绝望的主妇 第一季 第二集(2)
(2011-10-27 10:43:57)
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绝望的主妇台词杂谈 |
分类: 绝望的主妇 |
REX: (rolls his eyes, and gets up, sitting next to BREE on the side
of the bed.) Okay.
BREE: Do you remember when you proposed?
REX: For god's sake.
BREE: We sat on Skyline Drive and drank a bottle of apple wine. And when we finished it, you turned to me and you said, If you marry me, Bree Mason, I promise to love you for the rest of my life. And even though I was engaged to [IU1] Ty
Grant, and even though my father didn't like you, I said
yes.
[IU2] REX:
That was a long time ago.
BREE: You're gonna cancel the meeting with that divorce lawyer, and we're gonna find ourselves a marriage counsellor.
REX: Bree, I?
BREE: (looks crestfallen) You promised.
REX: Alright.
BREE: (smiles) Good, I'm gonna go make myself some, uh, warm milk. Would you like something to drink?
REX: Anything but apple wine.
[CUT TO:INT. MEYER HOUSE - KITCHEN -- NIGHT --- LATER]
(SUSAN stands at the kitchen counter, filling a glass filled with water. She takes a sip as she looks out the window. She sees MIKE walking his dog across the road, sighing.)
NARRATOR: Susan awoke that night alone and parched. And as she gazed out her window, she saw the tall drink of water she needed to quench her thirst.
JULIE: Dear Diary, Mike doesn't even know I'm alive.
SUSAN: Shut up.
JULIE: If you wanna date him, you're gonna have to ask him out.
SUSAN: I keep hoping he'll ask me out.
JULIE: How's that going?
SUSAN: Shouldn't you be making brownies for your nerdy friends?
JULIE: I can't find the measuring cup. Have you seen it?
SUSAN: The measuring cup? (flashbacks to dropping the measuring cup in the living room of the BRITT house.)
JULIE: Yeah.
SUSAN: Hm. (flashbacks to SUSAN yelping, the living room on fire, then to the firefighters trying to save the burning house.) Uh, well it's gotta be here somewhere. Just keep looking.
[CUT TO: INT. SOLIS HOUSE - BEDROOM -- NIGHT --- LATER]
(The bedroom door opens, and CARLOS walks in. He goes to the walk-in closet and takes off his suit jacket. GABRIELLE's eyes are closed.)
CARLOS: I know you're awake.
GABRIELLE: I know you're a jerk.
CARLOS: Dinner with Tanaka ran long, I'm sorry.
GABRIELLE: (sits up) You know, Carlos, I didn't marry you so I could have dinner by myself 6 nights a week. You know how bored I was today? I came this close to actually cleaning the house.
CARLOS: Don't be that way. I got you a gift.
GABRIELLE: Nope. No, no, no, no. you're not gonna buy your way outta this one.
CARLOS: It's a good gift. (lays on the bed next to her, and tosses the jewellery box next to GABRIELLE.)
GABRIELLE: Is that white gold?
CARLOS: Yeah. Put it on. (kisses GABRIELLE's shoulder) And then make love to me.
GABRIELLE: I'm not in the mood. But, we could stay up and talk.
CARLOS: (laughs and gets up, walking to the table at the end of the bed) When a man buys a woman expensive jewellery, there are many things he may want in return. For future reference, conversation ain't one of them.
[IU3] (GABRIELLE
throws the box at him, pissing off. Jerk.)
CARLOS: Hey, that was a joke.
GABRIELLE: Yeah, right. (throws the bedcovers back and gets up)
CARLOS: (catches hold of her by her arms) What the hell's wrong with you?
GABRIELLE: Let go of me.
CARLOS: You're been acting like a nightmare for a month. What's wrong?
GABRIELLE: Stop.
CARLOS: I can't fix it unless you tell me.
GABRIELLE: (throws her arms free, and sits back on the bed, sighing) It's not exciting anymore, Carlos.
CARLOS: (sighs, sits on the bed next to her) So what am I supposed to do?
GABRIELLE: I don't know. Be the way you used to be, surprise me, take my breath away.
CARLOS: (sighs) Okay. Okay.
