Opera（歌剧）

S.1, Don Sanche, ou le Chateau de l'Amour (1824-25)

Sacred Choral Works（严肃合唱作品）
S.2, Die Legende von der Heiligen Elisabeth (1857-62)
S.3, Christus (1855-67)
S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880-81)
S.5, Die heilige C?cilia (1874)
S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)
S.7, Cantantibus organis (1879)
S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)
S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857-58)
S.10, Missa Choralis (1865)
S.11, Hungarian Coronation Mass (1866-67) 匈牙利团结弥撒
S.12, Requiem (1867-68) 安魂曲
S.13, Psalm 13 (Herr, wie lange?) [first/second/third verion] (1855, 1858, 1862)
S.14, Psalm 18 (Coeli enarrant) (1860)
S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first/second version] (1859, 1862)
S.15a, Psalm 116 (Laudate Dominum) (1869)
S.16, Psalm 129 (De profundis) (1880-83)
S.17, Psalm 137 (By the rivers of Babylon) [first/second version] (1859-62)
S.18, Five choruses with French texts [5 choruses] (1840-49)
S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)
S.20, Ave Maria I [first/second version] (1846, 1852)
S.21, Pater noster II [first/second version] (1846, 1848)
S.22, Pater noster IV (1850)
S.23, Domine salvum fac regem (1853)
S.24, Te Deum II (1853?)
S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)
S.26, Festgesang zur Er?ffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)
S.27, Te Deum I (1867)
S.28, An den heiligen Franziskus von Paula (b.1860)
S.29, Pater noster I (b.1860)
S.30, Responsorien und Antiphonen [5 sets] (1860)
S.31, Christus ist geboren I [first/second version] (1863?)
S.32, Christus ist geboren II [first/second version] (1863?)
S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)
S.34, Ave maris stella [first/second version] (1865-66, 1868)
S.35, Crux! (Guichon de Grandpont) (1865)
S.36, Dall' alma Roma (1866)
S.37, Mihi autem adhaerere (from Psalm 73) (1868)
S.38, Ave Maria II (1869)
S.39, Inno a Maria Vergine (1869)
S.40, O salutaris hostia I (1869?)
S.41, Pater noster III [first/second version] (1869)
S.42, Tantum ergo [first/second version] (1869)
S.43, O salutaris hostia II (1870?)
S.44, Ave verum corpus (1871)
S.45, Libera me (1871)
S.46, Anima Christi sanctifica me [first/second version] (1874, ca.1874)
S.47, St Christopher. Legend (1881)
S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)
S.49, Weihnachtslied (O heilige Nacht) (a.1876)
S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca.1878-79)
S.51, Gott sei uns gn?dig und barmherzig (1878)
S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878)
S.53, Via Crucis (1878-79)
S.54, O Roma nobilis (1879)
S.55, Ossa arida (1879)
S.56, Rosario [4 chorals] (1879)
S.57, In domum Domino imibus (1884?)
S.58, O sacrum convivium (1884?)
S.59, Pro Papa (ca.1880)
S.60, Zur Trauung. Geistliche Verm?hlungsmusik (Ave Maria III) (1883)
S.61, Nun danket alle Gott (1883)
S.62, Mariengarten (Quasi cedrus) (b.1884)
S.63, Qui seminant in lacrimis (1884)
S.64, Pax Vobiscum! (1885)
S.65, Qui Mariam absolvisti (1885)
S.66, Salve Regina (1885)

Secular Choral Works（世俗合唱作品）
S.67, Beethoven Cantata No.1: Festkantate zur Enthüllung (1845)
S.68, Beethoven Cantata No.2: Zur S?kularfeier Beethovens (1869-70)
S.69, Ch?re zu Herders Entfesseltem Prometheus (1850)
S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)
S.71, Gaudeamus igitur. Humoreske (1869)
S.72, Vierstimmige M?nnerges?nge [4 chorals] (for Mozart-Stiftung) (1841)
S.73, Es war einmal ein K?nig (1845)
S.74, Das deutsche Vaterland (1839)
S.75, über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)
S.76, Das düstre Meer umrauscht mich (1842)
S.77, Die lustige Legion (A. Buchheim) (1846)
S.78, Trinkspruch (1843)
S.79, Titan (Schobert) (1842-47)
S.80, Les Quatre éléments (Autran) (1845)
S.81, Le Forgeron (de Lamennais) (1845)
S.82, Arbeiterchor (de Lamennais?) (1848)
S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)
S.84, Licht, mehr Licht (1849)
S.85, Chorus of Angels from Goethe's Faust (1849)
S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Sch?ll) (1850)
S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)
S.88, Morgenlied (Hoffmann von Fallersleben) (1859)
S.89, Mit klingendem Spiel (1859-62 ?)
S.90, Für M?nnergesang [12 chorals] (1842-60)
S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)
S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)
S.93, Ungarisches K?nigslied. Magyar Király-dal (ábrányi) [6 version] (1883)
S.94, Gruss (1885?)

Orchestral Works（管弦乐队作品）
Symphonic Poems（交响诗）
S.95, Poème symphonique No.1, Ce qu'on entend sur la montagne [first/second/third version] (1848-49, 1850, 1854)
S.96, Poème symphonique No.2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850-51, 1854)
S.97, Poème symphonique No.3, Les Préludes (1848) 前奏曲
S.98, Poème symphonique No.4, Orpheus (1853-54)
S.99, Poème symphonique No.5, Prometheus [first/second version] (1850, 1855)
S.100, Poème symphonique No.6, Mazeppa [first/second version] (1851, b.1854) 马杰帕
S.101, Poème symphonique No.7, Festkl?nge [revisions added to 1863 pub] (1853)
S.102, Poème symphonique No.8, Héro?de funèbre [first/second version] (1849-50, 1854)
S.103, Poème symphonique No.9, Hungaria (1854)
S.104, Poème symphonique No.10, Hamlet (1858) 哈姆雷特
S.105, Poème symphonique No.11, Hunnenschlacht (1856-57)
S.106, Poème symphonique No.12, Die Ideale (1857)
S.107, Poème symphonique No.13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881-82)

Other Orchestral Works（其他管弦乐队作品）
S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)
S.109, Eine Symphonie zu Dante's Divina Commedia (1855-56)
S.110, Deux épisodes d'apres le Faust de Lenau [2 pieces] (1859-61)
S.111, Zweiter Mephisto Waltz (1881)
S.112, Trois Odes Funèbres [3 pieces] (1860-66)
S.113, Salve Polonia (1863)
S.114, Künstlerfestzug zur Schillerfeier (1857)
S.115, Festmarsch zur Goethejubil?umsfeier [first/second version] (1849, 1857)
S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)
S.117, Rákóczy March (1865)
S.118, Ungarischer Marsch zur Kr?nungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)
S.119, Ungarischer Sturmmarsch (1875)
Pianoforte and Orchestra（钢琴与管弦乐队）
S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)
S.121, Malediction (with string orchestra) (1833)
S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849)
S.123, Fantasie über ungarische Volksmelodien (1852)
S.124, Piano Concerto No.1 in E flat [first/second version] (1849, 1856)
S.125, Piano Concerto No.2 in A major [first/second version] (1839, 1849)
S.126, Totentanz. Paraphrase on Dies Irae [Busoni's De Profundis/final version] (1849, 1859)

Chamber Music, etc.（室内乐，等等）

S.126b, Zwei Walzer [2 pieces] (1832)
S.127, Duo (Sonata) - Sur des thèmes polonais (violin and piano) (1832-35 ?)
S.128, Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin" [first/second version] (ca.1835-37, 1849)
S.129, Epithalam zu Eduard Reményis Verm?hlungsfeier (1872)
S.130, élégie No.1 [first/second/third version] (1874)
S.131, élégie No.2 (1877)
S.132, Romance Oubliée (1880)
S.133, Die Wiege (The Cradle) (1881?)
S.134, La Lugubre Gondola [first/second version] (1883-85 ?, 1885?)
S.135, Am Grabe Richard Wagners (1883)

