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美国播音员都用此法练习,我赶紧拿出来和大家分享

(2015-03-31 15:57:11)
标签:

佛学

尚晓明三多英语

分类: 博文杂谈赏析

美国播音员都用此法练习,我赶紧拿出来和大家分享,这篇文章具有百万美金的价值,赶紧来学习吧!大家肯定会同意我的看法:如果你现在拥有一口漂亮优美的美国播音员的口音,你肯定能迅速出人头地,立刻赚到超过一百万以上的财富,最重要的是你的整个生活轨迹将发生天翻地覆的变化.我也同样对如何早日学到一口优美的美国播音员口音梦寐以求,学英语播音就肯定要深入熟悉掌握美国播音专家的模式.探寻播音口音本质.在美国的The broadcast voice 书上有以下一段话,给了我绝对的信心去实现我的梦想:

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书中说到几乎每个人都可以说一口标准优美的播音员口音,关键是方法得当.

我现在最重要的参考资料是资深美国播音员写的书:Announcing Broadcast Communicating Today,作者之一Dr.O'Donnell is professor emeritus of communication studies at SUNY, Oswego. A former radio and TV announcer and performer, he is now president of Cove Communications, Inc. In 1985,he was awarded the International Radio and Television Society's Frank Stanton Fellowship.

书本很厚,我还是集中将如何让我们的声音悦耳优美的技巧分享给各位.

Making your speaking voice more pleasing

The first step in improving your speaking voice is to learn correct posture and breathing.

The suggestion to "speak from the diaphragm," which is a good one, doesn't make any sense unless the process is explained and understand. Using posture and breathing techniques will require forming good habits and breaking bad habits.

The first habit to cultivate is proper posture. "Posture is the most important element in voice, "contends David Blair McClosky, and author and voice therapist who has coached presidents Kennedy and Johnson, broadcaster Curt Gowdy, and actor Al Pacino.

McClosky recommends a posture in which your feet are spread comfortably apart and your weight is slightly toward the balls of your feet. The key to the proper posture is to get rid of an exaggerated curve in your back. Keep your back straight and tuck your hips in, as shown in below figure. This posture allows for proper breathing. Virtually all voice coaches point out that it is the abdomen that must expand during breathing, not the chest. Although you may have been taught in elementary school to "throw out your chest" when you breathe, that's not good technique. It doesn't let your abdominal muscles and therefore your diaphragm to provide adequate support for the column of air in your vocal tract. If you are unclear on this, please take a moment to review the section on vocal anatomy and physiology.

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"Diaphragmatic breathing" is something of a misnomer, because we have to use the diaphragm to breathe regardless of what scrunched-up posture we may assume. However, proper diaphragmatic breathing is accomplished when the contraction of the abdominal muscles pushes the diaphragm in and supports the column of air. This can be accomplished only if the abdomen is allowed to expand when the diaphragm pulls down into the abdominal cavity during inhalation.Proper breathing compels us to abandon some of the typical vanities imposed by current culture, including the notions that we should be waspwaisted and that men should have a swelling chest. In order for us to breathe properly, the abdomen must expand. Note the action in below two figures.

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When the abdomen and the diaphragm have expanded, natural exhalation from that position, involving a contracting of the abdominal muscles, will produce the proper effect. Be certain you have used your diaphragm properly. One way to check on diaphragmatic breathing is to stand against a wall and have someone press his or her fist against your abdomen. Proper inhalation will drive that fist away(see below figure)

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Here is one final test to see if you are breathing properly. Assume the correct posture and place your hands on your lower ribs(see below figure).

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Inhale. If your ribs move you are expanding your chest instead of your diaphragm.

This breathing posture works just as well in a seated position. All that will change is the position of your legs. Keep your back straight and your hips tucked in. Practice minimizing rib motion.

Broadcasters, like teachers and salespeople, often must contend with hoarseness, irritation, or just plain tiredness in the vocal apparatus. Even if the abuse is not serious enough to cause harm, no performer can communicate effectively when his or her voice is reaching the point of failure.

Good health and nutrition are important to on-air performers. They help you improve effectiveness the same way proper physical conditioning contributes to the performance of an athlete. Like athletes, announcers are called on to perform at a specific time and place. That means you must perform well then ---not just at those rare times when your voice sounds perfect. If you have to produce a quality vocal performance on a regular basis, you should try to be as fit as possible at all times. Eating sensibly, exercising moderately, and avoiding behaviors that harm your health will help you make sure your vocal tools are always ready to use to their best effect.

Relaxation is the key to maintaining your voice. Proper relaxation also helps produce a pleasant, resonant voice. The exercises recommended as below really do work! Try them, practice them, and make them into a daily regimen.

some excercises to relax your body and throat

Many of these are performed regularly by professional singers and speakers.

1. Roll your head: forward,to the left,backward.to the right, and forward again.Repeat several times in each direction. This helps relax shoulders and neck.