[CUT TO: EXT. MEYER HOUSE -- DAY]
(The front door opens, and SUSAN walks out, holding a bag of rubbish. She looks like she literally just rolled out of bed. She stifles a yawn as she opens the rubbish bin at the kerb, stuffing the plastic rubbish bag into it. We see MIKE a little distance away behind her, walking his dog again. He turns at the sound of SUSAN dumping the rubbish.)
MIKE: Hey Susan.
SUSAN: (stops short, eyes wide, not turning around) Mike!
MIKE: What's wrong?
SUSAN: I didn't realize anyone was gonna be out here, I just sorta rolled outta bed.
MIKE: I'm sure you look fine.
SUSAN: Oooh. (fixes herself, then turns around, smiling.)
MIKE: (pulls Bongo back as the dog starts barking at SUSAN, who looks startled) Ooh, Bongo, Bongo! Shh.. Sorry, uh, he scares easy.
SUSAN: No, it's fine, I get it.
MIKE: I didn't mean to disturb you. I'll see you later. (turns around to go)
SUSAN: Do you wanna have dinner with me?
MIKE: (turns back towards SUSAN) Just the two of us?
SUSAN: Heh, well, and Julie. Uh, it's a thing we do when somebody new moves into the neighbourhood, we invite them over for a home-cooked meal. Sort of a tradition.
MIKE: You said you were a lousy cook.
SUSAN: Well. I order takeout.
MIKE: Oh, you invite them over for a home-cooked meal and you order takeout.
SUSAN: Yeah, it's sort of a new tradition. I'm working out the kinks.
MIKE: (chuckles) I'll tell you what. How about I cook? And you guys come over to my place.
SUSAN: Oh. Great.
MIKE: Friday night at six?
SUSAN: I'll be there.
MIKE: Alright.
SUSAN: (laughs, bending down towards Bongo) Bye, Bongo.
(Bongo barks at SUSAN, who jumps back, laughing tentatively. SUSAN runs back into the house, excited. JULIE watches her smiling at her mother's obvious excitement. SUSAN bursts into the kitchen door.)
SUSAN: Julie? Mike Delfino just invited us to dinner Friday night.
JULIE: He did? Cool.
SUSAN: But only I'm going. Because you're gonna come down with [IU4] something
semi-serious that requires bed-rest and fluids. (runs up the stairs
as she squeals)
[CUT TO: EXT. BRITT HOUSE -- DAY]
(EDIE and MRS. HUBER are sifting through the burnt-out shell of the house.)
NARRATOR: Julie was glad Susan was rekindling her love life. Of course, she was unaware of her mother's recent track record with fire.
EDIE: It's all gone. Everything my ex-husband's worked for all those years. Gone.
MRS HUBER: Don't worry about clothing, I already started a collection from people in the neighbourhood.
EDIE: (picks up a little burnt pot, and puts it in a bucket) What? I don't wanna wear other people's old crap.
MRS HUBER: Edie, you can be homeless or you can be ungracious. You really can't afford to be both.
EDIE: (picks up a semi-burnt pink bra, and sighs) That reminds me. My insurance cheque still hasn't come yet. Can I stay with you for a few more weeks?
MRS HUBER: Of course. What kind of Christian would I be if I denied shelter to a friend in need? (spots SUSAN's burnt measuring cup on the ground)Oh look, here's something we can salvage, your measuring cup. We can just scrape off the burnt part and it'll look good as new.
EDIE: That's not my cup. Mine was plastic.
MRS HUBER: Well, how did it get in here?
EDIE: I don't know. Who cares? Now would you put that down and start looking for jewellery? (MRS. HUBER holds onto the burnt glass measuring cup, looking suspicious.)
[CUT TO:INT. DR. GOLDFINE'S OFFICE -- DAY]
NARRATOR: Doctor Albert Goldfine was the most accomplished marriage counsellor in the city. He had dealt with problems ranging from substance abuse, to infidelity, to domestic violence. Yes, Dr. Goldfine thought he had seen it all. And then, he met the Van De Kamp's.
