女性主义艺术  Feminist Art （之三） 

【艺术系谱】女性主义艺术（之三）女性主义艺术运用叙述、自传、装饰、仪式、工艺即艺术、通俗文化等形式，加入并推动了后现代主义艺术的发展。...

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1939年生于芝加哥，艺术家、作家、女性主义学者、教育家。她的重要作品《晚宴》，由边长14.63米的等边三角形桌子构成，每边13个，共39个单元，包括陶瓷和纺织工艺。意在邀请西方神话和历史中，39位杰出女性共进晚宴。另外把999位杰出女性的名字记录在装置中央的白色陶瓷地板中。从《晚宴》开始，朱迪·芝加哥又发展出一系列关于生与死、战争与和平、强权与弱势、人类价值观的命题。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0hpYkd0eUp1SmlhMHZERjFVZUxwQ0Y3MVRwMDJnM3NyUG1sYms4dWliMXdlWGhUaWJPb0FLOGdvQ1diWUhsM0FWdlIwZ2d3N1lVZDh3U1d3LzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

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1941年出生于加州，她是一位摄影师。她最广为人知的是她1974年的拍摄的， 题目为“伊莫和特维卡在优胜美地”的照片，照片刊登在1976年的生活杂志，它是达特最流行的照片。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcjJFdVR3R1FOcGo3TlZIaWF4dnZuUk9kUFA4VEpPY1daRmlhZWtzM2V3eDRRa0VycTBOQ3FmaWNyUS8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

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1941年生于克里夫兰,艺术家和电影制片人。她的作品将艺术与社会评论相结合，尤其是在人与科技的关系上。她的作品有其主题：在消费时代的身份，在一个监视的时代，人类和机器的关联，真实的和虚拟世界的关系。在长达40多年的实践，利森曾运用运动图像、绘画、拼贴、文字和后来的新媒体数字技术以及互联网。利森是第一位推出使用影音互动的艺术家，以及第一个将触摸屏界面做为作品的艺术家。她的网络机器人装置作品，是她超越传统艺术领域的一个例子。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcnM5b2FVMWRVMW1NdWZSU3E5YmljS2R0cEtSczFpYTZjUnVxWFNpYTViZjVxZ050R2hQMHFvbVcwZy8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmJ6M0pXRWNHYVJKVE5rTUZrUjhITjVaZlhoOUN6NzhlanNpYUN4aWNDZkI4Z2lidWIyeWozdHIzQS8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZclkyWW5vcEJEeVRJYzB1Zkkzd3hxblVLVjVMaFNQbG42WTRuMlVFRVJQZTI1Tmlhb0tFUVA5aHcvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcjVOaWFNRzJaU1JpY0JYdWZlU0w3ZnpEcmtFWHdmT1hxQnlIMlpGNE5zalNNSXNBRjIyakxLdDRBLzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZckdIM2o1azlKTzBjU3kwaGFvRE04WTQxQVNrQXB2bGlhWXNlcTg5c29oMFk2SGVVYUNjU1VKWFEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZclp2d0E0Ym43NTN0QUtUeHl2THpOUzNXOGQwU1o0aWM4NnBkTVFqb2J4SkZaUExrZTd0Rnp2aWJRLzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZckJYYUNkT3hOOTFpYVNxTDRnNHJ2ZHVvVVRYR1VFY0I0MGZuMUt6WnJWZUlMQm1XVnhhYmZ4bHcvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcnh5ZUoxYVlyQ1pmcHUzY2pkT0hSVXplcmU0REQ5M2VDU3BtRjltV0I2VkpKeDF6aWNyVG1HMkEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

1941生于爱荷华州，观念艺术家，教育家和作家。她通过大规模的叙述装置和理论著作，对女性主义艺术及后现代主义作出了广泛的贡献。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZck0xN3BpY2ljaWFpYlA3eW5WbTZpYjloMGM1SXdhWVhvM2E0VFZZTENTQlU0WXJkNFcwc2RmNGdIZ2p3LzA/d3hfZm10PWdpZg== Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcjRLVGlhNXg3TzdxUkNWcW80bm90bXgzR2pHZEV2Ukp5dmJQbjZuZklVV3R4bGxwTUwwVHl1alEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmg0eGFUaWJaRFdYSGFVaktNSmt1aWNGSGFFNGpZbEQ1TzlrMlROQlF5ZVpUOFBiSnVDYkZYRTJBLzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcnppYm5zWHM4aEgyMzVwdnV5V1F1WlpDdWxXSEdVc3hEWWdkUWNNRmVsS3UwdmJ1OWh1bGFuSGcvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcnFmNzNRZDR0RzFselk2OW1FUWljeEtldHVwdmt0MWxBWXlQNjFBcnVCMnpxbnU2VjV6REtMaWJ3LzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

