我们意识到：时尚不再停留在一个传统的表现形式内越来越多的现代艺术设计师用时尚的表达方式表现着艺术“相信所有的结合并非偶然”。对立的完美的嫁接似乎让我们清楚一切非绝对一切皆可能。
代表人物1：Nagi Noda 半熊猫的造物主时尚广告的创意指导的不可小看的力量
太多值得介绍今天就来第一部分吧
绝佳的嫁接创作
参与的品牌拍摄
从2007开始 NAGI帮助参与的b+ab的Catalog的拍摄的艺术指导
有心的人是不是会注意到这个广告
介绍2位摄影师的作品，一天忙下来很累，就不多说了。还全靠喜爱的人自己慢慢欣赏了。尤其是亲爱的拉面同志，不知道这些图片会对你有什么灵感火花。
“色调”“构图”是下面2位的2大亮点。这就是我以前和你说过我很喜爱的那种色彩感觉，和打光后的那种瞬间的美感。今天终于搞到整套所以发上来希望对‘那种感觉’有了进一步了解。
如果有看不了的去相册看
一个是从构图色调都很不错的Jacques Oliver
接下来是大牌了，当然机遇也决定了大牌与否.
个人觉得那套JIMMY CHOO的拍摄把他炒红了，而且我只喜欢那套，呵呵，翻出来看看有点好似上世纪的事一样，不过拿出来回味一下也不错，因为更喜欢拉面如果有机会再合作，可能我更会喜欢Brett的背景和人物的反差效果。
BRETT RATHER
其余的说实话没那么爱，这套JIMMY CHOO连拍4季的系列的确不错，而且一季比一季张扬,打破了鞋包品牌一贯CATALOG的拍摄风格。呵呵，我喜欢。同样喜欢打光的手法，很漂亮，尤其是较近打光的效果。
2006SS-2007AW
哈哈·这几张熟悉的都可以背的出来了吧？
个人相比较最喜欢的JC的一套是这套07秋冬的
For Jessica Simpson
For BABY PHAT
Brett 在其他领域也涉足不少。是个人才
Tuxedo一直是所有设计师的灵感来源。千变万化不离其宗，善用单品混搭出不同风情。可以说任何单品都不占30%以上的主导地位，组合的魅力才让这道风景到位值得回味
篇外：2008是一个多变化的一年，是一个值得考验的一年，尤其是我们中国。美国的经济危机和欧洲同盟体的发展亚洲的崛起使整个世界经济产生了微妙而深远的变化。很多的制造业因为世界经济力量的变化而到了决定存亡的时刻。MADE IN CHINA已经不单单是一个量和质的代表词，更需要注入创造的元素。朋友最近都在准备着开发原创的品牌或系列，更多的人开始主动或“被迫”的投入到这股热潮内。也许将来的不久，原创中国时尚就会闪亮展露在我们眼前。
krisvanassche
ANN DEMEULEMEESTER
Dries Van noten
Who they are?
Balancing a nostalgic historical sense with radical
modernism, Kris Van Assche has created a distinctive, refined world
of nonchalant elegance.
Van Assche's work is characterized by attention to detail, a strong feel for ritual and the exacting depiction of a chic that evokes 'days gone by'. His designs arise from a sophisticated approach that breaks away from the uniformization of sportswear.
Kris Van Assche was born in Belgium in 1976. Shortly after graduating from the Antwerp Royal Academy of Fine Arts, he moved to Paris in 1998. After working with Hedi Slimane at Yves Saint Laurent and then for Dior Homme, he began to show his original creations in January 2005. Today he heads his own label, KRIS VAN ASSCHE, and artistic director for Dior Homme since april 2007.
Impelled by a vision of the man who takes the time to 'dress up', Kris Van Assche has embarked on an esthetic quest, pursuing a new masculinity infused with poetry and authenticity.
Dries
Van noten was born in Antwerp in 1958, into a three-generations-old
family of tailors. His earliest memories are of the fashion world
and, even as a child, there was never any doubt that he would
pursue a career in design.
Reaching university age, he enrolled in the prestigious Antwerp
Academy. With his well-touted 1986 presentation of a men's
collection in London, under the aegis of the 'Antwerp Six', Dries
Van Noten received both recognition by the fashion press as well as
his first store orders from such prominent retailers as Barneys
New-York, Whistles in London and Pauw in Amsterdam.
The August, 1989 opening of Dries Van Noten's Antwerp boutique, Het
Modepaleis, marked a major turning point in the designer's career.
The store spans three floors of a sweeping 1831 structure, and
features the designer's collections-men's, women's and
accessories.
A new era began for Dries Van Noten, when in 1991, he staged a
Paris runway show of his men's ready-to-wear collection.
The joint opening in 1993 of two showrooms in Paris and Milan
marked Dries Van Noten's ability to meet the continual demands of
the international buying community, while allowing the designer to
maintain his close, personal relationships with an ever-growing
roster of retailers. On the store front, Dries Van Noten recently
expanded his intimate empire even further with the opening of two
new shops, one in Tokyo, in February 1997, and another in Hong Kong
in September 1997.
1992
1996
«Woolgathering» — collaboration Patti Smith & Ann Demeulemeester
2002
2003
2003
2004
2004
2004
2005
2005
2005
2005
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2006
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2007
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标签：视频展示 |
May Ray的Casati
变形的口袋+金属拉链，2侧其实是透空的裂口。表现出一种很自然的“扭曲”，结合整体形象非常实穿，满足美国设计领域的基本要求。
裤子上的细节，上衣边缘则是拉链，给人一种“触碰了便会磨破肌肤的感觉”其实那些边缘根本不易碰到，体现出了“恐惧害怕来源于人们的内心”。
半透明设计，隐隐约约，一种“到底想要怎么样却看不清楚的感觉”，又符合了灵感来源的主旨。
变异扭曲的结构，层层叠叠看似摸不清头脑，但整体却颇为明朗。
--微微扭曲的结构，拉链相拼在缝合处的点缀，让人感觉“棘手，奇怪，扭曲”但又同时发掘这一切只来源于人们自己的内心！完美的诠释了灵感来的深刻内涵。
设计风格，火辣，性感，设计手法非常讨巧，很美国不是么？可惜对于穿着者来说对于挑剔，并且火辣过头。
作品充满热带气息。Uni爱用印花面料，与生活的迈阿密息息相关，美国人中支持度排第一。作品很好穿着，并且风格适中。可惜虽然支持率很高，但仍然只能归在风格里面，没有深度。
巴黎买的DIM的网眼袜，质量很好，在国内无法找到能够收紧肌肤同时袜子织的那么好的，勾了小洞，不舍得扔掉。 
鞋头用多余的费布料和礼服的闪片和装饰钻点缀了，拉短了本来好长的鞋头~