Pianoforte（钢琴）
Studies（练习曲）
S.136, études en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826)
S.137, Douze Grandes études [second version, 12 pieces] (1837)
S.138, Mazeppa [intermediate version of S137/4] (1840)
S.139, Douze études d'exécution transcendante [final version, 12 pieces] (1851)
S.140, études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838-39)
S.141, Grandes études de Paganini [second version, 6 pieces] (1851)
S.142, Morceau de Salon, étude de perfectionnement [Ab Irato, first version] (1840)
S.143, Ab Irato, étude de perfectionnement [second version] (1852)
S.144, Trois études de concert [3 pieces] (1848?)
S.145, Zwei Konzertetüden [2 pieces] (1862-63)
S.146, Technische Studien [68 studies] (ca.1868-80)
S.146/62, Sprünge mit der Tremolo-Begleitung [No 62 from Technische Studien] (ca.1868)
Various Original Works（原创变奏曲作品）
S.147, Variation sur une valse de Diabelli (1822)
S.148, Huit Variations (1824?)
S.149, Sept Variations brillantes sur un thème de G. Rossini (1824?)
S.150, Impromptu brillant sur des thèmes de Rossini et Spontini (1824)
S.151, Allegro di bravura (1824)
S.152, Rondo di bravura (1824)
S.153, Scherzo in G minor (1827)
S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835)
S.155, Apparitions [3 pieces] (1834)
S.156, Album d'un Voyageur [3 sets; 7, 9, 3 pieces] (1835-38)
S.157, Fantaisie romantique sur deux mélodies suisses (1836)
S.158, Tre Sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844-45)
S.159, Venezia e Napoli, 1st version [4 pieces] (1840?)
S.160, Années de Pèlerinage. Première Année; Suisse [9 pieces] (1848-55)
S.161, Années de Pèlerinage. Deuxième Année; Italie [7 pieces] (1839-49)
S.162, Venezia e Napoli. Supplément aux Années de Pèlerinage 2de volume [3 pieces] (1860)
S.163, Années de Pèlerinage. Troisième Année [7 pieces] (1867-77)
S.163a, Andantino pour Emile et Charlotte Loudon (1828)
S.164, Feuille d'album No.1 (1840)
S.165, Feuille d'album (in A flat) (1841)
S.166, Albumblatt in waltz form (1841)
S.167, Feuille d'album No.2 [Die Zelle in Nonnenwerth, third version] (1843)
S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851)
S.169, Romance (O pourquoi donc) (1848) 浪漫曲
S.170, Ballade No.1 in D flat (Le chant du croisé) (1845-48) 降D大调第一叙事曲
S.171, Ballade No.2 in B minor (1853) B小调第二叙事曲 
S.172, Consolations (Six Penseés poétiques) (1849-50)
S.172a/2, Invocation [early version of S173/1; formerly S173b]
S.173, Harmonies poétiques et religieuses [second version] (1845-52)
S.174, Berceuse [first/second version] (1854, 1862)
S.175, Deux Légendes (1862-63)
S.176, Grosses Konzertsolo [second version] (1849-50 ?)
S.177, Scherzo and March (1851) 谐谑与进行曲
S.178, Sonata in B minor (1852-53) B小调奏鸣曲
S.179, Weinen, Klagen, Sorgen, Zagen; Prelude after J. S. Bach (1859)
S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862)
S.181, Sarabande and Chaconne from Handel's opera Almira (1881)
S.182, Ave Maria - Die Glocken von Rom (1862) 圣母颂
S.183, Alleluia et Ave Maria [2 pieces] (1862)
S.184, Urbi et orbi. Bénédiction papale (1864)
S.185, Vexilla regis prodeunt (1864)
S.186, Weihnachtsbaum [second version, 12 pieces] (1875-76)
S.187, Sancta Dorothea (1877)
S.187a, Resignazione [first/second version] (1877)
S.188, In festo transfigurationis Domini nostri Jesu Christi (1880)
S.189, Klavierstück No.1 (1866)
S.189a, Klavierstück No.2 (1845)
S.190, Un portrait en musique de la Marquise de Blocqueville (1868)
S.191, Impromptu (1872)
S.192, Fünf Klavierstücke (für Baroness von Meyendorff) [5 pieces] (1865-79)
S.193, Klavierstück in F sharp major (a.1860)
S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870)
S.195, Dem Andenken Pet?fis (Pet?fi Szellémenek) (1877)
S.196, élégie No.1 (1874)
S.197, élégie No.2 (1877)
S.197a, Toccata (1879-81) 托卡塔
S.198, Wiegenlied (Chant du herceau) (1880)
S.199, Nuages gris (Trübe Wolken) (1881)
S.200, La lugubre gondola [2 pieces] (1882, 1885)
S.201, R. W. - Venezia (1883)
S.202, Am Grabe Richard Wagners (1883)
S.203, Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab) (1883)
S.204, Receuillement (Bellini in Memoriam) (1877)
S.205, Historische ungarische Bildnisse (Magyar arcképek) [7 pieces] (1885)
S.206, Trauervorspiel und Trauermarsch (1885)
S.207, En Rêve. Nocturne (1885)
S.208, Unstern: Sinistre, Disastro (ca.1880-86)
Works in Dance Form 改编自舞曲
S.208a, Waltz (in A major) (b.1825)
S.209, Grande valse di bravura [first version of S214/1] (1835)
S.210, Valse mélancolique [first version of S214/2] (1839)
S.211, L?ndler (in A flat major) (1843)
S.212, Petite Valse favorite [first/second version] (1842, 1843)
S.212b, Mariotte (1840)
S.213, Valse-Impromptu (1850?)
S.214, Trois Caprice-Valses [3 pieces] [second versions of S209, S210, S401] (1850?)
S.214a, Carousel de Madame Pelet-Narbone (ca.1875-81)
S.215, Valses oubliées [4 pieces] (1881-84)
S.216, Dritter Mephisto-Walzer (1883)
S.216a, Bagatelle sans tonalité (1885)
S.216b, Vierter Mephisto-Walzer [first version] (1885)
S.217, Mephisto Polka [first/second version] (1883)
S.218, Galop (in A minor) (1841?)
S.219, Grand galop chromatique (1838)
S.220, Galop de Bal (1840?)
S.221, Mazurka brillante (1850)
S.223, Deux Polonaises [2 pieces] (1851)
S.224, Csárdás macabre (1881-82)
S.225, Two Csárdás [2 pieces] (1884)
S.226, Festvorspiel (1856)
S.227, Goethe Festmarsch [first version] (1849)
S.228, Huldigungsmarsch [first/second version] (1853)
S.229, Vom Fels zum Meer! - Deutscher Siegesmarsch (1853-56)
S.230, Bülow-Marsch (1883)
S.231, Heroischer Marsch in ungarischem Stil (1840)
S.232, Ungarischer Sturmmarsch [first version] (1843?)
S.233, Ungarischer Geschwindmarsch (1870)
S.233a, Siegesmarsch. Marche triomphale (Victory March) (?)

Works on National Themes
Austrian（奥地利）
S.233c, Tyrolean Melody (Auber) [now S385a] (b.1856)
Czech（捷克）
S.234, Hussitenlied (Melody by J.Krov) (1840)
English（英国）
S.235, God Save the Queen (1841)
French（法国）
S.236, Faribolo Pasteur and Chanson du Béarn [2 pieces] (1844)
S.237, La Marseillaise (1872?)
S.238, La cloche sonne (1850?)
S.239, Vive Henri IV (1870-80 ?)
German（德国）
S.240, Gaudeamus igitur. Concert paraphrase [first/second version] (1843, 1853)
Hungarian（匈牙利）
S.241, Hungarian Recruiting Songs (Zum Andenken) (By Fáy & Bihari) (1828)
S.242, Magyar Dalok: Magyar Rapszódiák [22 pieces] (1839-47)
S.243, Ungarische National-Melodien [3 pieces] (ca.1843)
S.244, Hungarian Rhapsodies (Rapsodies hongroises) [19 pieces] (1846-86)
S.244c, Rákóczi-Marsch [popular version] (?)
S.245, Fünf ungarische Volkslieder (Abranyi) [5 pieces] (1873)
S.246, Puszta-Wehmut (A Puszta Keserve) (1880-86 ?)
Italian（意大利）
S.248, Canzone Napolitana [first/second version] (1842)
Polish（波兰）
S.249, Glanes de Woronince [3 pieces] (1847-48)
Russian（俄罗斯）
S.250, Deux Mélodies russes. Arabesques [2 pieces] (1842)
S.250a, Le rossignol (Alyabyev) [first version of S250/1] (1842)
S.251, Abschied. Russisches Volkslied (1885)
Spanish（西班牙）
S.252, Rondeau fantastique sur un thème espagnol, El Contrabandista (Garcia) (1836)
S.252a, La Romanesca [first/second version] (ca.1832, b.1852)
S.253, Fantasie über Spanische Weisen (1853)
S.254, Rhapsodie espagnole (1863?)

