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如果说中国古窗，

是古建筑上的一双眼睛，

那么，窗格，

则格出了古人生活的浪漫。

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中国的古代工匠，

运用最简单的线条和几何图形，

将一扇简单呆板的窗户，

变得充满了流动的气息。

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在不同角度的光线照射下，

窗户上本身的花纹图案，

产生的富有变化的光影，

成为房间里最美的留痕。

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一种若隐若现的美丽，

一种时光走过的纹路，

一种刻在窗户的祝福。

方方小小的窗格，

久远地萦绕在古人的心中。

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透过唯美隽秀的古窗格，

目之所及，皆是一种美。

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西落的残阳，脉脉的斜晖，

归飞的宿鸟，摇曳的竹影，

远逝的残月，阑珊的灯火，

窗格记载了四季的轮回，

演绎了生命的悲喜离合。

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在窗格的光影下，

不仅有冬梅夏荷，花鸟鱼虫，

更蕴藏了窗里人的绵绵思绪。

古诗里的窗格，别有韵味，

穿越千年而来，情深意切。

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君问归期未有期，巴山夜雨涨秋池。

何当共剪西窗烛，却话巴山夜雨时。

——李商隐《夜雨寄北》

秉烛长谈的那夜，窗牖剪烛的深情，

是雨夜中独自一人的无尽思念。

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小轩窗，正梳妆，

相顾无言，唯有泪千行。

——苏轼《江城子》

纵使生死阔别十年，梦里的她，

依旧是当年窗前梳妆打扮的美丽模样。

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君自故乡来，应知故乡事。

来日绮窗前，寒梅着花未？

——王维《杂诗》

一枝寒梅的剪影，勾出一扇记忆的窗，

梅影身后，那扇窗之所在是我的家乡。

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守着窗儿，独自怎生得黑？

梧桐更兼细雨，

到黄昏、点点滴滴。

这次第，怎一个愁字了得！

——李清照《声声慢》

一个人守着一扇窗，简静深沉，

要怎样才能熬到黄昏的来临呢？

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不写高楼玉宇，只道窗前风景，

唐诗宋词缓缓地从窗格里流过，

千百年来，美丽着诗人的灵魂。

思念，慵懒，惆怅，悠闲，

每一种心情都是一种永恒的梦境。

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所有的世间美景，

出现在中国的古窗之外，

所有的诗情画意，

流淌在窗格的镂空之中。

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隔窗而望是世间桃源，

临窗而立是岁月人生，

窗格是中国人浪漫的描画。

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