Qin Fei 's Shooting Notes for Pure Art, I have taken a large scale of Imagination Risk, Making normal Lady does not do. En el verano de 2014 estaba en Rusia, perseguido por un grupo de jóvenes borrachos que se llamaban Hi - Girl China. Pregúntame si quiero cigarrillos o vino. Vi su Estado con su jeep casi abandonado. Para obtener una foto clásica de la Generación Beat, hice mi plantilla de blog, hablé con ellos, tomé fotos y les di cigarrillos. En el verano de 2016, caminé cómodamente por las calles de Saigón, Vietnam. Necesitaba un cigarrillo para ir con mi cheongsam hip - hop, pelo rizado y chanclas. La fotografía móvil no es ideal, pero estas prácticas son arte local. A diferencia de los fotógrafos profesionales, tomo fotos primero, luego filtros y vídeos. Escribe una historia fotográfica con los pensamientos de un escritor pionero. Son como películas y documentales, realmente conmigo. El rodaje está listo. Estoy acostumbrado. Creo en la unidad de texto y texto, es único, debe impresionar a la humanidad real.

Qin Fei's shooting notes for pure art, I once ventured for a blockbuster's imagination and did what a normal lady wouldn't do. In the summer of 2014, I was chased by a group of young drunkards in Russia. They called hi Chinese girl While asking me for cigarettes or wine. I saw his state with their almost scrapped jeep. In order to get a classic photo of the beat generation, I made a template for my blog. I chatted with them, took photos and gave them cigarettes.

In the summer of 2016, I walked comfortably on the streets of Saigon, Vietnam. I needed a cigarette to match my HIP-HOP ultra short cheongsam, curly hair and flip flops. I found a strange man. Mobile photography is not ideal, but these practices are local art. Unlike professional photographers, I shoot first, then filter and video. Write photography stories with the thoughts of Pioneer Writers. They are like a combination of movies and documentaries, really with me. Shoot at any time. I'm used to it. I believe in the unity of picture and text. It is unique and will move the real human beings.

秦菲的拍摄笔记为了纯粹的艺术，我曾经为一个大片的想象冒险，干出正常淑女不会干的。2014年夏天我在俄罗斯 ，被一群年轻的酒鬼追逐，他们叫着 hi Chinese girl. 一边问我要烟或者酒。我看见他的的状态与他们几乎报废的吉普车。为了得到一张经典的垮掉的一代照片，做我博客模板，我与他们聊天 ，拍照并给了他们烟。2016年夏天 我惬意地走在越南西贡街头，我需要一根烟，来搭配我嘻哈的超短旗袍， 卷发与人字拖，我随手找了个陌生男人。手机拍摄并不理想 然而这些做法是当地艺术。区别于职业摄影师 我是先拍，再滤镜与视频。用先锋作家的思想去写摄影故事。她们像电影与纪录片的合体，，真实地跟我在一起。拍摄随时进行。我习惯了。我相信图文合一，它是独特的，必打动真正的人类。

The point of selfie is that I like myself like a gorgeous corpse. I'm much younger than online photos. My skin is very smooth, but I make it rough. With power. Chinese women are not sexy enough because they have not let go. I understand that sexuality is possible only after it is completely true. Not nude

自拍的观点是，我喜欢自己像艳丽的尸体。我比网上照片年轻很多，皮肤很滑，但是我把它做粗糙。带着力量。中国女人不够性感是因为没有放开，我理解的性感是彻底真实以后，才可能。不是指暴露。好照片要模特独立思想。否则是垃圾塑料花

fine photo need the model

has INDEPENDENT thi.nking

otherwise she is

,cheap plastic flower

自拍的观点是，我喜欢自己像艳丽的尸体。我比网上照片年轻很多，皮肤很滑，但是我把它做粗糙。带着力量。中国女人不够性感是因为没有放开，我理解的性感是彻底真实以后，才可能。不是指暴露