Pianoforte Duet
S.255, Festpolonaise [now S619a] (1876)
S.256, Variation on the Chopstick theme (1880)

Two Pianofortes（双钢琴）
S.257, Grosses Konzertstück über Mendelssohns Lieder ohne Worte (1834)
S.258, Concerto pathétique (b.1856)

Organ（管风琴）
S.259, Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam' (1850)
S.260, Pr?ludium und Fuge über das Thema BACH [first/second version] (1855, 1870)
S.261, Pio IX. Der Papsthymnus (1863?)
S.261a, Andante religioso (1861?)
S.262, Ora pro nobis. Litanei (1864)
S.263, Resignazione (1877)
S.264, Missa pro organo lectarum celebrationi missarum adjumento inserviens (1879)
S.265, Gebet (1879)
S.266, Requiem für die Orgel (1883)
S.267, Am Grabe Richard Wagners (1883)
S.268, Zwei Vortragsstücke [2 pieces] (1884)
Songs（艺术歌曲）
S.269, Angiolin dal biondo crin (Marchese C. Bocella) [first/second version] (1839, ?)
S.270, Three Petrarch Sonnets [3 songs, first/second version] (1844-45, 1854]
S.271, Il m'aimait tant (Delphine Gay) (1840?)
S.272, Im Rhein, im sch?nen Strome (Heine) [first/second version] (1840?, 1854)
S.273, Die Lorelei (Heine) [first/second version] (1841, ?)
S.274, Die Zelle im Nonnenwerth [first/second version revised 1862] (b.1841, 1857)
S.275, Mignons Lied (Kennst du das Land) (Goethe) [first/second/third version] (1842, 1854, 1860)
S.276, Comment, disaient-ils (Hugo) [first/second version] (1842, ?)
S.277, Bist du (Prince E. Metschersky) [first/revised version] (1843, ca.1878-79)
S.278, Es war ein K?nig in Thule (Goethe) [first/second version] (1842, ?)
S.279, Der du von dem Himmel bist (Goethe) [first/second/third version] (1842, ?, 1860)
S.280, Freudvoll und leidvoll (Goethe) [first/second/third version] (1844, 1848?, ?)
S.281, Die V?tergruft (1844)
S.282, O quand je dors (Hugo) [first/second version] (1842, ?)
S.283, Enfant, si j'etais roi (Hugo) [first/revised version] (1844?, ?)
S.284, S'il est un charmant gazon (Hugo) [first/revised version] (1844?, ?)
S.285, La tombe et la Rose (Hugo) (1844?)
S.286, Gastibelza, Bolero (Hugo) (1844?)
S.287, Du bist wie eine Blume (Heine) (1843?)
S.288, Was Liebe sei (C. von Hagn) [first/second/third version] (1843?, ca.1855, 1878-79)
S.289, Vergiftet sind meine Lieder (Heine) [first/revised version] (1842, ?)
S.290, Morgens steh ich auf und frage (Heine) [first/revised version] (1843?, ca.1855)
S.291, Die tote Nachtigall (Kaufmann) [first/revised version] (1843?, 1878)
S.292, Songs from Schiller's Wilhelm Tell [3 songs, first/revised version] (1845?, ?)
S.293, Jeanne d'Arc au b?cher (Dumas) [first/revised version] (1845, 1874)
S.294, Es rauschen die Winde [first/second version] (ca.1845, b.1856)
S.295, Wo weilt er? (Rellstab) (1844)
S.296, Ich m?chte hingehn (Herwegh) [revised later] (1845)
S.297, Wer nie sein Brot mit Tr?nen a? (Goethe) [first/revised version] (ca.1845)
S.298, O lieb so lang du lieben kannst (Freiligrath) (1845?)
S.299, Isten veled (Farewell) (Horvath) [first/revised version] (1846-47)
S.300, Le juif errant (Béranger) (1847)
S.301, Kling leise, mein Lied [first/revised version] (1848)
S.301a, Oh pourquoi donc (Mme Pavloff) (1843)
S.301b, En ces lieux. élégie (E. Monnier) (1844)
S.302, Die Macht der Musik (Duchess Helen of Orleans) (1848-49)
S.303, Weimars Toten. Dithyrambe (Schober) (b.1848)
S.304, Le vieux vagabong (Béranger) (b.1848)
S.305, Schwebe, schwebe, blaues Auge [first/revised version] (1845, ?)
S.306, über allen Gipfeln ist Ruh [first/revised version] (1847?, ?)
S.306a, Quand tu chantes bercée (Hugo) (1843)
S.307, Hohe Liebe (Uhland) (1850?)
S.308, Gestorben war ich (Seliger Tod) (Uhland) (1850?)
S.309, Ein Fichtenbaum steht einsam (Heine) [first/revised version] (ca.1845, 1854)
S.310, Nimm einen Strahl der Sonne (1849)
S.311, Anfangs wollt' ich fast verzagen (Heine) (1849)
S.312, Wie singt die Lerche sch?n (Hoffmann von Fallersleben) (1856?)
S.313, Weimars Volkslied (Cornelius) (1857)
S.314, Es muss ein Wunderbares sein (Redwitz) (1852)
S.315, Ich liebe dich (Rückert) (1857)
S.316, Muttergottes - Str?usslein zum Mai-monate (Müller) [2 songs] (1857)
S.317, Lasst mich ruhen (Hoffmann von Fallersleben) (1858?)
S.318, In Liebeslust (Hoffmann von Fallersleben) (1858?)
S.319, Ich scheide (Hoffmann von Fallersleben) (1860)
S.320, Die drei Zigeuner (Lenau) (1860)
S.321, Die stille Wasserrose (Geibel) (1860?)
S.322, Wieder m?cht ich dir begegnen (Cornelius) (1860)
S.323, Jugendglück (Pohl) (1860?)
S.324, Blume und Duft (Hebbel) (1854)
S.325, Die Fischerstochter (Count C. Coronini) (1871)
S.326, La Perla (Princess Therese von Hohenlohe) (1872)
S.327, J'ai perdu ma force est ma vie. 'Tristesse' (de Musset) (1872)
S.328, Ihr Glocken von Marling (Emil Kuh) (1874)
S.329, Und sprich (Biegeleben) [revised 1878] (1874)
S.330, Sei still (Henriette von Schorn) (1877)
S.331, Gebet (Bodenstedt) (1878?)
S.332, Einst (Bodenstedt) (1878?)
S.333, An Edlitam (Bodenstedt) (1878?)
S.334, Der Glückliche (Bodenstedt) (1878?)
S.335, Go not, happy day (Tennyson) (1879)
S.336, Verlassen (G.Michell) (1880)
S.337, Des Tages laute Stimmen schweigen (F. von Saar) (1880)
S.338, Und wir dachten der Toten (Freiligrath) (1880?)
S.339, Ungarns Gott. A magyarok Istene (Petófi) (1881)
S.340, Ungarisches K?nigslied. Magyar Király-dal (ábrányi) (1883)
S.340a, Ne brani menya, moy drug. (Tolstoy) (1886)

Other Choral Works
S.341, Ave Maria IV (1881)
S.342, Le crucifix (Hugo) (1884)
S.343, Sancta Caecilia (1884)
S.344, O Meer im Abendstrahl (Meissner) (1880)
S.345, Wartburg-Lieder [7 chorals] (1872)

