标签:
芝加哥大学电影系日本新浪潮电影文化 |
CMST 24907; EALC 24908; CMST 34907; EALC 34908
NEW WAVE CINEMA IN JAPAN
Michael
Raine
Class:
Screenings:
Office Hours:
Requirements: Participation, presentation, posting to web site, final paper.
Required text: David Desser. Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema [Sem.Coop]
Special Events: Nikkatsu
Action film series at the Siskel Center, April 5-May 23. Free
tickets!
SECTION I: The "PRE-NEW-WAVE"
Week 1: Introduction: the high volume, low budget program picture system
Wednesday 4/2 screening: Janken musume (Janken Girls, 1955)
Tuesday 4/1&
Thursday 4/3 reading:
Richard Dyer. "Entertainment and Utopia"
Fredric Jameson. "Class and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film"
Joseph Anderson and Donald Richie. "Theaters and Audiences" + charts
Extra: Thomas
Doherty.
Abe Kobo,
Week 2: Cinema, literature, and celebrity culture
Wednesday 4/9 screening: Kurutta kajitsu (Crazed Fruit, 1956)
Tuesday 4/8 &
Thursday 4/10 reading:
Graeme Turner.
Francois
Truffaut.
Francois
Truffaut.
Edgar Morin.
Edgar Morin.
Edgar Morin.
Extra: Thomas
Doherty.
Extra: Michael Raine. Imagining a New Japan: The Taiyozoku Films
Heibon.
Sasaki Kiichi, Umezaki Haruo,
Takeda Taijun, Yoshimoto Takaaki.
Muramatsu, Hanada, Sasaki
.
Week 3: Nikkatsu Action
Wednesday 4/16 screening: Arashi o yobu otoko (The Stormy Guy, 1957)
Tuesday 4/15 & Thursday 4/17 reading:
Geoffrey
Nowell-Smith.
Yoshimoto,
Mitsuhiro.
Extra: Thomas
Doherty.
Ozu Yasujiro.
Kinema junpo.
Week 4: Modernity/Modernism/Modernist (Masumura Yasuzo)
Wednesday 4/23 screening: Kyojin to gangu (Giants and Toys, 1958)
Tuesday 4/22 & Thursday 4/24 reading:
Theodor Adorno. "Perennial Fashion - Jazz"
SECTION II: THE SHOCHIKU NOUVELLE VAGUE
Week 5: Cinema and the New Left (Oshima Nagisa)
Wednesday 4/30 screening: Seishun zankoku monogatari (Cruel Story of Youth, 1960)
Tuesday 4/29 &
Thursday 5/1 reading:
Friday 5/2 special screening: Daisogen no wataridori (Plains Wanderer, 1960)
Week 6: Cinephilia (Yoshida Kiju)
Wednesday 5/7 screening: Rokudenashi (Good-for-Nothing, 1960)
Tuesday 5/6 &
Thursday 5/8 reading:
Isolde Standish.
SECTION III: ALTERNATIVES AND CONSEQUENCES
Week 7: Genre cinema and the "popular baroque"
Wednesday 5/14 screening: Kanto mushuku (Kanto Wanderer, 1963)
Tuesday 5/13 & Thursday 5/15 reading:
Week 8: Modernity, Materiality, and Native Culture
Wednesday 5/21 screening: Nippon konchuki (The Insect Woman, 1963)
Tuesday / Thursday 11/15 reading:
Week 9: Toho, ATG, and the creation of a cosmopolitan avant-garde
Wednesday 5/28 screening: Suna no onna (Woman in the Dunes, 1964)
Tuesday 5/27 & Thursday 5/29 reading:
Week 10: The limits of "new wave cinema"
Wednesday 6/4 screening: Kawaita hana (Pale Flower, 1964)
Tuesday 6/3: course
recap

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