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杂谈 |
Part I
Section C
Script:
Dave: so, how have
you been?
Maria: Oh, not
bad. And you?
Dave: Oh, I'm doing okay, but school has been really busy these days,
and I haven't had time to relax.
Maria: By the way,
what's your major anyway?
Dave: Hotel
management.
Maria: Well, what
do you want to do once you graduate?
Dave: Uh... I
haven't decided for sure, but I think I'd like to work for a hotel or travel
agency in this area. How about you?
Maria: Well, when
I first started college, I wanted to major in French, but I realized I might
have a hard time finding a job using the language, so I changed majors to
computer science. With the right skills, landing a job in the computer industry shouldn't be as difficult.
Dave: So, do you
have a part-time job to support yourself through school?
Maria: Well,
fortunately for me, I received a four-year academic scholarship that pays for
all of my tuition and books.
Dave: Wow. That's
great.
Maria: Yeah. How
about you? Are you working your way through school?
Dave: Yeah. I work
three times a week at a restaurant near campus.
Part II
Text A
Script:
Exercise 1
But
something strikes you when you move to America and when you travel around the
world: Every education system on earth has the same hierarchy of subjects.
Every one.Doesn't matter where you go. You'd think it would be otherwise, but
it isn't. At the top are mathematics and languages, then the humanities, and
the bottom are the arts. Everywhere on Earth. And in pretty much every system
too, there's a hierarchy within the arts. Art and music are normally given a
higher status in schools than drama and dance. There isn't an education system
on the planet that teaches dance everyday to children the way we teach them
mathematics. Why? Why not? I think this is rather important. I think math is
very important, but so is dance. Children dance all the time if they're allowed
to, we all do. Truthfully, what happens is, as children grow up, we start to
educate them progressively from the waist up. And then we focus on their heads.
And slightly to one side.
If you were
to visit education, as an alien, and say "What's it for, public
education?" I think you'd have to conclude -- if you look at the output,
who really succeeds by this, who does everything that they should, who gets all
the brownie points, who are the winners -- I think you'd have to conclude the
whole purpose of public education throughout the world is to produce university
professors. Isn't it? They're the people who come out the top. And I used to be
one, so there. (Laughter) There's something curious about professors in my
experience -- not all of them, but typically -- they live in their heads. They
live up there, and slightly to one side. They look upon their body as a form of
transport for their heads, you know, it’s … don't they? (Laughter) It's a way
of getting their head to meetings.
Now our
education system is predicated on the idea of academic ability. And there's a
reason. The whole system was invented -- around the world, there were no public
systems of education, really, before the 19th century. They all came into being
to meet the needs of industrialism. So the hierarchy is rooted on two ideas.
Number one, that the most useful subjects for work are at the top. So you were
probably steered benignly away from things at school when you were a kid,
things you liked, on the grounds that you would never get a job doing that. Is
that right? Don't do music, you're not going to be a musician; don't do art,
you won't be an artist. Benign advice -- now, profoundly mistaken. The whole
world is engulfed in a revolution. And the second is academic ability, which
has really come to dominate our view of intelligence, because the universities
designed the system in their image. If you think of it, the whole system of
public education around the world is a protracted process of university
entrance. And the consequence is that many highly talented, brilliant, creative
people think they're not, because the thing they were good at at school wasn't
valued, or was actually stigmatized. And I think we can't afford to go on that
way.
Exercise 2
Every
education system on earth has the same hierarchy of subjects.At the top are
mathematics and languages, then the humanities, and the bottom are the arts.
If you were
to visit education, as an alien, and say "What's it for, public
education?" you'd have to conclude
the whole purpose of public education is to produce university professors.
Now our
education system is predicated on the idea of academic ability. And there's a
reason. They all came into being to meet the needs of industrialism.
So the
hierarchy is rooted on two ideas. Number one, that the most useful subjects for
work are at the top. And the second is
academic ability, which has really come to dominate our view of intelligence,
because the universities designed the system in their image.
Exercise 3
Now our education system is predicated on the idea of
academic ability. And there's a reason. The whole system was invented -- around
the world, there were no public systems of education, really, before the 19th
century. They all came into being to meet the needs of industrialism. So the
hierarchy is rooted on two ideas. Number one, that the most useful subjects for
work are at the top. So you were probably steered benignly away from things at
school when you were a kid, things you liked, on the grounds that you would
never get a job doing that. Is that right? Don't do music, you're not going to
be a musician; don't do art, you won't be an artist. Benign advice -- now,
profoundly mistaken. The whole world is engulfed in a revolution. And the
second is academic ability, which has really come to dominate our view of
intelligence, because the universities designed the system in their image. If
you think of it, the whole system of public education around the world is a
protracted process of university entrance. And the consequence is that many
highly talented, brilliant, creative people think they're not, because the
thing they were good at at school wasn't valued, or was actually stigmatized.
And I think we can't afford to go on that way.
Text B
Script:
First question:
Which devices or products can you buy to help develop your child’s brain?
A. Baby megaphone.
B. Audio products
featuring classical music.
C. Video driven
products such as Baby Einstein featuring vibrant colors and music.
D. None of the
above.
If you guessed D,
you are correct. Not a single electronic device or commercial product has ever
been shown in randomized blinded trials to improve an infant’s or a young child’s
brain power, or even in non-randomized non-blinded trials.In fact, in a few
cases, they have actually been shown to hurt their development. Putting your
child in front of any form of television in their early years can lead to problems
in their ability to pay attention to things in their later years, like during
school. The effect is so severe the American Academy of Pediatrics recommends
that parents just keep the darn thing turned off for the first 2 years of life.
Second question:
Remember that cookie test? If you can wait 15 minutes before you eat it…the one
about impulse control? Here we go. Is a child who is willing to forgo one
cookie for the promise of getting two later more likely to:
A. Gain weight.
B. Become more
gullible later in life.
C. Not end up in
the food industry.
D. Achieve greater
academic success.
Alright, I had fun
with this one, but the surprising answer is that D is the correct response. A
child’s ability to defer gratification is an indicator of future academic
achievement. And the talent varies through the age of a child. Not
surprisingly, fourth graders tend to last longer than 4 year olds. The
effective impulse control on their academic future, part of a broader suite of
behaviors, we call executive function, isn’t trivial. It is a better predictor
of success than IQ. Children who could delay their gratification for 15 minutes
score 210 points higher on their SATs than children who lasted only 1 minute.
Third question: By
talking to your infants and toddlers like adults, (You need to use your own
words) are they more likely to
A. Act like
adults.
B. Learn language
quicker.
C. Develop more
self-respect.
D. None of the
above.
The answer: D. None
of the above. Babies aren’t adults. They learn language much better if adults
speak to them in what we call parentese—high-pitched tones delivered in sing
song voices, with stretched-out vowel sounds.(Yeeees, wish you a good baby.
Ohhhhhhhhhh, we have a good baby.) The slower, more melodic tone probably helps
infants separate sounds in the contrasting categories and the high pitch may
assist infant imitating the characteristics of speech. Babies are terrific
imitators. And with a vocal tract one quarter of the size of adults, they can
produce sounds only at those higher pitches. That’s why parentese help baby
learn language better.

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