Jiawen Song
Ms. Briceno
Advanced ESOL
20 November 2011
The Faded Dignity
In William Faulkner’s “A Rose for Emily”, there is an eccentric and unsociable woman named Emily Grierson, who comes from a southern declining aristocratic family. In terms of family, the only family member is her father Mr. Grierson, a controlling, haunted nobleman. Miss Emily represents the persistent dignity of a declining aristocratic tradition. Although she once possesses a desire to love and to be loved, the tradition from her family is so heavy that it crushes her own life; as the result, Miss Emily is living as an emblem of the faded dignity of a downfallen aristocracy.
Throughout the story, the reader may accept a sense of distance toward the protagonist due to the use of first person plural narrator. This narration corresponds with the identity of an aristocratic woman, as well as with the isolation between Miss Emily and small town life. The “we” represents the common town residents. There are a number of conflicts between Miss Emily and the society. Specifically, when she asks the druggist for arsenic, the druggist says “ but the law requires you to tell what you are going to use it for” (161). Miss Emily’s demanding request of arsenic is regarded as her contradiction with the society. At the same time, Miss Emily’s eccentric, unsociable disposition metaphorically represents the unreconstructed values of the aristocracy. “Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (156). This traditional dignity has become the shadow of Miss Emily, swallowing her every last vivid innate character inch by inch.
Generally, a rose represents the rustic, faithful affection. However, in the story, the rose more seemingly indicates a tragic life. “A thin, acrid pall as of the tomb seemed to lie everywhere upon this room …upon the valance curtains of faded rose color” (164). Accordingly, although Miss Emily resists to hold her dignity and keep indifference to common people, she once has a preference of love. When Miss Emily and Homer Barron begin to “drive in the yellow-wheeled buggy and the matched team of bays from the livery stable” (160), everybody in the town believes that Miss Emily would find her love. After Miss Emily personally kills her husband with poison, instead of burying his body, she keeps him stretched on the bed. Indeed, the “long strand of iron-gray hair” left in the room symbolizes her latent romance.
Another remarkable feature of Miss Emily is her stubborn, arrogant personality. As a result of Miss Emily’s father’s ascendance, Miss Emily has the privilege not to pay tax. As “the next generation, with its more modern ideas, became mayors and aldermen” (156) , they demand Miss Emily to carry out her tax’s obligation and pay. In response to this requirement, Miss Emily keeps silent until the officials come over to her faded house. In the face of the town’s deputation, Miss Emily rejects the requirment by mentioning her tax exemption derived from the previous sheriff, Colonel Sartoris. “See Colonel Sartoris.(Colonel Sartoris had been dead almost ten years) I have no taxes in Jefferson. Tobe! Show these gentlemen out” (157). Through this meeting, the reader is able to detect Miss Emily’s extreme arrogant and rigid personality.
In William Faulkner’s “A Rose ” Miss Emily is a victim by her family, the society and her personality. She should have a beautiful life with a promising future, but her character has been twisted by her status position, by her traditional expectation, and by her incapability of socializing with other people. Following this further, Miss Emily is a victim of the whirlwind transformation from a society of prerogative to a society of liberalism.