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1942年生于纽约，表演艺术家。1983—1984年，与一位华人艺术家用一根两米长的绳子连在一起度过一年。期间，两人没有私人空间，每天的行为和话语都记录下来，在这种被动束缚的关系中，他们之间的麻烦和矛盾多于理解与和谐。这是对现代社会人际关系生动而深刻的提示。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcjMwNXZaSlNtV3hJcmhJYWNnOFRtZU5kUW5VZWlhMEtYSVQ1bmNMSmRxb2JHV1VIRXNUUElvZUEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcnBTbUxiRnhtUUdiQWt4UEF6VmpqSkxNQkpmTTNySVI4SW9mbmtpYUhuT1ROQWljZENwM1RpY0Nady8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZclUzcmpMWTVWcE8xZmhOTG1xRlVLTXJpYlI4ME9qT1dCeEk0SmljRWRCNkppY2Q4aFY1aWJ4WENHVUEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcktha1g0aWJFaEN1amhFdVJmODNQaGlickZMMUlYUlBsNFV1ZUYyRWljeXBDdXFQNGlhMXQwMzdqS2cvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmRpYjdVdDJLOHlKaFNYMGliVmF6WGxQcFZtMlFvSE4xT3U3VVZqWjdZSkx6OVk3dGdlYW40TEpRLzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmRpYWlhVnhHRXBVRlY3NzVhQnVSWlZEVENDWkdocVRrcWg2cFVmZUJIMHVIN2tCVjc1N0F4b0N3LzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

1942年生于纽约，作曲家，歌手，编舞导演，创作新歌剧，音乐戏剧作品。 在过去的几十年，她已经被人们誉为“声音的魔术师”和“美国最酷作曲家之一。”她是现在所谓的“扩展声乐技巧”的先驱，创建了音乐和动作，图像和物体，光线和声音的交汇作品。她把声音作为一种工具的开创性探索，扩大了音乐作品的界限。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmtnMXlFaWNncDVyeEt2bnZqRDdnTWV0NHRtbmliUTJQcWROT1lqVWlhZE94QnYxSmFxNEd5WHcxdy8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZclp2alZwcDZWM0tERzFkMzZ3VksxS3R4bXpTR09uRHJEZmlha0NSUmRqMm5CQjE2dmZmMm50NVEvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcjlOYUdGR3VwUzhqWmc1Ujh4ekJrN3BKNVlyM3lvd2ZiS2RvY0oxRWswcVNBQll4d054M3ZEdy8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

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http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcm9BSXcxcEFqRzN4ZWJQM3dMaWFpYzk2NmR0cjN5RWNpYnRPYXdtVlRXb281eHhFTm10a3ZDajRsdy8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

1943年生于纽约布鲁克林。 玛莎·罗斯勒利用各种媒介，她的最知名的媒介是照片拼贴和图文混排，她还创建了视频装置和表演艺术。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZckZXWGg0STJCTm5vWmNGNlpSbGZSYW1yQTRzNDhtc1RKSjNRVmFnN1hYUzRscFNLeHVjejJ6US8wP3d4X2ZtdD1qcGVn Feminist Art （之三）" />

http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmZOaWMyOEVGRTl0NTBpY3FzMktjeVdyYVlabXgzbmZ0RE1ZcWNUbjNwd3VjUDMzR1VMNXFyT2pnLzA/d3hfZm10PWpwZWc= Feminist Art （之三）" />

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1945年生于美国新泽西。她的作品中文字与声音相结合，图片与录像投影相统一，形成了她多媒体化的创作风格。典型的克鲁格风格，通常是黑白图片，简洁的宣传语被拆成多行词组，用红底白字显示，对比强烈。克鲁格是最善于运用文字的艺术家之一。那些凝练的口号仿佛警句，让人印象深刻，过目难忘。 http://cdn.img2.a-site.cn/pic.php?url=aHR0cDovL21tYml6LnFwaWMuY24vbW1iaXovNTlHMlZ5Y1BMY0dMZWV0djBad2dpYXdianppYjVFd2RZcmZpY0xPNUJkRFprdlJlZGtlOFhaYjJ0OG41bFRHM3hyM3c0RXhDSVA0ZGNPOEp1T2FaVTB2bGcvMD93eF9mbXQ9anBlZw== Feminist Art （之三）" />

