今年的巴塞尔艺博会与近十余年最热的2007年那届相比整体感觉偏保守，反映出全球金融海啸发生后的世界艺术品市场的趣味变化，2007年的巴塞尔艺博会，架上艺术（绘画）只占参展艺术品总量的20%，感觉已经非常边缘化了，大量的装置、影像、新媒体艺术、观念艺术作品占据主流市场，市场趣味整体感觉也充满了前卫与实验的气息，而今年的艺博会架上作品又回到70%左右的占有率，而且很多老牌画廊好像把一些“压箱底”的老大师作品统统翻出来希望卖给好人家，巴塞尔的确是全球艺术品市场的晴雨表，可以想见近两三年艺术品交易的整体趣味会有所回退，趋于保守。

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