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巫鸿:《再造往昔:中国艺术和视觉文化中的古董主义与复古风》

(2015-10-15 11:27:43)
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书籍信息 | BOOKDETAILS

再造往昔:中国艺术和视觉文化中的古董主义与复古风(暂定)

出版:芝加哥大学/佳作书局(2010)

编者:巫鸿

语种:英文

精装:384页

ISBN-13978-1588861092


Reinventing the Past, Archaism and Antiquarianism in Chinese Art and Visual Culture / Edited by Wu Hung

Hardcover: 384 pages

Publisher: Art Media Resources; First Edition (2010)

Language: English

ISBN-13: 978-1588861092

Product Dimensions: 10.5 x 7.5 x 1.5 inches

  

如何购买 | HOW TO PURCHASE

1.您可以通过此微博联系我们购买;

2.您可前往淘宝网,检索店铺“佳作书局”,在店内查找关键词“芝加哥大学”即可;

3.您可通过手机微信,搜索订阅号“佳作书局”,关注并联系我们购买;

4.您可直接来位于北京望京(中央美术学院附近)的实体店现场购买。


感谢读者朋友对独立书店的支持,欢迎转发!



《再造往昔:中国艺术和视觉文化中的古董主义与复古风》(中文书名暂定)由芝加哥大学 巫鸿 教授主编,芝加哥大学联合佳作书局出版,收入以下12位学者的专门文章(排名按书中文章顺序):


巫鸿(Wu Hung)

罗森 (Jessica Rawson)

罗泰 (Lothar von Falkenhausen)

包华石 (Martin J. Powers)

蒋人和 (Katherine R. Tsiang)

Tonia Eckfeld

伊佩霞 (Patricia Ebrey)

陈云倩 (Yun-Chiahn C. Sena)

柯律格 (Craig Clunas)

曾蓝莹 (Lillian Lan-Ying Tseng)

白谦慎

王正华

胡素馨 (Sarah E. Fraser)


本书是芝加哥大学东亚艺术研究中心举办的学术研讨会的文章结集,详细请阅读以下东亚中心副主任蒋人和的序言节选:


This volume, and a forthcoming companion volume on antiquarianism and archaism in Japanese and Korean art, result from two symposia organized by the Center for the Art of East Asia and held at the University of Chicago in May 2006 and November 2006 to examine the role of antiquarianism and archaism in East Asian art and visual culture. The present volume focuses on China, the selected papers bringing to the forefront the important role of the study and emulation of the past as moving forces in the continuous renewal and reshaping of cultural identity in China from ancient times to the modern age. These essays examine Chinese historical perspectives on the art and visual culture of the past through exploring evidence of archaism and antiquarianism; the former can be seen as revival of obsolete art styles, and latter as a broad range of activity involving intellectual interest in and engagement with ancient remains. Together they provide a conceptual framework for research on a wide variety of cultural activities such as artistic production, collecting, compiling, and publishing, as well as on the history of key figures, events, and technologies. These studies provide insights into the motivating forces, philosophies, and intentions inherent in archaistic and antiquarian practices. In demonstrating the persistence of these practices through dynastic ages and across regions and cultural and ethnic groups, they expand and redefine the scope of the field of research and lay new foundations for future work.


详细目录


Reinventingthe Past

Archaism and Antiquarianism in Chinese Art and Visual Culture

Edited by Wu Hung

Contents

Preface . .. . . . 7

Introduction

Patterns of Returning to the Ancients in Chinese Art and Visual Culture

Wu Hung . .. . . . 9

I. Archaism, Antiquarianism, and Chinese Art History

Reviving Ancient Ornament and the Presence of the Past: Examples from Shang and Zhou Bronze Vessels

Jessica Rawson . . . . . . 47

Antiquarianism in Eastern Zhou Bronzes and Its Significance

Lothar von Falkenhausen . . . . . . 77

Imitationand Reference in China’s Pictorial Tradition

Martin J.Powers . . . . . . 103

II. Recontextualizing the Past

Antiquarianism and Re-envisioning Empire in the Late Northern Wei

Katherine R.Tsiang . . . . . . 127

Reinventing the Past, Inventing a Dynasty: Inspiration of Monuments
of the Past and Tang Dynastic Topography

Tonia Eckfeld . . . . . . 155

Replicating Zhou Bells at the Northern Song Court

Patricia Ebrey . . . . . . 179

III. Technologies of Antiquarianism

Cataloguing Antiquity: A Comparative Study of the Kaogu tu and Bogutu

Yun-ChiahnC. Sena . . . . . . 200

Antiquarian Politics and the Politics of Antiquarianism in Minh Regional Courts

Craig Clunas. . . . . . 229

Between Printing and Rubbing: Chu Jun’s Illustrated Catalogues of Ancient Monuments in Eighteenth-Century China

Lillian Lan-Ying Tseng . . . . . . 255

IV. Modernizing the Past

Composite Rubbings in Nineteenth-Century China: The Case of Wu Dacheng (18351902) and His Friends

Qianshen Bai. . . . . . 291

The Qing Imperial Collection, Circa 190525: National Humiliation, Heritage Preservation, and Exhibition Culture

Cheng-hua Wang . . . . . . 320

Antiquarianism or Primitivism? The Edge of History in the Modern Chinese Imagination

Sarah E. Fraser . . . . . . 342

Index. . . . . . 369


实拍书影


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关于佳作书局 | Paragon Book Gallery

佳作书局 Paragon Book Gallery,由犹太人马法伯 (Max Faerber)于1942年在上海创办。数十年以来,书店辗转上海、纽约、芝加哥三个城市,是亚洲研究——特别是艺术研究领域专业人士、艺术收藏家、学生搜寻资料、汲取养分的胜地。书店同时也兼有出版发行的业务,与多家博物馆、大学、研究机构、学者合作,出版了大量东方文史经典著作,以及亚洲艺术类书籍和展览图录。合作的机构包括芝加哥大学、华美协进社、旧金山亚洲艺术馆、克利夫兰艺术博物馆、明尼阿波利斯博物馆、加州古典家具博物馆、大英博物馆、赛克勒基金会、香港中文大学文物馆等。

近年来,Paragon Book Gallery在继续为全球读者提供高品质东亚研究文献资源的同时,也再次将书店带回她的发源地中国,取中文名为“佳作书局”。坐落于北京的佳作书局为中国读者提供亚洲艺术各个领域的最新原版优秀读物及罕见绝版书籍,并同时开辟了西方艺术及艺术史、摄影书籍的版块。在这里,来自四方的读者都会对佳作书局的藏书留下深刻的印象。


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