Liu Jianwen, male, Jingdezhen City senior artist, was born in 1965 in Jingdezhen porcelain painting family. In 1986 graduated from the Academy of Fine Arts, Jingdezhen ceramic. Now China Arts and Crafts Society member, member of Jiangxi Ceramic Art Association, member of Jingdezhen Ceramic Artists Association, senior member of China Association of Republic of China, in 2007 won the honorary title of outstanding artists. 1990 founded Jianwen porcelain (Wen Yaxuan).

   The Chinese landscape painting vivid. Deep, silent and aloof. Like is a kind of life "to a static virtual" realm, is a kind of philosophical consciousness and aesthetic taste, shows the maximum out of "harmony between man and nature" of the highest realm. His landscape painting creation, through subtle shading, actual situation and embodiment of artistic conception, deep, broad and stable, full of visual impact and shock, has the very strong force, unique style, so as to maximize the performance of the great rivers and mountains of the motherland beautiful, embodies a new style quite perfect.

   Liu Jianwen's traditional Chinese painting figure, inherited 600 years Jingdezhen outstanding landscape painting of the profound traditional culture. Jingdezhen landscape painting, as a phenomenon of ancient Chinese social culture, by the political, economic, religious, philosophical, literary profound influence. Especially in ancient philosophy, aesthetic character of the Jingdezhen landscape painting formed a dominant role. "Harmony", "harmony" philosophy, the pursuit of harmony between man and nature. The poetic, established the traditional aesthetic concept, Liu Jianwen's landscape painting aesthetic consciousness, and the formation of the landscape of the aesthetic taste. In Liu Jianwen's landscape paintings, reflect modern life fresh and connotation of Jingdezhen 600 years of landscape painting is particularly stable, continuous communication, abundant.

   Searching for all Jingdezhen Qifeng scratch, to pay full text, rocks, trees in the nature with the feelings and thoughts, and the painter Liu Jianwen, often through the trees, rocks, emotion, the pursuit of a transcendent, quiet artistic conception. The natural beauty of the characteristic touches the painter and the emotion, has caused the rich connection to "borrow" by Love Lyric "". The painter Liu Jianwen's landscape painting, it is no longer the nature scenery, but has a fresh, deep personality and charm of painting. Liu Jianwen is the consummate combination of subjective thought and calligraphy art.

   The artistic conception of the landscape painting is not a painter's subjective baseless creations, it is the artist of life experience to reflect, is a kind of emotion generation painter in the aesthetic process, understanding and awareness of a kind of beauty, aesthetic activity is a complex. Liu Jianwen beautiful landscape painting, the connotation of painter's thoughts and feelings, ideal, culture. Master Liu Jianwen is through the long and arduous nature sketch, observation, analysis, research, refining, effortless, coherent art. This works, artist painter of the soul, spirit.

   Art to express feelings, such feelings must be sincere. Liu Jianwen's landscape painting, why has the feeling, can infect the audience? Because these landscape paintings, inclusion feelings are bright, intense, bold and unrestrained. Love the great rivers and mountains, can through the painter's composition, shape, line, color and other means to show. The lack of emotion, works will lose life. Outstanding landscape works, attracted by the people as its connotation artistic charm, subjective thought and expressed and painting in the mood of the painting was coincide, and overtones of the mould, moved.

   As a traditional Chinese painting master Li Keran said: "the artistic conception is the soul of art, is the essence of part of the concentrated objective things, coupled with people's thoughts and feelings of the casting, with artistic processing to scenes, lyric by King, so performance out of the realm of art, the realm of poetry, called the artistic conception."

   Liu Jianwen through the painting techniques of treatment and the beauty in form, the realization of its landscape painting scene blending. Song Zhang Shunmin said: "poetry is invisible painting, painting is invisible poetry." Poetry has two forms, one is the organic combination of poetry and painting, using pictures to express the poetry, poems on paintings, or set off each other, to express the feelings of the artist. Liu Jianwen's landscape painting, pen and casual, modality and vivid, Feng love ups and downs, Lin Ting mountains, lake shore beauty, poetic conception, text, layout.

   The author's collection of Liu Jianwen's landscape paintings, there is a small boat, a fisherman in the bow fishing around in addition to Liao Liaoji pen microwave almost a blank. The artist cleverly, to large gap to the vast and empty water fishing leisure, showed the air misty space and strong poetic. The artist is the "silent", enhance spatial performance, so that the screen realm of emptiness, interesting. A good landscape works, the technique success not only can obtain the cheers of the crowd, but not necessarily fascinating. Why Liu Jianwen's landscape painting can fascinating? Because there is a thick, many aspects of the accumulation of.