier
artistic styles. It is likely that Leonardo da Vinci was already
familiar with this work before he painted his his own Last Supper
in a more dramatic form to contrast with the stillness of these
works, so that more emotion would be displayed.
Late
activity
In 1449-1450 he painted the
Assumption with Saints Julian and Miniato for the church of San
Miniato fra le Torri (now in Berlin). In the same years he
collaborated with Filippo Carducci to a series of Illustrious
People for the Villa Carducci at Legnaia. These include Pippo
Spano, Farinata degli Uberti, Niccolò Acciaioli, Dante, Petrarca,
Boccaccio, the Cumaean Sibyl, Esther and Tomiri.
Also from around 1450 is the
Crucifixion in London, as well as the David with Goliath's Head and
the Portrait of a Man in Washington. Between January 1451 and
September 1453 he completed the frescoes with Scenes of Life of the
Virgin left unfinished by Domenico Veneziano in the Florentine
church of Sant'Egidio (now lost). In October Filippo Carducci
commissioned him frescoes for his villa at Soffiano, of which today
an Eve and a ruined Madonna with Child survive.
In 1455 Andrea del Castagno
worked in the Basilica della Santissima Annunziata (frescoes with
Trinity with Saints Jerome, Paula and Eustochium and St. Julian and
the Redeemer, the former showing a stressed realism). Also to those
years is attributed a Crucifixion for St. Apollonia. In 1456 he
executed in the Cathedral the fresco of the Equestrian Statue of
Niccolò da Tolentino, paralleling the similar painting by Paolo
Uccello portraying John Hawkwood.
Firenze
-
http://upload.wikimedia.org/wikipedia/commons/thumb/b/be/Firenze.Duomo.Tolentino.JPG/409px-Firenze.Duomo.Tolentino.JPGAndrea del Castagno(约1419-1457年) 意大利文艺复兴" TITLE="安德烈亚·德尔·卡斯塔尼奥 Andrea del Castagno(约1419-1457年) 意大利文艺复兴" />
Giorgio Vasari, an artist and
biographer of the Italian Renaissance, alleged that Castagno
murdered Domenico Veneziano, but this is impossible, since
Veneziano died in 1461, four years after Castagno died of the
plague. It has been suggested that Vasari was confusing this murder
case with another one involving a "Domenico di Matteo" who was
killed by an "Andreino" in 1448, but the archival record shows that
this is a misreading: "A cursory examination reveals two things:
first, that the name of the dead painter is not Domenico di Matteo,
but Domenico di Marco; and second, and much more crucially, that
there is no mention of him having been killed by a painter named
Andrea or Andreino."
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