加载中…
个人资料
  • 博客等级:
  • 博客积分:
  • 博客访问:
  • 关注人气:
  • 获赠金笔:0支
  • 赠出金笔:0支
  • 荣誉徽章:
正文 字体大小:

By Sundaymorning and Massimo Fiorido Associati 青松间,翠荫下

(2012-08-29 00:00:55)
标签:

杂谈

Associati


 
意大利建筑事务所Sundaymorning和Massimo Fiorido Associati合作完成了这个位于托斯卡纳地区
填海沙丘松林里的夏季别墅改造项目。

上世纪初填海过程中,这里引进松树、橡树和桃金娘等性强健的植物进行改造。建筑外观与景观切
合,外部采用暖色系的经久耐用的石材。改建后的建筑离树木只有咫尺之遥,两者的对峙产生美妙
的碰撞。室内设计以舒适为主,注重色彩,材料,视野,光等要素。

新生的建筑在形体上焕然一新,内部则被重新定义,房间序列与外部景观发生密切关联,开窗的位
置经过周到的推敲。

外部石材那沉积岩状的纹理和色彩与周围景观非常和谐,一棵棵巨大的树木穿过外面的木质平台,
紧靠着石材外墙,形成美丽的画面。内部材料局部使用石材,其它材料为石膏,柚木等。
 
 
非常感谢Sundaymorning将项目介绍和项目图片授权gooood发行。
Appreciation towards Sundaymorning for providing the following description:

 
 
 
 
Category: Renovation of a residence
Location: Marina di Castagneto Carducci, Tuscany, Italy
Client: Private
Chronology: 2008-2011
Project: sundaymorning, Massimo Fiorido Associati
Photographs: Fabio Candido
 
 
 
 
Context

The pinewood of Marina di Castagneto Carducci was born early last century as a result
of a process of reclamation of the coastal dune belt. In the late Fifties architect
Giancarlo De Carlo draw up an urban development characterized by the large presence of
the landscape, in which buildings, surrounded by dunes dotted with pines, oaks and
myrtles, with strong character and individuality are connected by paths that follow the
free conformation of the landscape.

The consequence of this, but especially because a rapid process of tissue development
built since the Sixties, is the heterogeneity of the architectural presence: buildings
realized with quality, often characterized by the use of stone walls as an expressive
character, with formal features that often do not disdain to look at the best Italian
and European experiences of the Fifties, are counterbalanced by buildings of little
value, inconsistent in their morphological and decorative devices, often the result of
successive transformations and uncertain.
 
 
 
 
Opportunity

The work presented here was created by the occasion of a renovation of a summer
residence built in the Mid-Sixties. The poor architectural quality of the existing
building is an opportunity to think about the quality of the landscape in which the
building stands on a sand dune, surrounded by pine trees located in singular points,
often very close to the walls.

The project outlines a double perspective: on one hand the need to find a synthesis
between the nature of the building - although still to be discovered - and the
morphological and color values of the place where it is located, the other hand the
desire to place the character of the interior in keeping with a trend made of comfort,
domesticity, appropriateness. All this applies especially in the modulation of light
and views, to the extent and shape of spaces, in the discretion of the materials.

A longitudinal ideal director, through the whole building, allowing you to find a
convergence between two significant operational aspects: firstly, the redefinition of
the internal space, which translates into a sequence of rooms through closely related
to each other and with the landscape surrounding, and secondly the identification of
the character of the building in a new morphology, at the same time natural and
archetypal, finding in the horizontal sediment a new expressive character.

From these thoughts descend the criterion of remodeling openings in the building:
almost all different but built taking into account both the sequence of the interior,
the relationship between the room and the external balance, the relationship mass-
punching of the building. This is especially evident in the large dining-room window,
at the end of successive openings of the same size, framing a view of the dune
landscape.
 
 
 
 
Matter

The emergence of the archetypal character of the intervention is manifested in the
morphology of the new shape, which highlights the double-pitched roof and a certain
compact terminals in the two fronts - but mitigating these formal features in the
central, predominantly horizontal.

The material used for the exterior, a travertine marble, helps to read the morphology
of the building as a result of an ideal unit mass made of different sediments, giving
further color consonance with the surrounding landscape.

The limited range of materials - travertine marble cladding also present in the
interior, plaster, teak wood, used to give continuity to the horizontal planes inside
and out - helps to make a presence in the pinewood grove that thrives on a refined
ambiguity: while providing a comfortable refuge from the outside world, both within
himself introduces the landscape that surrounds it.
 
 
 
 
 
 
 
 
 

0

阅读 收藏 喜欢 打印举报/Report
  

新浪BLOG意见反馈留言板 欢迎批评指正

新浪简介 | About Sina | 广告服务 | 联系我们 | 招聘信息 | 网站律师 | SINA English | 产品答疑

新浪公司 版权所有