(DR. GOLDFINE is sitting at his desk, writing when he hears a knock at his office door. He walks over to open it. BREE and REX are standing there. BREE is looking sparkly and happy as usual, while REX looks on, incredulously exasperated.)
BREE: Hi, I'm Bree, and this is my husband Rex. And I brought you some homemade pot pourri. (She hands him a packet of pot pourri as she walks past him into the office.)
REX: (pats DR. GOLDFINE on the shoulder) The answer is yes, you're about to make a fortune[IU5]
off us.
(DR. GOLDFINE looks ambushed. Tee-hee.)
[CUT TO:INT. SCAVO CAR -- DAY]
LYNETTE: Boys, guys, I'm begging you, sit in your seats. I'm not gonna tell you again! Buckle up! I mean it, so help me, I'll-(A police motorcycle drives up behind her, siren sounding) Oh .. crap! (She stops the car.)
OFFICER: (the policeman gets off his bike and walks to LYNETTE's window) License and registration please. (accepts the documents from LYNETTE) Ma'am, you know why I pulled you over?
LYNETTE: I have a theory.
OFFICER: Your kids are jumping up and down; they should be sitting, wearing a seatbelt.
LYNETTE: I yelled at them. They never listen to me, it's very frustrating.
OFFICER: Well, you're gonna hafta find a way to control them. After all, that's your job. (Walks off back to his motorbike)
NARRATOR: Though he's been a policeman for 6 years, Officer Hayes had never found himself in a truly dangerous situation. Then again, he had never before told a woman how to raise her children.
(LYNETTE sits with her hands on the wheel of her car, looking pissed.)
LYNETTE: (gets out of her car, slamming the door) You saying I'm a bad mother?
OFFICER: Ma'am, you need to get back in your car please.
LYNETTE: (slowly walks towards the policeman) I have no help, my husband's always away on business.
OFFICER: I'm gonna hafta ask you to step back now. (slowly moves his hands towards his weapon)
LYNETTE: My babysitter joined the witness relocation program. I haven't slept through the night in 6 years.
OFFICER: Ma'am..?
LYNETTE: (gets right in the policeman's face) And for you to stand there, and judge me.
OFFICER: Okay. I'm not gonna give you a ticket. I'm just gonna let you off with a warning.
LYNETTE: I accept your apology. (takes her license and registration from his hands and gets back in her car.)
OFFICER: Buckle up!
BREE: Do you remember when you proposed?
REX: For god's sake.
BREE: We sat on Skyline Drive and drank a bottle of apple wine. And when we finished it, you turned to me and you said, If you marry me, Bree Mason, I promise to love you for the rest of my life. And even though I was engaged to [IU1]
[IU2]
BREE: You're gonna cancel the meeting with that divorce lawyer, and we're gonna find ourselves a marriage counsellor.
REX: Bree, I?
BREE: (looks crestfallen) You promised.
REX: Alright.
BREE: (smiles) Good, I'm gonna go make myself some, uh, warm milk. Would you like something to drink?
REX: Anything but apple wine.
[CUT TO:INT. MEYER HOUSE - KITCHEN -- NIGHT --- LATER]
(SUSAN stands at the kitchen counter, filling a glass filled with water. She takes a sip as she looks out the window. She sees MIKE walking his dog across the road, sighing.)
NARRATOR: Susan awoke that night alone and parched. And as she gazed out her window, she saw the tall drink of water she needed to quench her thirst.
JULIE: Dear Diary, Mike doesn't even know I'm alive.
SUSAN: Shut up.
JULIE: If you wanna date him, you're gonna have to ask him out.
SUSAN: I keep hoping he'll ask me out.
JULIE: How's that going?
SUSAN: Shouldn't you be making brownies for your nerdy friends?
JULIE: I can't find the measuring cup. Have you seen it?
SUSAN: The measuring cup? (flashbacks to dropping the measuring cup in the living room of the BRITT house.)
JULIE: Yeah.
SUSAN: Hm. (flashbacks to SUSAN yelping, the living room on fire, then to the firefighters trying to save the burning house.) Uh, well it's gotta be here somewhere. Just keep looking.
