李安《喜宴》英文影评(1993)
(2010-05-17 17:11:08)
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杂谈 |
分类: 影评 |
A slickly mounted Gotham comedy about two gays who try to hoodwink the Chinese partner's parents with a phony marriage, "The Wedding Banquet" slides down easily even if it doesn't leave much aftertaste. Canny mix of feel-good elements and ethnic color could pay off in brisk foreign sales for co-winner of the Berlin fest Golden Bear.
Commercially, the Taiwan-funded pic has the potential to go
much wider than previous Amerasian items, even though it's a
shallower work than helmer Ang Lee's first feature, "Pushing
Hands," admired at Berlin last year.
Easily digestible package is clearly designed with crossover
appeal. Rather than being movie's sine qua non, the gay-based story
line is more a hook for a broader portrait of traditional Chinese
attitudes to sex and posterity. On that level it works, mainly
thanks to a grounding perf by Sihung Lung (old master in "Hands")
as the wise paterfamilias.
Central couple are Wai-tung (Winston Chao), a Taiwanese with a
comfy lifestyle in Manhattan from real estate investments, and his
white U.S. lover Simon (Mitchell Lichtenstein). To fend off his
mother's long-distance nagging to get married, Wai-tung agrees to a
green-card deal with one of his Soho tenants, the ambitious but
broke Wei-wei (May Chin), an illegal immigrant from Shanghai.
Proverbial stuff hits the fan when Wai-tung's parents suddenly
fly over from Taiwan to attend the wedding. Not only do they stay
in the lovers' apartment, but a planned quickie at City Hall
becomes a full-blown wedding banquet to satisfy mom and dad.
Gradually, all characters start to change position as they get
to know each other. A further complication is when a drunken
Wai-tung momentarily slips off his sexual wagon and makes Wei-wei
pregnant on their wedding night.
Most of this is smoothly done and scripted with plenty of
incident, especially in the set piece of the enormous wedding
banquet and some funny sitcomy sequences of fooling the parents
inside their son's apartment. In pacing and handling of ensemble,
Lee is more assured here than in "Hands."
But the characters are not given enough depth for the climax
to pay emotional dividends. Though succinctly sketched at the
start, the gay relationship slips out of focus as Chinese issues
and the escalating comedy of errors take over. Lichtenstein's role
is an early casualty. With Chao's role also developing no new
wrinkles, the final payoff is milder than expected. It's also a tad
glib, though in tune with the generally light tone.
As the taciturn father, Lung fleshes out a largely symbolic
part into the soul of the movie, encapsulated in the final scenes.
Chin, a popular singer/TV thesp in her native Taiwan, is far too
sexy for someone having difficulty finding a husband but adds color
and shape to an initially unsympathetic role.
Newcomer Chao, former model and flight attendant, is OK as
pig-in-the-middle Wai-tung without bringing much extra to the
table. Lichtenstein melds easily with the Chinese cast, and vet
Taiwan actress Ah-leh Gua (better known by the name Kuei Ya-lei)
has her moments as the mother.
Tech credits are pro on all fronts. Lee himself cameos briefly
at the wedding banquet with the line, "You're witnessing the
results of 5,000 years of sexual repression."