Recitations
S.346, Lenore (Bürger) (1858)
S.347, Vor hundert Jahren (F. Halm) (1859)
S.348, Der traurige M?nch (Lenau) (1860)
S.349, Des toten Dichters Liebe (Jókai) (1874)
S.350, Der blinde S?nger (Alexei Tolstoy) (1875) 

S.351, Mazurka Fantasie Op.13 (1865)
Cornelius
S.352, Second Overture to The Barber of Baghdad [completed from Cornelius's sketches] (1877)

Egressy and Erkel
S.353, Szózat und Hymnus (1873)
Liszt（李斯特）
S.354, Deux Légendes (1863)
S.355, Vexilla regis prodeunt (1864)
S.356, Festvorspiel (1857)
S.357, Huldigungsmarsch [first/second version] (1853, 1857)
S.358, Vom Fels zum Meer. Deutscher Siegesmarsch (1860)
S.359, 6 Rapsodies hongroises (Hungarian Rhapsodies) (?)
S.360, A la chapelle Sixtine (Allegri Mozart) (1862)
S.361, Pio IX. Der Papsthymnus (ca.1863)
S.362, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1875)
Schubert（舒伯特）
S.363, 4 Marches [from Schubert's Op.40, 54, 121] (1859-60)
Zarembski
S.364, Danses galiciennes (1881)

Pianoforte and Orchestra
Liszt（李斯特）
S.365, Grand solo de concert [prepared by Howard] (1850)
S.365a, Concerto pathétique (No. 4) in E minor [Liszt/Reuss version] (1885-86)
S.365b, Hexaméron, Morceau de concert [orchestration completed by Howard] (ca.1839)
Schubert（舒伯特）
S.366, Wanderer-Fantasie (Fantasia in C major, Op. 15) (1851)
Weber（威柏）
S.367, Polonaise brillante, Op.72 (1849)
Songs with Orchestra
Korbay（柯达伊）
S.368, 2 Songs (Le Matin by Bizet and Gebet by Geibel) (1883)
Liszt（李斯特）
S.369, Die Lorelei (Heine) (1860)
S.370, Mignons Lied (Kennst du das Land) (Goethe) (1860)
S.371, Die V?tergruft (Uhland) (1886)
S.372, Songs from Schillers Wilhelm Tell (ca.1855)
S.373, Jeanne d'Arc au b?cher (Dumas) [first/second version] (1858, 1874)
S.374, Die drei Zigeuner (Lenau) (1860)
Schubert（舒伯特）
S.375, 6 Songs (1860)
S.376, Die Allmacht (1871)
Zichy（辛丁）
S.377, Der Zaubersee. Ballad (1884)
Chamber Music, etc.
Liszt（李斯特）
S.377a, La Notte (Odes Funèbre No.2) (1864-66)
S.378, Angelus! - Priere aux anges gardiens [first/second version] (1877, 1880)
S.379, Rapsodie hongroise No.9 (Pester Karneval) (?)
S.379a, Rapsodie hongroise No.12 (1850-59)
S.379b, Puszta-Wehmut (A Puszta Keserve) (ca.1871)
S.380, O du mein holder Abendstern from Tannh?user (Wagner) (1852)
S.381, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1862)
S.381a, Ungarns Gott. A magyarok Istene (Petófi) (1882)
S.382, Die Zelle im Nonnenwerth (ca.1880-86)
S.383, Die drei Zigeuner (Lenau) (1864)

Pianoforte Solo（钢琴独奏）
Paraphrases, Operatic Transcriptions, etc.
Abranyi
S.383a, Elaboration on Virag dál (1881)
Alabieff
S.384, Mazurka pour piano composée par un amateur de St. Petersbourg (1842)
Auber
S.385, Grande Fantaisie sur la Tyrolienne de l'opera La Fiancée [first/second/third version] (1829, 1842, 1842)
S.385a, Tyrolean Melody (b.1856)
S.386, Tarantelle di bravura dàprès la Tarantelle de La Muette de Portici [original/Sophie Menter version (1846, 1869)
S.387, Three Pieces on themes by Auber [with intro piece] (a.1846)
Beethoven（贝多芬）
S.388, Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes) (1846)
S.388a, Marche turque (1846)
S.389, Fantasia on Beethoven's Ruins of Athens [first(S388b)/second version] (1837, 1852)
S.389a, Cadenza to the first movement of Beethoven's Concerto No.3 (1879)
Bellini（贝利尼）
S.390, Reminiscences des Puritains [first/second version] (1836, 1837)
S.391, I Puritani. Introduction and Polonaise (1840)
S.392, Hexameron, Morceau de Concert (1837)
S.393, Fantaisie sur des motifs de l'opéra La Sonnambula [first/second/third version] (1839, 1840-41, 1874)
S.394, Réminiscences de Norma (1841)
Berlioz（柏辽兹）
S.395, L'Idée fixe: Andate amoroso [first/second version] (1833?, 1865)
S.396, Benediction et Serment from Benvenuto Cellini (1852)
Donizetti, Gaetano
S.397, Réminiscences de Lucia di Lammermor (ca.1835-36)
S.398, Marche Funebre et Cavatine de Lucie de Lammermoor (ca.1835-36)
S.399, Nuit d'été à Pausilippe [3 pieces] (1839)
S.399a, Lucrezia Borgia - Grande fantaisie [first version of S400ii] (1840)
S.400, Réminiscences de Lucrezia Borgia [first/second version] 1840
S.401, Valse a capriccio sur deux motifs de Lucrezia et Parisina [first version of S214/3] (1842)
S.402, Marche funèbre de Dom Sébastien (1844)
Donizetti, Giuseppe
S.403, Marche pour le Sultan Abdul Medjid-Khan [first/simplified version] (1847, 1848)
Duke Ernst
S.404, Halloh! Jagdchor und Steyrer from the opera Tony (1849)
Erkel, Franz
S.405, Schwanengesang and March from Hunyadi Laszlo (1847)
Festetics
S.405a, Pásztor Lakodalmus Variations - Mélodies hongroises [elaboration by Liszt] (1858)
Glinka（格林卡）
S.406, Tscherkessenmarsch from Ruslan i Lyudmila [first/second version] (1843, 1875)
Gounod
S.407, Valse de l'opéra Faust (b.1861)
S.408, Les Sabéennes. Berceuse de l'opéra La Reine de Saba (1861)
S.409, Les Adieux. Rêverie sur un motif de l'opéra Romeo et Juliette (1867)
Halévy
S.409a, Réminiscences de La Juive (1835)
Mendelssohn（门德尔松）
S.410, Hochzeitsmarsch und Elfenreigen aus dem Sommernachtstraum (1849-50)
Mercadante
S.411, Soirée italienne. Six amusements (1838)
Meyerbeer（梅耶比尔）
S.412, Réminiscences des Huguenots - Grande fantaisie dramatique [first/second version] (1836, 1842)
S.412a, Réminiscences de Robert le Diable - Cavatine (1846?)
S.413, Réminiscences de Robert le Diable - Valse infernale (1846)
S.414, Illustrations du Prophète [3 pieces, 4th=S624] 1849-50
S.415, Illustrations de l'Africaine [2 pieces] 1865
S.416, Le Moine (1841)
Mosonyi, Michael
S.417, Fantaisie sur l'opéra hongrois Szép Ilonka (1865)
Mozart（莫扎特）
S.418, Réminiscences de Don Juan (1841)
Pacini
S.419, Divertissement sur la cavatine "I tuoi frequenti palpiti" (1835-36)
Paganini（帕格尼尼）
S.420, Grande Fantaisie de bravoure sur La Clochette (1831-32)
Raff
S.421, Andante Finale and March from the opera K?nig Alfred [2 pieces] (1853)
Rossini（罗西尼）
S.421a, Introduction et Variations from "Siege of Corinth" [introduction only] (1835-36)
S.422, Première grande fantaisie (Soirées musicales) [second(S422)/first(S442i) version] (1835-36, 1836)
S.423, Deuxième grande fantaisie (Soirées musicales) (1835-36)
S.424, Soirées musicales [12 pieces] (1837)
Schubert（舒伯特）
S.425, Mélodies hongroises [3 pieces] (1838-39)
S.426, Schubert's Marches [3 pieces] (1846)
S.426a, Marche militaire (ca.1870)
S.427, Soirées de Vienne [6 pieces] (1852)
Sorriano
S.428, Feuille morte. Elégie d'après Sorriano (1844-45)
Tchaikovsky（柴可夫斯基）
S.429, Polonaise from Eugene Onegin (1879)
Végh, Janos
S.430, Valse de concert (1882-83)
Verdi（威尔第）
S.431, Salve Maria de Jerusalem from I Lombardi [first/second version] (1848, 1882)
S.431a, Ernani - Première paraphrase de concert (1847)
S.432, Ernani - Paraphrase de concert (No.2) [first/second version] (b.1849, 1860)
S.433, Miserere du Trovatore (1860)
S.434, Rigoletto Paraphrase de Concert (1859)
S.435, Don Carlos Coro e Marcia funebre (1867-68)
S.436, Aida Danza sacra e duetto finale (1867-68)
S.437, Agnus Dei (1877)
S.438, Réminiscences de Boccanegra (1882)
Wagner（瓦格纳）
S.439, Phantasiestück über Motive aus Rienzi (1859)
S.440, Spinnerlied aus Der fliegende Holl?nder (1860)
S.441, Ballade aus Der fliegende Holl?nder (1872)
S.442, Ouvertüre zu R. Wagners Tannh?user (1848)
S.443, Pilgerchor aus Tannh?user [first/second version] (1861, 1885)
S.444, O du mein holder Abendstern aus Tannh?user (1848)
S.445, Zwei Stücke aus Tannh?user und Lohengrin (1852)
S.446, Aus Lohengrin [3 pieces] (1854)
S.447, Isoldens Liebestod aus Tristan und Isolde [first/revised version] (1867, ?)
S.448, Am stillen Herd aus Die Meistersinger (1871)
S.449, Walhall aus Der Ring des Nibelungen (1875)
S.450, Feierlicher Marsch zum heiligen Gral aus Parsifal (1882)
Weber
S.451, Freischütz-Fantasie (1840-41)
S.452, Leyer und Schwert [4 pieces] (1848)
S.453, Einsam bin ich, nicht alleine, from Preciosa (1848)
S.454, Schlummerlied mit Arabesken (1848)
S.455, Polonaise brillante (1851)
Zichy, Count Géza
S.456, Valse d'Adele (1877)