[CUT TO: INT. SOLIS HOUSE - BEDROOM -- NIGHT --- LATER]
(The bedroom door opens, and CARLOS walks in. He goes to the walk-in closet and takes off his suit jacket. GABRIELLE's eyes are closed.)
CARLOS: I know you're awake.
GABRIELLE: I know you're a jerk.
CARLOS: Dinner with Tanaka ran long, I'm sorry.
GABRIELLE: (sits up) You know, Carlos, I didn't marry you so I could have dinner by myself 6 nights a week. You know how bored I was today? I came this close to actually cleaning the house.
CARLOS: Don't be that way. I got you a gift.
GABRIELLE: Nope. No, no, no, no. you're not gonna buy your way outta this one.
CARLOS: It's a good gift. (lays on the bed next to her, and tosses the jewellery box next to GABRIELLE.)
GABRIELLE: Is that white gold?
CARLOS: Yeah. Put it on. (kisses GABRIELLE's shoulder) And then make love to me.
GABRIELLE: I'm not in the mood. But, we could stay up and talk.
CARLOS: (laughs and gets up, walking to the table at the end of the bed) When a man buys a woman expensive jewellery, there are many things he may want in return. For future reference, conversation ain't one of them.
[IU3]
CARLOS: Hey, that was a joke.
GABRIELLE: Yeah, right. (throws the bedcovers back and gets up)
CARLOS: (catches hold of her by her arms) What the hell's wrong with you?
GABRIELLE: Let go of me.
CARLOS: You're been acting like a nightmare for a month. What's wrong?
GABRIELLE: Stop.
CARLOS: I can't fix it unless you tell me.
GABRIELLE: (throws her arms free, and sits back on the bed, sighing) It's not exciting anymore, Carlos.
CARLOS: (sighs, sits on the bed next to her) So what am I supposed to do?
GABRIELLE: I don't know. Be the way you used to be, surprise me, take my breath away.
CARLOS: (sighs) Okay. Okay.
[CUT TO: EXT. MEYER HOUSE -- DAY]
(The front door opens, and SUSAN walks out, holding a bag of rubbish. She looks like she literally just rolled out of bed. She stifles a yawn as she opens the rubbish bin at the kerb, stuffing the plastic rubbish bag into it. We see MIKE a little distance away behind her, walking his dog again. He turns at the sound of SUSAN dumping the rubbish.)
MIKE: Hey Susan.
SUSAN: (stops short, eyes wide, not turning around) Mike!
MIKE: What's wrong?
SUSAN: I didn't realize anyone was gonna be out here, I just sorta rolled outta bed.
MIKE: I'm sure you look fine.
SUSAN: Oooh. (fixes herself, then turns around, smiling.)
MIKE: (pulls Bongo back as the dog starts barking at SUSAN, who looks startled) Ooh, Bongo, Bongo! Shh.. Sorry, uh, he scares easy.
SUSAN: No, it's fine, I get it.
MIKE: I didn't mean to disturb you. I'll see you later. (turns around to go)
SUSAN: Do you wanna have dinner with me?
MIKE: (turns back towards SUSAN) Just the two of us?
SUSAN: Heh, well, and Julie. Uh, it's a thing we do when somebody new moves into the neighbourhood, we invite them over for a home-cooked meal. Sort of a tradition.
MIKE: You said you were a lousy cook.
SUSAN: Well. I order takeout.
MIKE: Oh, you invite them over for a home-cooked meal and you order takeout.
SUSAN: Yeah, it's sort of a new tradition. I'm working out the kinks.
MIKE: (chuckles) I'll tell you what. How about I cook? And you guys come over to my place.
SUSAN: Oh. Great.
MIKE: Friday night at six?
SUSAN: I'll be there.
MIKE: Alright.
SUSAN: (laughs, bending down towards Bongo) Bye, Bongo.
(Bongo barks at SUSAN, who jumps back, laughing tentatively. SUSAN runs back into the house, excited. JULIE watches her smiling at her mother's obvious excitement. SUSAN bursts into the kitchen door.)
SUSAN: Julie? Mike Delfino just invited us to dinner Friday night.
JULIE: He did? Cool.
