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美国男性时尚杂志《Details》五月刊封面请来前任“绿巨人”Eric Bana，由摄影大师Steven Klein掌镜，拍摄了这组大片和封面。由于《Star Trek》电影的上映（5月9日），三位男主角都登上了美国主流杂志的封面，不过最喜欢的，还是Eric Bana的这个。

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Sanjiv Bhattacharya对他进行了采访，具体文章随后附上。

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图片：《Details》2009年5月刊
摄影师：Steven Klein

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    艾瑞克·巴纳 Eric Bana 1968出生于澳大利亚墨尔本，父亲是克罗地亚人，母亲则是德国人。小时候的他立志当个机械工，中学时还因此兴起休学的念头，想直接到汽车厂工作，最后这个叛逆的念头终因父亲的劝告而打消。几年之后因为喜欢看喜剧演员理察德·普里尔的演出，开始对演戏感兴趣，但一直到看了电影《MadMax》后才下定决心要当个演员。事后看来，演员理察德·普里尔和喜剧的确对艾瑞克的表演生涯有不小的影响：他在正式担任电影演员前，演了了十年的舞台喜剧单口相声；和多才多艺的理察德·普里尔一样，他也对编导工作跃跃欲试，并曾担任过几部戏剧的幕后工作。即使艾瑞克在青少年时期即立定当演员的志向，他却从未进入戏剧学校接受科班的表演训练，他坦承自己的表演技术和对戏剧的认知，全靠平时的揣摩、练习与对各种演出的广泛涉猎。对于表演事业这档事，他似乎也采取随性、不强求的态度，1991年开始涉足舞台喜剧演出时，他还在墨尔本的饭店酒吧做酒吧男招待。从事喜剧表演十年后，终于获得生平第一个电影主角角色——在《神鬼剁手》中扮演意图留名犯罪史却避免不了失败宿命的真实人物“剁手马克·瑞德”，并因此获得了2001年澳大利亚影评人协会的最佳男主角奖，从而引起了好莱坞影坛的关注。但实际上《神鬼剁手》这部名为黑色喜剧，实则因残忍暴力而引起道德争议的片子，并未带给艾瑞克多少名声，直到他演出《绿巨人》后，一切才有了改变。2005年他主演了斯皮尔伯格的奥斯卡热门大片《慕尼黑惨案》，成为好莱坞新一代当家男星。一度也是新任007的热门人选。

附文：

ERIC BANA MAKES CAPTAIN KIRK HIS BITCH

The Australian actor played a conflicted beast in Hulk and a troubled assassin in Munich. Now the antihero from Down Under channels pure evil as Star Trek's new villain

But the best thing about Melbourne is that it's far enough away that sometimes he actually forgets that he is, in fact, Eric Bana, Movie Star. So the leading man from Troy, Black Hawk Down, Munich, Hulk, The Other Boleyn Girl, and now Star Trek can kid himself, in brief, blissful moments, that he's just this regular Joe with a wife and two kids and a big black poodle named Mario. But these moments are fleeting, even in his favorite Italian restaurant.

"Ereek!" The owner, Gino, fusses over Bana, lapsing into Italian as he leads us through the little family-run establishment. Some of the other diners turn to stare. He might like to think of himself as just another Melbournian, but here he's Eric Bana.

SOMETHING HAPPENED TO BANA when Hollywood called. He was a successful Australian comedian who'd spent five years doing stand-up before landing his own TV show, Eric. Then, in 2000, his searing performance as the blaring psycho Mark Read in Chopper demonstrated a raw talent at full tilt—and offered him a ticket to the movie major leagues. But no sooner had he burst through Hollywood's gilded doors than he steadied himself and began a run of characters who were defined by their inability to emote: the hawkeyed hard case Hoot in Black Hawk Down; Avner the conscience-stricken assassin in Munich; the conflicted scientist in Ang Lee's Hulk; Hector in Troy, the warrior trying to avoid war. In these roles Bana glowered, his eyes dark, wrestling with some inner dilemma.

The old Bana does reveal himself occasionally: At Aussie Rules football games, for example, Bana screams himself hoarse. In his comedy-club days, he had to stop going to contests on the night before a gig, because he wouldn't have a voice the next day. But now, for the most part, he's thoughtful, earnest, and a little serious. And he's sincere about wanting to show me around Melbourne. On finding out how far I've come, how limited my time is, and that this is my first visit to Australia, he chews pensively, calculating an itinerary.

It's hard not to fall in love with Melbourne. The city is a gleaming, sun-kissed hive of smiling, bronzed people, a world in which all the girls are blond and jogging or Rollerblading along a riverbank as rowboats glide past.

We leave Gino's and cruise the length of Chapel Street, "which is kind of like Melrose in L.A.," according to Bana, then skirt the ritzy shopping district. Windows down, radio off—only the sound of two men chewing Dentyne accompanies Bana's commentary.

We stop at a park and watch some ducks being fed. It seems a little sedate for Hector of Troy. But the ducks aren't the draw for Bana. "It's a Formula One track. There's a race in three weeks' time."

He never planned on being Eric Bana the actor, or the comedian, for that matter. What he really wants is to be Mario Andretti. Between shooting movies, Bana can be found "fart-arsing around with my car, getting ready for a race." Although he has more than one, his favorite car is a fire-engine-red '74 XB Falcon coupe that he calls the Beast. He's had it since he was 15.

"Three of my closest friends—our relationship has been maintained because we've always worked on this car," he says. "The car has transcended itself. It has become a campfire."

But one day, during the Targa Tasmania rally in April 2007, he crashed into a tree. "I totaled it. After a two-year restoration, everything handmade. Oh, it hurt—yeah. Absolutely."

He falls silent for a moment, still mourning the Beast. We exit the F1 track and stop at a light. The Temptations' "My Girl" drifts from the car next to us. "It's a bashed-up thing in the corner of the workshop," he says. "It's sitting there, not being used, but it's still my emotional bedrock, my anchor." The Beast represents Bana's memories, good and bad, and he wants to preserve them, just as his father did before him. A Croatian named Banadinovich who worked for Caterpillar, he came to Australia at the age of 16 and kept a Thunderbird—also fire-engine-red—for 35 years. Bana's urge to preserve the past goes beyond the Beast. He prefers local stores to malls, for instance. "You want a piece of meat, you go to the butcher. You want a coffee, you go to the café which is not a chain," he says.

We drive and drive: past the fancy houses to the rough areas, past the railway station where Bana used to wait on the steps for his first girlfriend, and past his old school, where he says he once showed up drunk—prompting his mom to ground him for six months. "Yeah, I went through a little phase there. But I did a lot better than some of the guys I hung with, who have ended up dead or in jail," he says. Bana wasn't a star student: He had to repeat a year of high school. "It wasn't like I was busting to get into NASA or anything," he says.

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