http://s13/mw690/0026rVyMgy6YVuIxJ6s7c&690
                                                                                                                                                                                          P1  龙一 ： 琉璃瓦回头龙残片。凸雕的龙角、发髯、部分龙头、龙睛清晰可见；龙身、腿矫健有力，片片鳞甲在动态中排列有序，衬托出龙体的灵动；龙爪刚劲又如风轮，是明早期龙的特色；辅助有火纹、祥云纹，呈现龙在空中舞动的氛围。龙肘部无须髯、龙角较细，发髯分成三绺。                                                                                                                                             
http://s5/mw690/0026rVyMgy6YVuIk5c8a4&690
                                                                                                                                                                                                 P2  龙二：琉璃瓦回头龙残片，黄色琉璃经过六百多年风雨完美如新，浮雕中一朵灵芝般的祥云线条流畅，体现明洪武琉璃官窑工匠的工艺水平；火球虽然缺失，但火纹仍然飘动；龙爪比上一龙更加粗壮有力，龙的肘部须髯飘动，也不同于上一龙无须髯。龙角较细，发髯七根不分绺。                                                                                                                                               
http://s9/mw690/0026rVyMgy6YVuI6w3e58&690
                                                                                                                                                                                          P3   龙三 ：龙的肘部有飘髯；雕工细致的片片鳞甲随龙身的摆动排列自然，龙的鳞甲很好的绘出来就不容易，雕刻出来更加不易，真是功底不凡。此龙较前俩龙更加健硕，可惜不能看到精彩的全貌。奇怪的是周边的轮廓较粗糙，有坯泥的压痕和裂纹。这一现象在后面的明洪武琉璃瓦中多有出现，瓦当的雕工与坯工或许不是同一人。                                                                                                                                                                 
http://s7/mw690/0026rVyMgy6YVuIgEkK66&690
                                                                                                                                                                                          P4   龙四：一条小龙活灵活现在眼前，姿态奔放自由，昂首挺胸，发髯飘飘。额头两块凸起显得高寿有威严，点睛有神，龙鼻龙须配上闭着的龙嘴，有人研究明洪武龙都是闭嘴龙，龙嘴不开意即龙言慎开，闭嘴一样威武是当年的龙文化。印象中明代早期龙在瓷器上多有‘二饼’龙，两只眼睛画的就像带了一副眼镜似的并排着，是明早期龙的特色。然而明洪武琉璃瓦龙大部分不是’二饼‘龙，不知是何典故。                                                                                                                                                                       
http://s10/mw690/0026rVyMgy6YVuJ5MRHe9&690
                                                                                                                                                                                             P5  龙五：琉璃瓦回头龙局部，琉璃色彩发亮，有玻璃光。龙首下颚部有胡须，龙肘部飘有五根须成绺。回头龙的姿态动中有静，下蹲回头张望，大约有一火球引起的。龙的脊背和腹部各有一条雕刻大约是龙鳍。前一龙没有。有鳍为老龙，无鳍为小龙吗？明洪武的琉璃瓦龙雕刻的很随意，不刻板，没有重样的，每一条龙都是手工雕刻而不用模子压制。不像当今仿古建筑，使用的全是一两个模子压制出来的，且呆板不生动，全然没有古人的功底。                                                                                                                                                                  
http://s5/mw690/0026rVyMgy6YVvitzAE04&690
                                                                                                                                                                                                P6  龙六：这条闭嘴龙的龙首有不同于前龙，眼上似有眉毛，下颚有胡须，夸张的大龙爪孔武有力威严十足。                                                                                                                                                                  
http://s4/mw690/0026rVyMgy6YVAMyHOXb3&690

                                  P7 龙七：明洪武也有黑色的琉璃瓦龙，等级低于黄色琉璃瓦，皇家主要建筑用黄色，少数配房用黑色。这块残片做工显得较粗糙。

http://s5/mw690/0026rVyMgy6YVuJrHOk54&690
                                                                                                                                                                                                 P8  龙八：琉璃瓦中，绿色琉璃瓦的尊位仅仅次于皇家黄色琉璃瓦，用于宗教寺院等建筑。在皇陵建筑附近大约还安排寺庙，为长眠地下的皇帝超度祈福。