Unknown
S.458, Fantasy on Il Giuramento (Mercadante) (1836-37)
S.460, Kavallerie-Geschwindmarsch [anonymous, missing, but possibly identical to S233] (?)
Partitions de Piano, Transcriptions, etc.
Allegri and Mozart
S.461, A la chapelle Sixtine Miserere d'Allegri et Ave verum corpus de Mozart [first/second version] (1862, ?)
S.461a, Ave verum corpus, K461 (1862) [from S.461]
Bach（巴赫）
S.462, Sechs Pr?ludien und Fugen für Orgel [6 pieces] (1842-50)
S.463, Organ Fantasy and Fugue in G minor [first/second version] (1860, ?)
Beethoven（贝多芬）
S.464, Symphonies de Beethoven [9 pieces] (1843/63-64)
S.465, Grand Septuor, Op. 20 (1841)
S.466, Adela?de (Beethoven) [first(S466a)/second(S466b)/third version] (1839, 1841, 1847)
S.467, Sechs Geistlicher Lieder (Gellert), Op. 48 [6 pieces] (1840)
S.468, Sechs Lieder von Goethe (from Opp. 75, 83, 84) [6 pieces] (b.1849)
S.469, An die ferne Geliebte - Liederkreis, Op. 98 [6 pieces] (1849)
Berlioz（柏辽兹）
S.470, Symphonie Fantastique (1833)
S.470a/1, Introduction - L'idee fixe [second version of S.395]
S.470a/2, Marche au supplice de la Sinfonie fantastique [second version]
S.471, Ouverture des Francs-Juges (1833)
S.472, Harold en Italie (with viola) (1836)
S.473, Marche des Pèlerins de la sinfonie Harold en Italie [first/second version] (1837?, 1862)
S.474, Ouverture Le Roi Lear (1837)
S.475, Valse des Sylphes de la Damnation de Faust (1860)
Bulhakov
S.478, Russischer Galopp [first/second version] (1843, 1843)
von Bülow
S.479, Dante's Sonnett - Tanto gentile e tanto onesta (1874)
Chopin（肖邦）
S.480, Six Chants polonais, Op.74 [6 pieces] (1847-60)
S.480/5bis, Mes joies [second version of S.480/5]
Conradi
S.481, Zigeunerpolka (1847?)
Cui
S.482, Tarantella (1885)
Dargomyschsky
S.483, Tarantella (1879)
David, Ferdinand
S.484, Bunte Reihe, Op. 30 [24 pieces] (1850)
Dessauer
S.485, Drei Lieder (1846)
Duke Ernst
S.485b, Die Gr?berinsel (1842)
Egressy und Erkel
S.486, Szózat und Hymnus (1873)
Festetics
S.487, Spanisches St?ndchen (1846)
Franz
S.488, Er ist gekommen in Sturm und Regen 1848
S.489, Zw?lf Lieder [12 pieces] (1848)
Goldschmidt
S.490, Liebesszene und Fortunas Kugel (1880)
Gounod
S.491, Hymne à Sainte Cécile (1866)
Herbeck
S.492, Tanzmomente [8 pieces] (1869)
Hummel（胡梅尔）
S.493, Grosses Septett, Op. 74 (1848)
Lassen（拉森）
S.494, L?se, Himmel, meine Seele [first/second version] (1861, 1872)
S.495, Ich weil' in tiefer Einsamkeit (1872)
S.496, Hebbel's Nibelungen & Goethe's Faust [4 pieces] (1878-79)
S.497, Symphonisches Zwischenspiel ('über allen Zauber Liebe') (ca.1882-83)
Lessmann
S.498, Drei Lieder ('Tannh?user') (1882?)
Liszt（李斯特）
S.498a, Drei Stücke aus Legende von der heiligen Elisabeth (1857-62)
S.498b, Zwei Orchesterstücke aus Christus (1862-66)
S.498c, San Francesco - Preludio (1862-66)
S.499, Cantico del Sol di San Francesco d'Assisi (1881)
S.499a, San Francesco - Preludio per il Cantico del Sol (1880)
S.500, Excelsior! - Preludio (1875)
S.501, Benedictus und Offertorium (Missa Coronationalis) (1867)
S.502, Weihnachtslied II (1864)
S.503, Slavimo Slavno Slaveni! (1863)
S.504, Ave Maria II (in D) [first/second(D-flat) version] (1870, 1873)
S.504a, Via Crucis [15 pieces] (1878-79)
S.504b, Chor?le [11 pieces] (1878-79)
S.505, Zum Haus des Herrn (In domum Domini ibimus) (1884)
S.506, Ave maris stella (1868)
S.507, Klavierstück aus der Bonn Beethoven-Cantata (?)
S.507a, Schnitterchor (Pastorale - Schnitterchor aus Prometheus) (1850)
S.508, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
S.509, Gaudeamus igitur - Humoreske (1870)
S.510, Marche héro?que (?)
S.511, Geharnischte Lieder [3 pieces] (1861)
S.511a, Les Préludes (Poème symphonique no. 3) (ca.1863)
S.511b, Orpheus (Poème symphonique no. 4) (1879)
S.511c, Mazeppa (Poème symphonique no. 6) (1870-79)
S.511d, Festkl?nge (Poème symphonique no. 7) (1870-79)
S.511e, Hungaria (Poème symphonique no. 9) (1872)
S.512, Von der Wiege bis zum Grabe (Poème symphonique no. 13) (1881)
S.513, Gretchen aus Faust-Sinfonie (b 1867 )
S.513a, Der n?chtliche Zug (?)
S.514, Erster Mephisto-Walzer (Der Tanz in der Dorfschenke) [original version] (1859-62)
S.515, Zweiter Mephisto-Walzer (1881)
S.516, Les Morts (Trois odes funèbres no. 1) (1860)
S.516a, La notte (Trois odes funèbres no. 2) (?)
S.517, Le Triomphe funèbre du Tasse (Trois odes funèbres no. 3) (1866)
S.518, Salve Polonia (a.1863)
S.519, Deux Polonaises de St Stanislaus (1870-79)
S.520, Künstlerfestzug [first/second version] (1857-60, 1883)
S.521, Festmarsch zur Goethejubil?umsfeier [first/second version] (1857, 1872)
S.522, Festmarsch nach Motiven von E.H.z.S.-C.-G (1857)
S.523, Ungarischer Marsch zur Kr?nungsfeier in Ofen-Pest (1870)
S.524, Ungarischer Sturmmarsch [second version of S232] (?, 1875)
S.525, Totentanz. Paraphrase on Dies Irae (1860-65)
S.526, Epithalam zu Eduard Reményis Verm?hlungsfeier (?)
S.527, Romance oubliée (?)
S.529i, Pr?ludium und Fuge über das Thema BACH [first version] (1856)
S.529ii, Fantasie und Fuge über das Thema BACH [second version] (1870)
S.530, L'Hymne du Pape. Inno del Papa. Der Papsthymnus (1864)
S.531, Buch der Lieder I [5 pieces] (?)
S.532, Die Lorelei (Heine) [second version] (1861)
S.533, Il m'aimait tant (Delphine Gay) (?)
S.534, Die Zelle in Nonnenwerth [first/second/fourth version] (1841, 1857, 1880)
S.535, Comment, disaient-ils [Buch der Lieder II] (1845?)
S.536, O quand je dors [Buch der Lieder II] (1847?)
S.537, Enfant, si j'étais roi [Buch der Lieder II] (1847?)
S.538, S'il est un charmant gazon [Buch der Lieder II] (1847?)
S.539, La tombe et la rose [Buch der Lieder II] (1847?)
S.540, Gastibelza [Buch der Lieder II] (1847?)
S.541, Liebestr?ume. Drei Notturnos (ca.1850)
S.542, Weimars Volkslied [first/second version] (1857, ?)
S.542a, Ich liebe dich (?)
S.542b, Fanfare zur Enthüllung des Carl-Augusts Monument (?)
S.543, Ungarns Gott. A magyarok Istene (Petófi) [original/(S543bis)left-hand version] (1881)
S.544, Ungarisches K?nigslied. Magyar Király-dal (ábrányi) (1883)
S.545, Ave Maria IV (1881)
S.546, Der blinde S?nger (Alexei Tolstoy) [solo version] (1878)
S.546a, O Roma nobilis (1879)
Mendelssohn
S.547, Sieben Lieder (from Opp. 19, 34, 47) [7 pieces] (1840)
S.548, Wasserfahrt and Der J?ger Abschied (from Op. 50) [2 pieces] (1848)
Meyerbeer
S.549, Festmarsch zu Schillers 100-J?hriger Geburtstagsfeier (?)
Mozart
S.550, Zwei Transcriptionen über Themen aus Mozart's Requiem, K626 [2 pieces] (1862)
Pezzini
S.551, Una stella amica. Mazurka (?)
Raff
S.551a, Einleitung und Coda zu Raffs Walzer in Des-dur (opus 54/1) (1880)
Rossini
S.552, Ouverture de l'opéra Guillaume Tell (1838)
S.553, Deux Transcriptions [2 pieces] (1847)
Rubinstein
S.554, Zwei Lieder [2 pieces] (1880)
S.554a, Einleitung und Coda sur des notes fausses (1880)
Saint-Sa?ns
S.555, Danse macabre, Op. 40 (1876)
Schubert
S.556, Die Rose (Heider?slein) [first/intermediate/second version] (1835, ca.1837, ?)
S.557, Lob der Tr?nen (1837)
S.558, 12 Lieder (1835-37)
S.559, Der Gondelfahrer Op. 28 (1838)
S.560, Schwanengesang [14 pieces] (1838-39)
S.561, Winterreise [12 pieces] (1839)
S.562, Geistliche Lieder [4 pieces] (1840)
S.563, Sechs Melodien [6 pieces, 1st by Weyrauch] (1846)
S.564, Die Forelle [second version] (1846)
S.565, Six Mélodies favorites de La belle meunière [6 pieces] (1846)
S.565a, Wandererfantasie (Grosse Fantasie in C-dur) (ca.1868)
S.565b, Schubert's Impromptus [8 pieces] (ca.1868)
Schumann
S.566, Widmung, Liebeslied (1848)
S.567, An den Sonnenschein, Rotes R?slein (1848)
S.568, Frühlingsnacht (überm Garten durch die Lüfte) (1848)
S.569, Zehn Lieder von Robert und Clara Schumann [10 pieces] (1848)
S.570, Proven?alisches Minnelied (1881)
Smetana
S.570a, Einleitung und Coda zu Smetanas Polka (de salon, opus 7/1) (1880)
Spohr
S.571, Die Rose aus Zemire und Azor (1876)
Tausig
S.571a, Einleitung und Schlu?takte zu Tausigs dritter Valse-Caprice (1880)
Szabady and Massenet
S.572, Revive Szegedin (1879)
Széchényi, Count Imre
S.573, Bevezetés és magyar indulò (1872)
Tirindelli
S.573a, Seconda mazurka variata (1880)
Weber
S.574, Ouverture Oberon (1843)
S.575, Ouverture Der Freischütz (1846)
S.576, Jubelouverture (1846)
S.576a, Konzertstück (ca.1868)
Wielhorsky, Count Michael
S.577, Lyubila ya [first/second version] (1843, ?)