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20世纪60年代结束之前，大部分女性艺术家寻求的是无性别的艺术，在男性主导的主流艺术圈中与之竞争。她们的作品即非陈述女性在历史上的情况，也无法辨识出是女性所做的作品。60年代的反文化潮流，启发了创新与进步的社会分析，主流再也不被认为是中性的。女性主义理论家的特殊关注是艺术史上对精致艺术与工艺的偏见。对传统上被贬为最卑微的艺术形式，包括花布、波斯地毯、美式那瓦乔毛毯产生的新兴趣，最终造成了“图案与装饰”运动。至1969年女性主义艺术作品开始出现，女性主义的各种议题也纷纷被提出。主导70年代的是以各种媒介创作的自传性作品与仪式性的表演。到了80年代，回归传统媒介的风潮，鼓励着女性主义艺术家创作带有观念与异议倾向的艺术品。此后的作品不太像前辈女性主义艺术的创作，主要原因是女性主义的理念原则已经被广为接受。后现代女性主义艺术冲破了之前的纯粹性和唯一性，要求的是一种广泛的探索艺术的方式。女性主义艺术运用叙述、自传、装饰、仪式、工艺即艺术、通俗文化等形式，加入并推动了后现代主义艺术的发展。朱迪·芝加哥

1939年生于芝加哥，艺术家、作家、女性主义学者、教育家。她的重要作品《晚宴》，由边长14.63米的等边三角形桌子构成，每边13个，共39个单元，包括陶瓷和纺织工艺。意在邀请西方神话和历史中，39位杰出女性共进晚宴。另外把999位杰出女性的名字记录在装置中央的白色陶瓷地板中。从《晚宴》开始，朱迪·芝加哥又发展出一系列关于生与死、战争与和平、强权与弱势、人类价值观的命题。

朱迪·达特

1941年出生于加州，她是一位摄影师。她最广为人知的是她1974年的拍摄的， 题目为“伊莫和特维卡在优胜美地”的照片，照片刊登在1976年的生活杂志，它是达特最流行的照片。

林恩·赫斯曼·利森

艺术家和电影制片人。1941年生于克里夫兰。她的作品将艺术与社会评论相结合，尤其是在人与科技的关系上。她的作品有其主题：在消费时代的身份，在一个监视的时代，人类和机器的关联，真实的和虚拟世界的关系。在长达40多年的实践，利森曾运用运动图像、绘画、拼贴、文字和后来的新媒体数字技术以及互联网。利森是第一位推出使用影音互动的艺术家，以及第一个将触摸屏界面做为作品的艺术家。她的网络机器人装置作品，是她超越传统艺术领域的一个例子。

玛丽·凯利

观念艺术家，教育家和作家。1941生于爱荷华州。她通过大规模的叙述装置和理论著作，对女性主义艺术及后现代主义作出了广泛的贡献。

琳达玛丽·蒙塔诺 

表演艺术家。1942年生于纽约。1983—1984年，与一位华人艺术家用一根两米长的绳子连在一起度过一年。期间，两人没有私人空间，每天的行为和话语都记录下来，在这种被动束缚的关系中，他们之间的麻烦和矛盾多于理解与和谐。这是对现代社会人际关系生动而深刻的提示。

梅雷迪思·简凯

作曲家，歌手，编舞导演。1942年生于纽约，创作新歌剧，音乐戏剧作品。 在过去的几十年，她已经被人们誉为“声音的魔术师”和“美国最酷作曲家之一。”她是现在所谓的“扩展声乐技巧”的先驱，创建了音乐和动作，图像和物体，光线和声音的交汇作品。她把声音作为一种工具的开创性探索，扩大了音乐作品的界限。

玛莎·罗斯勒

1943年生于纽约布鲁克林。 玛莎·罗斯勒利用各种媒介，她的最知名的媒介是照片拼贴和图文混排，她还创建了视频装置和表演艺术。

巴巴拉·克鲁格

摄影家，1945年生于美国新泽西。她的作品中文字与声音相结合，图片与录像投影相统一，形成了她多媒体化的创作风格。典型的克鲁格风格，通常是黑白图片，简洁的宣传语被拆成多行词组，用红底白字显示，对比强烈。克鲁格是最善于运用文字的艺术家之一。那些凝练的口号仿佛警句，让人印象深刻，过目难忘。