Berry, Chris. "Where is the Love? The Paradox of Performing Loneliness in Ts'ai Ming-liang's Vive L'Amour." In Lesley Stern and George Kouvaros, eds., Falling for You: Essays on Cinema and Performance. Sydney: Power Publications, 1999, 147-75.

-----. "Where is the Love? Hyperbolic Realism and Indulgence in Vive L'Amour." In Chris Berry and Feii Lu, eds., Island on the Edge: Taiwan New Cinema and After. HK: Hong Kong University Press, 2005, 79-88. (requested 10/09)

Berry, Michael. "Tsai Ming-liang: Trapped in the Past." [Interview]. In Berry, ed., Speaking in Images: Interviews with Contemporary Chinese Filmmakers. NY: Columbia UP, 2005, 362-98.(requested 10/09)

Betz, Mark. "The Cinema of Tsai Ming-liang: A Modernist Genealogy." In Maria N. Ng and Philip Holden, eds., Reading Chinese Transnationalisms Society, Literature, Film. HK: Hong Kong UP, 2006.

Cai Mingliang, et al. Aiqing wansui: Cai Mingliang de dianying (Vive l'amour: Tsai Ming-liang's film). Taipei: Wanxiang, 1994.

Cheong, Wong Tuck. "What Time Is It There?" [review] Cinemaya 52 (Summer 2001).
 

Chong, Woei Lien, "Alienation in the Modern Metropolis: The Visual Idiom of Taiwanese Film Director Tsai Ming-liang." China Information 9, 4 (Spring 1995): 81-95.

Hsiu-Chuang, Deppman. "Recipes for a New Taiwanese Identity? Food, Space, and Sex in the Works of Ang Lee, Ming-liang Tsai, and T'ien-wen Chu." American Journal of Chinese Studies 8, 2 (Oct. 2001): 145-68.

Hu, Brian. "Goodbye City, Goodbye Cinema: Nostalgia in Tsai Ming-liang's The Skywalk is Gone." Senses of Cinema 29 (Nov.-Dec. 2003).

Hughes, Darren. "Tsai Ming-liang." Senses of CinBetzema--Great Directors, a Critical Database.

Koc, Aysegu. "Vive le Cinema: A Reading of What Time Is it There?" CineAction 62, 1 (2003): 54-57.

Kraicer, Shelly. "Interview with Cai Mingliang." Postions 8, 2 (Fall 2000): 579-588.

-----. "What Time Is It There? A Comedy of Rebirth." Persimmon 3, 1 (Spring 2002): 89-91.
 

Leopold, Mark. "Confined Space--Interview with Tsai Ming-Liang." Senses of Cinema 20 (May-June 2002).

Marchetti, Gina. "On Tsai Mingliang's The River." In Chris Berry and Feii Lu, eds., Island on the Edge: Taiwan New Cinema and After. HK: Hong Kong University Press, 2005, 113-26.
 

Martin, Fran. "Wild Women and Mechanical Men: A Review of The Hole." Intersections 4 (Sept. 2000).

----. "Vive L'Amour: Eloquent Emptiness." In Chris Berry, ed., Chinese Films in Focus: 25 New Takes. London: BFI Publishing, 2003, 175-82.

-----. "The European Undead: Tsai Ming-liang's Temporal Dysphoria." Senses of Cinema (2003).

Rapfogel, Jared. "Tsai Ming-liang: Cinematic Painter." Senses of Cinema 20 (May-June 2002).

Rehm, Jean-Pierre, Olivier Joyard, and Daniele Riviere. Ts'ai Ming-liang. Paris: Dis voir, 1999.

Rojas, Carlos. "Nezha Was Here": Structures of Dis/placement in Tsai Ming-liang's Rebels of the Neon God." Modern Chinese Literature and Culture 15, 1 (Spring 2003): 63-89.

Stephens, Chuck. "Intersection: Tsai Ming-liang's Yearning Bike Boys and Heartsick Heroines." Film Comment 32, 5 (1996): 20-23.

Trice, Jasmine Nadua. "Diseased Bodies and Domestic Space: Transmodern Space in Tsai Ming-Liang's The Hole." Asian Cinema 16, 2 (Fall/Winter 2005): 255-67.

Villella, Fiona A. "Notes on Tsai Ming-liang's The River." Senses of Cinema 12 (2001).

Wang, Ban. "Black Holes of Globalization: Critique of the New Millennium in Taiwan Cinema." Modern Chinese Literature and Culture 15, 1 (Spring 2003): 90-119. [deals with The Hole]

Zhu, Ying. "Ts'ai Ming-liang." In David Gerstner, ed., International Encyclopedia of Queer Culture – Contemporary Gay, Lesbian, Bisexual and Transexual Cultures. London: Routledge: 2006.

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