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景观学:“3A”的哲学观

(2011-02-05 20:07:33)
标签:

景观学

3a哲学

景观艺术

景观建筑

景观园艺

周武忠

杂谈

景观学:“3A”的哲学观[1]

周武忠

(东南大学艺术学院 南京 210096

 

摘要 景观学作为一门新兴的交叉学科,一直致力于协调社会经济发展和自然环境之间的关系,从其发展历程来看,始终与3A即农学(Agriculture)、建筑学(Architecture)和艺术学(Arts)存在着千丝万缕的联系。鉴于当代景观学体系不清、内涵含混,景观行业内呈现出的无序性现状,本文针对三大主干学科自身独立的性质、发展流变以及彼此之间的关系纽带,提出了“3A哲学”指导下的农学、建筑学和艺术学三位一体的景观学哲学思想。先后阐述了“3A哲学观”的形成与历史回顾,以及实践意义上的理论根基之建构、景观学工程领域之实践、景观学教育体系之构想。同时指出,景观学的发展过程正是“3A”不断融合,从而形成崭新的景观哲学观的过程,当代景观学的发展更需要这三者的共同驱动,3A哲学观”因而可以作为景观评价标准的一种选择思路。

关键词:景观学;景观园艺学;景观艺术学;景观建筑学;3A哲学观

 

 

Landscapologythe philosophy of 3AAgriculture, Architecture and Arts

Zhou Wuzhong

(School of Arts, Southeast University, 210096 Nanjing China)

 

Abstract  Landscapology, as a newly-sprung overlapping marginal subject, has been working to keep the balance among the development of society and environment of nature, which is bound together by countless ties to the Agriculture, Art and Architecture. According to the confusion of the definition for Landscape X (Landscape Gardenning, Landscape Architecture, Landscape Arts, Landscape Design) , this paper put forward the theory of 3A including Landscape Agriculture, Landscape Art and Landscape Architecture. At the same time, it gives a new meaning for  Landscapologywhich comes from Landshaftovedenie in Russia and Landschaftskunde in Germany. Finally, the Landscape Agriculture, Landscape Art and Landscape Architecture can be linked judiciously with the 3A philosophy of Agriculture, Architecture and Arts for Landscapology. By analyzing the structure and form of 3A in history, it also points out the Landscapology needs the forces and stimulated by these three aspects, which plays an important role in future practice  for system of Landscapology, Landscape Engineering, Landscape Design and education as well. Besides, the 3A philosophy of Agriculture, Architecture and Arts for Landscapology also can be one of the proper evaluation systems for next growing.

Keyword: Landscapology; Landscape Horticulture; Landscape Arts; Landscape Architecture; the 3A philosophy


[1] 本文为作者主持的教育部人文社科基金项目《当代中国景观设计艺术批评》(项目号6813094001)和江苏省高校哲学社会科学重点研究基地东南大学艺术学研究中心项目“艺术学研究”(10ysx001)成果的一部分。

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