Pianoforte Duet
Field
S.577a, 11 Nocturnes (Nos. 1-9, 14, 18 and Nocturne Pastorale in E) (?)
Liszt
S.578, 4 Pieces from St. Elisabeth (1862)
S.579, Christus Oratorio 4th and 5th section (?)
S.580, Excelsior! - Preludio (?)
S.581, Benedictus and Offertorium from the Hungarian Coronation Mass (1869)
S.582, O Lamm Gottes, unschuldig (1878-79)
S.583, Via Crucis (?)
S.584, Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (1845)
S.585, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
S.586, Gaudeamus igitur. Humoreske (1870)
S.587, Marche héroique (?)
S.588, Weimars Volkslied (Cornelius) (1857)
S.589, Symphonic Poem No.1, Ce qu'on entend sur la montagne (1874)
S.590, Symphonic Poem No.2, Tasso (1858)
S.591, Symphonic Poem No.3, Les Préludes (ca.1858)
S.592, Symphonic Poem No.4, Orpheus (ca.1858)
S.593, Symphonic Poem No.5, Prometheus (1858)
S.594, Symphonic Poem No.6, Mazeppa (1874)
S.595, Symphonic Poem No.7, Festkl?nge (1854-61)
S.596, Symphonic Poem No.9, Hungaria (1874?)
S.596a, Symphonic Poem No.8, Héro?de funèbre (ca.1877)
S.596b, Symphonic Poem No.11, Hunnenschlacht (ca.1877)
S.596c, Symphonic Poem No.12, Die Ideale (ca.1874-77)
S.597, Symphonic Poem No.10, Hamlet (1874)
S.598, Symphonic Poem No.13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881)
S.599, Two episodes from Lenau's Faust (1861-62)
S.600, Second Mephisto Waltz (1881)
S.601, Les Morts (Odes Funébres no. 1) (1866)
S.602, La Notte (Odes Funébres no. 2) (1866)
S.603, Le Triomphe Funèbre du Tasse (Odes Funébres no. 3) (1866?)
S.604, Salve Polonia (1863)
S.605, Künstlerfestzug zur Schillerfeier (1859)
S.606, Festmarsch zur Goethejubil?umsfeier (ca.1858)
S.607, Festmarsch nach Motiven von E.H. zu S.-C.-G. (ca.1859)
S.608, Rákóczy March (1870)
S.609, Ungarischer Marsch zur Kr?nungsfeier in Ofen-Pest (1870)
S.610, Ungarischer Sturmmarsch (1875)
S.611, Epithalam (1872)
S.612, Elégie (1874)
S.613, Weihnachtsbaum (1876)
S.614, Dem Andenken Pet?fis (Petófi Szellemének) (1877)
S.615, Grande Valse di Bravura (1836)
S.616, Grand Galop Chromatique (1838)
S.617, Csárdás macabre (1882)
S.618, Csárdás obstiné (ca.1884)
S.618a, Vom Fels zum Meer. Deutscher Siegesmarsch (?)
S.619, Bülow-Marsch (ca.1883)
S.619a, Festpolonaise [formerly S634b, S255, S528] (1876)
S.620, Hussitenlied (Melody by J.Krov) (1840)
S.621, 6 Hungarian Rhapsodies (from the orchestral version, S359) (1874)
S.622, Rapsodie hongroise no. 16 (1882)
S.623, Rapsodie hongroise no. 18 (1885)
S.623a, Rapsodie hongroise no. 19 (ca.1885)
S.624, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam (1850)
S.625, L'Hymne du Pape (Der Papsthymnus) (1865)
S.626, Ungarisches K?nigslied. Magyar Király-dal (ábrányi) (1883)
S.627, Fantaisie sur des motifs de l'opéra La Sonnambula (Bellini) (1852)
S.628, Bénédiction et serment (Berlioz's 'Benvenuto Cellini') (1852)
S.628a, Marche et cavatine (Donizetti's Lucia) (?)
S.628b, Szózat und Hymnus (Egressy and Erkel) (1873)
S.629, Tscherkessenmarsch (Glinka's Ruslan i Lyudmila) (1843)
S.630, Réminiscences de Robert le Diable - Valse infernale (Meyerbeer) (1841-43)
S.631, Andante finale und Marsch (Raff's 'K?nig Alfred') (1853)
S.632, 4 Marches (Schubert) (1879)
S.633, A la chapelle Sixtine (Allegri Mozart) (1865)
S.634, Grand Septuor (Beethoven) (1841)
Mozart
S.634a, Adagio from Mozarts Die Zauberfl?te (1875-81)

