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九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

(2012-09-14 17:52:57)
标签:

当代艺术

黄乐

九月蠢事

年青艺术家

九月蠢事 Conscious Folly 

“蠢事啊,蠢事!自觉的、无缘无故的、自招灭亡的蠢事!XX可能犯的罪中,数这罪是最不容易隐藏的。”将信将疑地发现了极蠢的事,内心迟疑行为果断地直奔蠢事——办了这蠢事,我就安心了。

“Folly! Folly! It’s conscious, unprovoked and destroyed folly. This is the most difficult fault to be hidden in all faults XX may make.” Founding something really stupid doubtfully, one hesitates inside but runs directly to this thing—It will be relieve after having done this silly thing.

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

参展艺术家:姜鹏、廖斐、刘辛夷、马永峰、双飞艺术中心、宋拓、唐狄鑫 

Artist: Double Fly Art Center, Jiang Peng Liao Fei, Liu Xinyi, Ma Yongfeng, Song Ta, Tang Dixin

 策展人:黄乐

Curators: Huang Le

 

开幕时间:201298日,星期六,17:00

展览时间:201299日至1021

Opening: Sep 17:00 20:00

Exhibition Dates: Sep to Oct 21


201298,上午艺术空间2012年青年策展人合作项目“九月蠢事”于下午5点至8点开幕。

在这里一定要提醒大家的是,展览里呀真没有“蠢事”。

AM Space is glad to announce of The Conscious Folly, Young Curator Cooperation Project 2012, which been on 8 September 2012. One thing should be reminded is that there is actually no "folly" whatsoever in the exhibition. 

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
双飞艺术中心,双飞撕票艺术,表演,2012,现场剧照

双飞兄弟们从北京、杭州赶来上海汇合,因为他们日夜惦记着仓库里一批优秀的艺术作品——它们出自默默无闻的杰出艺术家之手,却只能放在暗无天日的小房间里。双飞艺术中心表示他们不能坐视不管,要尽自己的绵薄之力为这批作品争取应得的机会。展览开幕日的5点至7点间,上午艺术空间将直播双飞艺术中心这一旷世之举的全过程,他们会成功吗?那些传奇的艺术作品将会迎来出头之日吗?

Double Fly Brothers will gather in Shanghai separately from Beijing and Hangzhou, as they care very much about the excellent artworks in a warehouse. They were produced by fine artists who faded into oblivion and remain forgotten in complete darkness. Double Fly Art Center says they cannot just sit but do nothing. They then swear to make as much effort as possible by fighting for opportunities that these works should have deserved. Between 17:00 and 19:00 on the opening day, AM Space is planning to live broadcast the entire process of this extraordinary achievement. Will they succeed? Will these legendary artworks be eventually released? 

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

双飞艺术中心,双飞撕票艺术,2012,现场图

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
双飞艺术中心,双飞撕票艺术,2012,开幕后展示


唐狄鑫估计是要给自己在这酷暑制造一个绝对纳凉方案。从“卧轨”到“背着石头下河”,从《我马上回来》到《飞》,对他时隐时现的接近危险、和身体本能极限的欲望,让人不得不揣测:唐对恐惧、疼痛的忍耐能力是否高于常人?但在此次展览上,唐狄鑫也不再干“蠢事”啦,他还好好地让自己凉快了一把。

Tang Dixin is presumably making an absolute project to cool himself down in the scotching summer. From "Lying on Railroad", "Down to the River with Stone”, to “I Will Be Back Soon and Flying”, one finds it hard to resist the speculation over his desires to approach to dangers and limits of human body: does he enjoy higher tolerance of horror and pain than any other ones? Well, this time the artist no longer does "follies", and decide to simply enjoy the wonderful coolness.

