怀着对儿时梦想的无限追忆，我和朋友在变形金刚香港上映的第一天便早早坐到戏院。两个多小时的观影结束，我们只能低着头走出放映厅，被两个小时的特技眩晕之后，失望之情以溢于言表。抛开梦幻般的特技，这部电影还能剩下什么呢，一个90分钟能讲完的故事非要拖到两个多小时，故事讲得累赘，主要演员的表演乏善可陈。总的来说，问题还是出在了故事本身上，再炫的技术还是救不了烂剧本。于是无限郁闷的我，开始重温我的电影生涯中那最初的几课。

  亚里士多德说过，如果连故事都讲不好了，其结果是颓废和堕落。虚弱的故事为了博取观众的欢心已经堕落为成百上千万美元的演示。人物是什么？他们需要什么？他们为什么需要它？他们将怎样去的得到他们所要的东西？他们面临的阻力是什么？其后果如何？

坏的剧本通常都有两种形式，一种是戏剧结构不足的“个人故事”，另外则是结构性过强

What is Television today ?

Television is not just a simple technology or appliance, like a toaster that has sat in home for more than fifty years. Rather, it functions both as a tools for storytelling. We know it as a sort of 'windows on the world' or a 'cultual health' that has gatherd our families, told our storys and offered glimpses of a world outside our daily experience. It brought the nations together to watch the TV shows such as ' Super Girls' give us the mousepiece to talk about our social changges and provided a common place through which a vast a nation could share in watching national triumphs and tragedies. Nowdays the new technology have created new ways of using TV and now challenge our basic undestanding of the medium. Changes in TV have forced the prodouction process to evlove during the past twenty years so that the assorted ways we now use

亲爱的同学 我的确是不辞而别

因为我不愿看着你的背影走远

你说过四年的岁月就像是一条河 你说过要记得毕业时的那杯酒

怀念大学时的我们  亲爱的同学 那仿佛就是昨天

那时的我能推着车和你走过校园 坐在书院前的树丛边 吐尽青春的心事

我会和你分享我所有的喜悦 而失忆的时节你通常都会在我的身边

毕业

  很久以来就想把这些写下来，今天早上终于逼着自己坐到电脑前，敲上这些本该早已记录的文字。