Two Pianofortes
Liszt
S.635, Symphonic Poem No. 1, Ce qu'on entend sur la montagne (ca.1854-57)
S.636, Symphonic Poem No. 2, Tasso (ca.1857)
S.637, Symphonic Poem No. 3, Les Préludes (ca.1854-56)
S.638, Symphonic Poem No. 4, Orpheus (ca.1854-56)
S.639, Symphonic Poem No. 5, Prometheus (1855-56)
S.640, Symphonic Poem No. 6, Mazeppa (1855)
S.641, Symphonic Poem No. 7, Festkl?nge (ca.1853-56)
S.642, Symphonic Poem No. 8, Héroide Funèbre (ca.1854-56)
S.643, Symphonic Poem No. 9, Hungaria (ca.1854-61)
S.644, Symphonic Poem No. 10, Hamlet (ca.1858-61)
S.645, Symphonic Poem No. 11, Hunnenschlacht (1857)
S.646, Symphonic Poem No. 12, Die Ideale (1857-58)
S.647, A Faust Symphony, in three character pictures (1856)
S.648, A Symphony to Dante's Devina Commedia (ca.1856-59)
S.649, Fantasie über Beethovens Ruinen von Athen (1865)
S.650, Piano Concerto No. 1 in E flat major (1853)
S.651, Piano Concerto No. 2 in A major (1859)
S.652, Totentanz. Paraphrase on Dies Irae (1859)
S.653, Wandererfantasie (Schubert) (a.1859)
S.654, Hexaméron, Morceau de Concert (1837)
S.655, Réminiscences de Norma (Bellini) (1841)
S.656, Réminiscences de Don Juan (Mozart) (1841)
S.657, Symphonie No. 9 (Beethoven) (1851)
S.657a/1, Piano Concerto No. 3 (Beethoven) (1878)
S.657a/2, Piano Concerto No. 4 (Beethoven) (1878)
S.657a/3, Piano Concerto No. 5 (Beethoven) (1878)
S.657b, Bülow-Marsch [2-pianos, 8-hands] (1884)
Organ
Allegri und Mozart
S.658, évocation à la Chapelle Sixtine (1862)
Arcadelt
S.659, Ave Maria (1862)
Bach
S.660, Einleitung und Fuge aus der Motette Ich hatte viel Bekümmernis und Andante Aus tiefer Not [2 pieces] (1860)
S.660a, Nun kommt, der Heiden Heiland (?)
S.661, Adagio from Bach Violin Sonata No. 4 (BWV1017) (1864)
Chopin
S.662, 3 Préludes from Op. 28 (Nos. 4, 9, 20) (1863)
Lassus
S.663, Regina coeli laetare (1865)
Liszt
S.663a, Orchester-Einleitung aus der Legende von der heiligen Elisabeth (?)
S.664, Tu es Petrus from Christus (1867)
S.665, San Francesco (1880)
S.666, Excelsior! - Preludio (?)
S.667, Offertorium from the Hungarian Coronation Mass (1867)
S.667a, Psalm 18 [from S14bis] (1860)
S.667b/1, Gebet (Ave Maria)
S.667b/2, Ave Maria I (?)
S.667c, Ave Maria II (?)
S.668, Slavimo Slavno Slaveni (1863)
S.669, Zwei Kirchenhymnen [2 pieces] (1877)
S.669a, Chorales (Deutsche Kirchenlieder und liturgische Ges?nge) [12 piece] (1878-1879)
S.669b, Via Crucis [14 pieces] (1878-1879)
S.669c, O Roma Nobilis (?)
S.670, Rosario [3 pieces] (1879)
S.671, Zum Haus des Herrn (In domum Domini ibimus) (1884)
S.671a, Sposalizio (?)
S.672, Weimars Volkslied (Cornelius) (1865)
S.672a, Orpheus (symphonic poem no. 4) (?)
S.672b, Einleitung, Fuge & Magnificat aus der Symphonie zu Dante (?)
S.672c, Angelus! Prière aux anges gardiens [from S163/1, for harmonium] (?)
S.672d, Consolations (Nos. 3-6) (?)
S.673, Weinen, Klagen Variationen (1863)
S.673a, Weihnachten [4 pieces] (1876)
S.674, Ungarns Gott. A magyarok Istene (Petófi) (1882)
S.674a, O sacrum convivium [2 versions] (?)
S.674b, Ave Maria IV (1881)
S.674c, Nun danket alle Gott (?)
Mozart
S.674d, Ave verum corpus (?)
S.674e, Andante from Fantasia in F minor, KV. 608 (a.1880)
Nicolai
S.675, Kirchliche Festoverture (1852)
Ritter, Alexander
S.675a, In der Christmette, Op. 3 (a.1873)
Schumann, Robert
S.675b, Davidsbündlert?nze Op. 6/14 (a.1870)
Verdi
S.675c, Agnus Dei de la Messe de Requiem (Verdi) (?)
Wagner
S.676, Pilgerchor from Wagner's Tannh?user (1860)
Organ with Other Instruments
S.677, Hosannah from Cantico del sol di San Francesco d'Assisi (for organ and trombone) (1862)
S.678, Offertorium and Benedictus from the Hungarian Coronation Mass (1869)
S.679, Aria 'Cujus animam' from Rossini's Stabat Mater (for organ and trombone) (?)
Vocal Arrangements
S.680, Ave maris stella (1868)
S.681, Ave Maria II (1869)
S.682, Air du Stabat Mater (Rossini) (?)
S.683, Serbisches Lied (Hohenzollern-Hechtingen, Prince FWC. von) (?)
S.683a, Gebet (1883)
S.684, Barcarolle vénitienne (Pantaleoni) (?)
S.685, Es hat geflammt die ganze Nacht (Grand Duchess Pavlovna) (?)