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
唐狄鑫,今天必须下雨,行为,2012,现场图

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

唐狄鑫,今天必须下雨,2012


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

唐狄鑫,今天必须下雨,2012


刘辛夷自述他“感兴趣于当代条件下的政治体验,观察其中的逻辑困境,开展对政治常识的创造性考察”,如果说刘辛夷今年6月在空白空间个展“探员L”呈现的是一份来自异空间的地球政治调查报告,那么,近期L的工作又有哪些新进展呢?9月,他将新鲜出炉两份展现当代国际政治关系的新材料,这两个看似微不足道的日常一瞥得来实在不易。


In his statement, Liu Xinyi says that "he is interested in political experience in contemporaneous time and keen on the observation about its logical dilemma as well as the creative exploration into political common sense." If his solo exhibition “Agent Lin” in White Space Beijing this June presented us with an investigation report from an alien space into politics on earth, what progress has the inspector made recently? In this September, a couple of new materials outlining contemporary political and international relations will be completed. To catch a glimpse of the everydayness which seem so insignificant, it’s actually not so easy.


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
刘辛夷,天儿不错,单频道录像,16比9画面,4分31秒,截图,2012

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
刘辛夷,美容美发,三频道录像,5分56秒,2012

雷州青年宋拓,出自公务员家庭,前段时间他创作了好几件关于公务员的作品。他以个体方式深入公务员方方面面,终于为我们探得诸如公务员的形象法则、公务员的小秘密等让人唏嘘的独家资料。尽管没能成为公务员组织中的一员,宋拓在精神情怀上无疑已经不是公务员胜是公务员了。今年,他为北京市国子监胡同居民评选了十大优秀医生排行榜,便民惠民。此次展览,他将与我们分享一个可能成功保卫了广州城市公共安全的优秀事迹案例。

Song Ta, whose parents are civil servants, comes from Leizhou. He created several works related to civil servant some time ago. He got into all aspects of civil servants in his individual way and finally found out some exclusive materials for us, like the law of the civil servants’ image, their secrets, etc. Thought not became one of the civil servants, he has already been a civil servant in spirit and emotion for a long time. This year, he voted top ten excellent doctors for the Beijing Imperial Academy Hutong to serve the people. This time, he will share us with a great case which may help Guangzhou to protect the city public safety.

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
宋拓,市长看恐怖片,DVD封套打印,2011

艺术家宋拓发现广州地铁有个穿越珠江水域的地方离江面很薄,如果有恐怖分子计算好,然后搭地铁正好经过这个点引爆炸药,就会出现一个口,整个珠江的水就像灌老鼠一样灌满整个地铁路线,这样特别变态。他很害怕,就拍了一个小片子:《江水深处人》,讲述了这个恐怖故事,把这张 DVD寄给广州市长万庆良先生看。寄给他宋拓就放心一点了,他相信这一切他会处理好的。这是为他一个人看而拍的恐怖片。

I discovered a section of the Guangzhou Metro running under the Pearl Rever that is particularly close to the water surface. If some terrorist care to make the precise calculations and set off sxplosives at this particular section,the whole body of water of the Pearl River would flood the entire metro line like when one floods a rat hole.I found this idea exceptionally twisted and horrifying,so I made a short video-The Person Deep Down in the River. The video tells this horrifying tale and I sent it to Mr.Wan Qingliang,Mayor of Guangzhou City. A weight was lifted off my heart after I sent the video,and I believe the Mayor is capable of handling everything. This was a horror movie made for the Mayor alone.


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
马永峰,降水量,纸箱、沥青、收集的雨水,2012年7月21日北京
 

马永峰原本已经具有某种成熟的摄影和录像艺术家面貌,2009年他发起了一个以“游击性介入”项目为基础的机构——Forget Art, 而他也开始了另一种方式的个人创作。他一方面保持业余性的创作状态,施行了一批以情境为媒介的“微干预”项目;另一方面马永峰的活动关注整体环境,具有某种独立的社会性。经过反复试验,此次,他将在上午艺术空间这个独特的地下室,为不久前发生在北京的一次灾难创造一个纪念的形式。

Ma Yongfeng, who has already been professional in photography and video art, launched an institution named Forget Art, which based on the Guerrilla type intervention. Then he turned to another way to continue his creation. On one hand, he keeps his amateurish creative state, conducting a series of micro intervention using scene as a medium. On the other hand, Ma pays more attention to the whole environment, achieving some kind of independent sociality. Based on the disaster happened in Beijing recently, he will create a pattern of ceremony in the special basement of AM Art Space, through repeatedly testing.