2. Massage the muscles of your face. Work down from your hairline, and let your jaw go slack.

3. Thrust out your tongue several times, then let it hang limply over the bottom lip. Relaxing your tongue is important because the back of your tongue goes right down your throat. Tension here can interfere with vocalization.

4.Massage the area under your chin (pls see below figure)until there is no rigidity apparent. Learn to relax these muscles “on cue”

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5.Grasp your lower jaw between thumb and forefinger and work it up and down until you overcome any muscular resistance(see below figure).When you get good at this,you can bounce your jaw up and down with your forefinger.

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6.Gently massage the larynx from side to side(see below figure) until you eliminate rigidity and any “clicking” sensation.

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7.Vocalize the word “hah” gently, using the ah sound as in “arm.” Start vocalization high in pitch and then slide down the range of pitch. Initiate the vocalization as gradually and gently as you can.

Dr.Holzer’s last point is important:having a relaxed body and vocal apparatus relieves much of the strain on the voice mechanism and allows the voice to function better.Voice therapist McClosky contends that relaxation is the precursor to any progress in voice development.Unless you can relax the muscles controlling the vocal cords themselves,he says”your singing and speaking will be muscle-bound”

Make these relaxation techniques a daily routine,and remember that relaxation exercises can be done at any time.Doing this toutine during a break in a tiring recording session,for example, will help your voice immensely. Broadcasters need not force their voices into an abnormally low pitch range. A pleasant voice,rather than a deep voice,is the hallmark of today’s professional announcer. An artificially low-pitched voice is unattractive and can actually damage the vocal cords.

uation of voice and speech is valuable for all on-air performers. Typical voice problems involve poor quality, delivery ,and breathing. Typical speech problems are sloppy diction, regionalism, and cluttering.

It is also important for on-air personal to be familiar with standard American English and general American speech and avoid significant deviation from these standards.

An inappropriate rate of delivery and poor articulation can detract from the effectiveness of your vocal communication. Proper control of delivery rate also helps the announcer read to time limits ---an important skill.

The broad task of making the speaking voice more pleasing begins with self-uation and isolation of specific problems. Continued work for crisp diction is important, but diction should not be overemphasized. It is also important to be aware of special consideration for broadcast work, such as using microphone properly.

Learning diaphragmatic breathing is the first major step in the long-term process of improving your speaking voice. Learning to relax is the second major step. In addition to preventing vocal abuse (a common problem of on-air broadcasters), relaxation increases resonance and improves the overall tone of the voice. Exercise can relax the vocal apparatus. A program of diet and fitness can help to ensure overall good health, which contributes to your ability to use your voice effectively at all times.

练习发声最好的办法

大家好,我是三多英语创始人,我看了著名的播音员赵秀环老师编写的<<播音主持艺术语言基本功训练教程>>,对我们英语的发音学习,真是难得的宝贝,本书特别是讲到嗓音锻炼和保护的内容,更是让我们如获至宝,现将其中的发音宝典和大家分享,其实只要你掌握这个发音技巧,朗读英语的时候,你的英语发音将会在短时间内发生明显的改善,赶紧学习吧!

播音员和主持人训练嗓音的一条根本原则就是要"以带声,以声传,以运气,气随动,以用声,声随变,声并茂,传达意",声音必须服务于内容,服务于思想感情.

第一,感情是内在的,由衷的,气息是运动的,灵活的,声音是自如的,多变的.

第二,精神振奋,状态积极,情绪饱满,精力集中,要全身心地高度投入其中,感情专一.

第三,发暖声积极热情,面部呈现"似微笑"状态(切忌发冷声,冷面孔,冷冰冰).

第四,从本身条件出发,扬长避短,发挥优势,克服不足(切忌"压,挤,捏,噎,憋",造成"沙,嘶,劈,哑,涩")

第五,用各种语言材料锻炼嗓音,增强声音弹性,处理好"本色"与"特色"的关系,使发声能力持久,色彩丰富,变化自如.

第六,扩展音域练习要掌握"气息下沉,喉部放松,用声适度",声音从自然声区练起逐渐扩展,不可及功近利,急于求成.

第七,练声的运动规律应掌握声音"从小--->大,弱--->强,低--->高,近--->远,实--->虚,短--->长,柔--->刚"的原则;内容"由易--->难,浅--->深,简--->繁,单项--->多项"的训练原则.

第八,按音--->字--->词--->句--->段的程序循序渐进,持之以恒,坚持"曲不离口"

第九,播音员和主持人科学练声的综合感觉应是:气息下沉,喉部放松,不挤不僵,声音贯通.气随情动,声随情走,音往外送,字往外流,刚柔并济,色彩丰富,字音轻弹,如珠如流,运用自如.

好的嗓音是经过科学的严格训练和科学的保护而得来的!

好的先天条件,如果不注意正确用声,不注意训练,不注意保护,不加限制,毫无限度地滥用嗓音,很短时间就会变坏,或患严重喉疾病,这是十分可惜的!

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