SUSAN: But only I'm going. Because you're gonna come down with [IU4]
[CUT TO: EXT. BRITT HOUSE -- DAY]
(EDIE and MRS. HUBER are sifting through the burnt-out shell of the house.)
NARRATOR: Julie was glad Susan was rekindling her love life. Of course, she was unaware of her mother's recent track record with fire.
EDIE: It's all gone. Everything my ex-husband's worked for all those years. Gone.
MRS HUBER: Don't worry about clothing, I already started a collection from people in the neighbourhood.
EDIE: (picks up a little burnt pot, and puts it in a bucket) What? I don't wanna wear other people's old crap.
MRS HUBER: Edie, you can be homeless or you can be ungracious. You really can't afford to be both.
EDIE: (picks up a semi-burnt pink bra, and sighs) That reminds me. My insurance cheque still hasn't come yet. Can I stay with you for a few more weeks?
MRS HUBER: Of course. What kind of Christian would I be if I denied shelter to a friend in need? (spots SUSAN's burnt measuring cup on the ground)Oh look, here's something we can salvage, your measuring cup. We can just scrape off the burnt part and it'll look good as new.
EDIE: That's not my cup. Mine was plastic.
MRS HUBER: Well, how did it get in here?
EDIE: I don't know. Who cares? Now would you put that down and start looking for jewellery? (MRS. HUBER holds onto the burnt glass measuring cup, looking suspicious.)
[CUT TO:INT. DR. GOLDFINE'S OFFICE -- DAY]
NARRATOR: Doctor Albert Goldfine was the most accomplished marriage counsellor in the city. He had dealt with problems ranging from substance abuse, to infidelity, to domestic violence. Yes, Dr. Goldfine thought he had seen it all. And then, he met the Van De Kamp's.
(DR. GOLDFINE is sitting at his desk, writing when he hears a knock at his office door. He walks over to open it. BREE and REX are standing there. BREE is looking sparkly and happy as usual, while REX looks on, incredulously exasperated.)
BREE: Hi, I'm Bree, and this is my husband Rex. And I brought you some homemade pot pourri. (She hands him a packet of pot pourri as she walks past him into the office.)
REX: (pats DR. GOLDFINE on the shoulder) The answer is yes, you're about to make a fortune[IU5]
(DR. GOLDFINE looks ambushed. Tee-hee.)
[CUT TO:INT. SCAVO CAR -- DAY]
LYNETTE: Boys, guys, I'm begging you, sit in your seats. I'm not gonna tell you again! Buckle up! I mean it, so help me, I'll-(A police motorcycle drives up behind her, siren sounding) Oh .. crap! (She stops the car.)
OFFICER: (the policeman gets off his bike and walks to LYNETTE's window) License and registration please. (accepts the documents from LYNETTE) Ma'am, you know why I pulled you over?
LYNETTE: I have a theory.
OFFICER: Your kids are jumping up and down; they should be sitting, wearing a seatbelt.
LYNETTE: I yelled at them. They never listen to me, it's very frustrating.
OFFICER: Well, you're gonna hafta find a way to control them. After all, that's your job. (Walks off back to his motorbike)
NARRATOR: Though he's been a policeman for 6 years, Officer Hayes had never found himself in a truly dangerous situation. Then again, he had never before told a woman how to raise her children.
(LYNETTE sits with her hands on the wheel of her car, looking pissed.)
LYNETTE: (gets out of her car, slamming the door) You saying I'm a bad mother?
OFFICER: Ma'am, you need to get back in your car please.
LYNETTE: (slowly walks towards the policeman) I have no help, my husband's always away on business.
OFFICER: I'm gonna hafta ask you to step back now. (slowly moves his hands towards his weapon)
LYNETTE: My babysitter joined the witness relocation program. I haven't slept through the night in 6 years.
OFFICER: Ma'am..?
LYNETTE: (gets right in the policeman's face) And for you to stand there, and judge me.
OFFICER: Okay. I'm not gonna give you a ticket. I'm just gonna let you off with a warning.
LYNETTE: I accept your apology. (takes her license and registration from his hands and gets back in her car.)
OFFICER: Buckle up!
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