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事 
马永峰,降水量,纸箱、沥青、收集的雨水,2012年7月21日北京 


姜鹏无时不在推敲着“语言、主体、权力”,谈话还没开始他就要先强调一番“我”的代表者,这样谈话才会生效,往往每一次的“我”都不尽相同。没人知道他颠覆语言的权力之后语言将是什么。姜鹏还是一个两岁孩子的爸爸,在陪同孩子认知学习这个世界的过程中他越发觉察到人的主体意志的形成与“囚禁”。展览上姜鹏设计了一款文字游戏《Word Search》,在能辨识某些单词的前提下进入游戏,search行为与知识的关系将在找到答案之后被怀疑。姜鹏来到上午艺术空间后,根据空间新制作了WORD LADDER。

Jiang Peng always weights the “language, subject, and power”. Before our talking, he emphasizes the meaning of the representative of “I”, and then our talk can start. And he mentioned that each “I” is always different. No one knows what it will be after he overturns the power of language. Jiang is a father of a two-year-old child. He gradually discovered that the formation of the subject will and “imprison” through accompanying his child cognize this world. In the exhibition, Jiang designed a word game named Word Search, which people can play only under the premise of identifying some words. The relationship between the searching and knowledge will be questioned when people found the answer in the game.


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

姜鹏,Word Search,视频,2012,上午艺术空间现场


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事
姜鹏,Word Ladder,丙烯,2012 


九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事 
姜鹏,Word Ladder,丙烯,2012 


廖斐竟然对物质抱有疑问:物质真的只是物质吗?物质真的无关于意识、无关于其他的事物吗?廖斐在胡塞尔曾做过的一个证明所有事物是一个整体的简单推理中,竟体验到这个论证充满轻巧的美感,他说,恐怕物质也远比我们所能想象的极限更加的轻盈吧。展厅中,他在一堆煤球上插了一根灯管,然后,灯管亮了。

Liao Fei has a doubt on material: Is material just simply material? Does material really have nothing to do with consciousness or anything else? Liao experienced the beauty of lightness in a simple reasoning of Husserl that everything belongs to a whole system. He said, “I’m afraid material is much lighter and more graceful than our imagination.” In the exhibition hall, he inserted a tube on top of a pile of briquette, and then the light turns on.

九月蠢事现场——记2012年9月8日在上午艺术空间发生的蠢事

廖婓,关于物质,报纸、胶带、灯管,2012


“蠢事啊!蠢事!自觉地、无缘无故的蠢事!”

 “Folly! Folly! Conscious and unprovoked!”


最后还需特别提醒的是,这个展览里满满当当的都是蠢事。自寻烦恼的、徒劳无功的、伴随着伤害和非议的、破绽百出的比比皆是,然而查看这些蠢事的事由和过程,往往比其他安全的素材更让我们亲近中国的当代。“九月蠢事”即将展开,在这之前,让我们向曾经义无反顾办了蠢事的前辈们致敬,并向在其他地方忙活着办蠢事的朋友们表示问候;如果你遇到冒着傻气还散发着光芒的艺术家,不妨告诉他,“噢!你真笨;谢谢你,就因为你是个笨蛋!”

One thing should be reminded before too late: the exhibition will be full of silly things. Over care, futility, hurt, censure and flaw is everywhere. However, looking for the reasons and process of these stupid things can always make us closer to the Chinese contemporary than other safe materials. The Conscious Folly is coming soon; let’s pay our respects to the predecessor who did the folly things without hesitation, and also to those who are busy with foolish things. If you meet any artist who splashes sunlight while glows with foolishness, you can tell him without hesitation, “Oh, you are such a fool! But thank you for being a fool! ”


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