Recitations
Draeseke

S.686, Helges Treue (Draeseke) (1860)

Appendix
Unfinished Works
S.687, Sardanapale (Byron) [opera, partly sketched, 111 pages] (?)
S.688, Oratorio - Die Legende vom heiligen Stanislaus [sacred choral] (1873-85)
S.688a, St Stanislaus fragment [solo piano, Library of Congress] (1880-86)
S.689, Singe, wem Gesang gegeben [secular choral] (1847)
S.690, Revolutionary Symphony [unfinished, revised 1848] (1830)
S.691, De Profundis [piano and orchestra, De Profundis - Psaume instrumental] (1834?)
S.692, Violin Concerto [only sketched] (1860)
S.692a, The Four Seasons String quartet (Vivaldi) (1880?)
S.692b, Anfang einer Jugendsonate [solo piano] (1825)
S.692c, Allegro maestoso [solo piano] (1826)
S.692d, Rákóczi-Marsch [solo piano, first version, simplified, unfinished] (1839)
S.692e, Winzerchor (Prometheus) [solo piano] (1850)
S.693, Deux marches dans le genre hongrois [solo piano, 2 pieces] (1840?)
S.693a, Zwei Stücke aus Legende von der heiligen Elisabeth [solo piano] (1862)
S.694, Fantasie über englische Themen [solo piano] (1840?)
S.695, Morceau en fa majeur [solo piano] (1843?)
S.695a, Litanie de Marie [solo piano] (1847)
S.695b, Zigeuner-Epos [solo piano, 11 pieces] (ca.1848)
S.696, Mephisto Waltz No.4 [final version, unfinished] (1884)
S.697, Fantasie über Themen aus Figaro und Don Giovanni (Mozart) (1842)
S.698, La Mandragore - Ballade de l'opéra Jean de Nivelle de L. Delibes [solo piano arrangement] (a.1880)
S.699, La Notte (Odes Funèbre no. 2) [solo piano, arrangement] (1864-66)
S.700, Grand Fantaisie (Variations) sur des thèmes de Paganini [first/second version; completed by Mez?] (1845)
S.700a, Variations sur Le Carnaval de Venise (Paganini) [solo piano, arrangement] (?)
S.701, Den Felsengipfel stieg ich einst hinan [song] (?)
S.701a, Allegro di bravura [orchestra, arrangement] (ca.1830)
S.701b, Marie-Poème [solo piano] (1837)
S.701c, Andante sensibilissimo [solo piano] (1880-86)
S.701d, Melodie in dorischer Tonart [solo piano] (1860)
S.701e, Dante fragment [solo piano] (1839)
S.701f, Glasgow fragment [solo piano] (?)
S.701g, Polnisch - sketch [solo piano] (1870-79)
S.701h/1, Operatic aria - and sketched variation [solo piano] (?)
S.701h/2, Valse infernale (Meyerbeer) - theme [solo piano, arrangement] (?)
S.701j, Harmonie nach Rossini's Carità (La charité) [solo piano, arrangement] (1847)
S.701k, Korrekturblatt (to an earlier version of La lugubre gondola) [solo piano] (1882)
Doubtful or Lost

Sacred Choral Works
S.702, Tantum Ergo (1822)
S.703, Psalm 2 (1851)
S.704, Requiem on the death of Emperor Maximilian of Mexico (?)
S.705, The Creation (?)
S.706, Benedictus [doubtful] (?)
S.707, Excelsior [arrangement, doubtful] (?)
S.708, Rinaldo [secular choral, doubtful] (ca.1848)

Orchestral Works
S.709, Salve Polonia [rediscovered, renumbered as S113] (1863)
S.710, Funeral March (?)
S.711, Csárdás macabre [arrangement] (?)
S.712, Romance oubliée [arrangement] (?)
Piano and Orchestra
S.713/1, Piano Concerto (in A minor) [Moscheles described it as "Full of chaotic beauties."] (1825?)
S.713/2, Piano Concerto (1825?)
S.714, Piano Concerto "In the Hungarian Style" (Ungarische Zigeunerweisen) [probably by Sophie Menter, renumbered as S126a] (1885)
S.715, Piano Concerto in the Italian Style (?)
S.716, Grande fantaisie symphonique [orchestra] (?)

Chamber Music
S.717, Trio (1825)
S.718, Quintet 1825
S.719, The Four Seasons String quartet (Vivaldi) [rediscovered, renumbered as 692a] (1880?)
S.720, Allegro moderato (?)
S.721, Prelude (?)
S.722, La Notte (Odes Funèbre no. 2) [rediscovered, renumbered as 377a] (1864-66)
S.723, Tristia [arrangement, from Vallée d'Obermann S160/6] (1880-86 ?)
S.723a, Postlude on theme from Orpheus [arrangement] (?)

Pianoforte Solo
S.724, Rondo and Fantasy (1824)
S.725, 3 Sonatas (1825)
S.726, Study (?)
S.726a, Valse (?)
S.727, Prélude omnitonique (?)
S.728, Sospiri! (Fünf Klavierstücke) [rediscovered, renumbered as 192/5] (1879)
S.729, Tantum Ergo [rediscovered, renumbered as 42] (1869)
S.730, Dem Andenken Pet?fis (Petófi Szellemének) [rediscovered, renumbered as 195] (1877)
S.731, Valse élégiaque (?)
S.732, Valse oubliée No. 4 [rediscovered, renumbered as 215/4] (1883-84)
S.733, Marche hongroise (in E flat minor) [rediscovered, renumbered as 233b] (1844)
S.734, L?ndler (?)
S.735, Air cosaque (?)
S.736, Kerepsi csárdás (?)
S.737, 3 morceaux en style de danse ancien hongrois (?)
S.738, Spanish folksong arrangement (?)

Arrangements
S.739, Corolian Overture (Beethoven) (?)
S.740, Egmont Overture (Beethoven) (?)
S.741, Le carnaval romain - Overture (Berlioz) (?)
S.742, Duettino (Donizetti) (?)
S.743, Soldiers Chorus from Guonod's Faust (?)
S.743a, Fantasia on themes from Halévy's Guitarero (b.1841)
S.744, Paraphrase on Act 4 of Kullak's Dom Sebastien (?)
S.745, Funeral March (?)
S.746, Andante Maestoso (?)
S.747, Poco adagio (from Missa Solemnis) (?)
S.748, Overture to Mozarts "Die Zauberfl?te" [lost, possibly by Liszt] (?)
S.749, Preussischer Armeemarsch (Radovsky) (?)
S.750, Siege de Corynthe, Introduction (?)
S.751, Nonetto e Mose, Fantasia on themes by Rossini (?)
S.752, Gelb rollt (Rubinstein) (?)
S.753, Alfonso und Estrella, Act 1 (Schubert) (?)
S.754, Seconda mazurka variata (Tirindelli) [rediscovered, renumbered as 573a] (1880)

Pianoforte Duet
S.755, Sonata (?)

Two Pianofortes
S.756, Mosonyis Grabgeleit [arrangement] (?)
S.757, La triomphe funébree du Tasse [arrangement] (?)

Organ
S.758, The Organ (Herder) (?)
S.759, Consolation [arrangement] (?)
S.760, Cantico del sol di St. Francesco [arrangement] (?)
S.761, Marche funèbre (Chopin) [arrangement] (?)

Songs
S.762, Air de Chateaubriand (?)
S.763, Strophes de Herlossohn (?)
S.764, Kr?nze pour chant (?)
S.765, Gl?cken (Müller) (?)
S.765a, L'aube na?t (Hugo) (1842?)
S.766, Der Papsthymnus (?)
S.767, Excelsior (?)

Recitations
S.768, Der ewige jude (Schubart) (?)

Supplement
S.990, Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam" [solo piano, arrangement] (?)
S.991, Waltz in A major [chamber, arrangement] (?)
S.993, Wartburg Lieder (Scheffel) [orchestral, arrangement] (?)
S.994, Grand solo caractéristique à propos d'une chansonette de Panseron [solo piano, arrangement] (ca.1830)
S.995, Variations de bravoure sur des thémes de Paganini [unfinished] (1845)
S.996, Stabat Mater [solo piano] (1870-79 ?)
S.997, 5 Variationen über Romanze aus 'Joseph' (Méhul) (ca.1834)
S.998, Adagio in C [solo piano] (1841)
S.999, Andante Maestoso [organ] (?)