在下面，无暇翻译出来，抱歉。

我认为说得很妙。

学英语的同学可以作为阅读训练，

英文好的童鞋麻烦帮翻一下

老大的女人可以借此多了解曼荼罗。

上图是荣格画的一幅曼陀罗，

窃以为初始时，不必如此具象化，

可以从胡乱涂抹、随心所欲开始。

An explanation of the origin of the mandala is given, and reasons are provided to justify the choice of this term in describing dreams and visions in which the self is symbolized. The mandala is the ritual or magic circle used in Lamaism; in Tantric yoga it is a yantra, or aid to contemplation. The Lamaic view of the mandala is presented by means of a report of a conversation with a Lamaic priest that took place in 1938. According to this view, a mandala is a mental image that can be created only by an instructed Lama through the power of imagination. No mandala is like any other; all are individual. Thus, physical representations of the mandala. found in monasteries and temples have no real significance; the true  mandala is always a mental image. Despite the alleged individual formation of Lamaic mandalas it is

noted that a certain unmistakable style and structure predominate. For example, they are all based on a quaternary system and their contents are derived from Lamaic dogma. A strict distinction is made between the Lamaic mandala, the khilkor, and the sidpekorlo, or Buddhist world wheel. The latter is based on a tertiary system in which the three world principles are represented. It is asserted that these Eastern symbols were not invented by religious leaders but that they originated in dreams and visions.Their widespread distribution across cultures is cited as evidence. Mandalas used in ceremonies are of great significance because their centers usually contain important religious figures, e.g. Shiva or the Buddha. If, as surmised, mandalas symbolize a psychic center of the personality that is separate from the ego, the high value placed on them is justified. I reference.