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Shunga春画 男风春宫图 日本同性爱艺术 介绍

(2010-03-10 11:20:36)
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男风

古代

同性恋

同性爱

艺术

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日本

japanese

gay

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history

文化

Shunga, or "pictures of spring," as rings the metaphor in Japanese, is a subtle monicker for some of the least subtle erotic art on record. While most Japanese erotic art depicts men getting it on with women, a great deal shows gay love. Homosexual shunga, of course, are not always explicit. Social scenes show us everyday life, where homosexual love is only hinted at, and much is left to the imagination.

 

Shunga春画,或者“春宫画”,作为日文的隐喻,是某些微妙的在纪录的至少是微妙的色情艺术的外号。 尽管多数日本春宫艺术描述的是男人与妇女交欢,但有大量的显示男同性爱的作品。 同性恋shunga春画,当然,总是不明确的。 社会场面能给我们显示日本人的日常生活,其中同性恋只是被暗示,而大部分要凭借想象力。

 

Next on the ladder of gay love are images of courtship, through which we see the rich display of emotions of men in love, or out of it: desire, lust, fear, tenderness, surprise, humor. Homosexual passion is not far behind. Japanese homoerotic art is replete with kissing and fondling between horny samurai and their apprentices, or even more often, kabuki actor youths moonlighting as gay prostitutes.

 

在同性爱之外是求爱的图画,我们能从中看到男人们之间丰富的情感展示,或者超越这些:欲望,情热,恐惧,柔软,惊奇,幽默。同性恋激情不胜其多。日本同性恋艺术中经常有勃起状态中的武士与他们的学徒之间的亲吻和爱抚,甚至,年轻的歌舞伎剧演员也兼作男妓。

 

Perhaps most alien for western lovers of the erotic is the sheer exuberance of Japanese homoerotic art and the humor with which the rough gay sex or tender love making of shunga are depicted. Nothing is held back, on the contrary, everything is exaggerated and veils, sheets and kimonos are pulled aside so we can have a clear view of what gay men (or "gay for pay" men) do in bed to together. In a rare (for premodern homosexual sex) parallel with modern gay love, anal sex is high on the agenda.

 

可能对大部分西方人觉得奇怪的是,shunga春画中描绘的是纯粹健康的日本同性恋艺术,粗暴的同性性行为或温柔的情爱体现着幽默。 什么都没有被阻挡,相反,一切都被夸大,并且面纱、板料和和服被拉扯在旁边,因此我们可以清楚地看到同性恋者(或“靠同性恋赚钱”的人)如何在床上一起欢愉。罕见地(为初步现代化的同性恋)与现代同性爱平行,发生肛交是在议程上的。

 

The third person is the whole charm of sex in Ménage à trois, showing that voyeurism and group sex are anything but recent inventions. Indeed, the pattern of introducing a third person, usually a curious observer, often a child, is a recurrent theme in homoerotic art, and one that can be traced all the way to Greek and Roman antiquity. Though homosexual love abounds, the ménage à trois erotica in this collection shows both men and women being penetrated, as these Japanese threesomes experiment with various positions.

 

在Ménage à trois中,第三人(旁观者)是性的整体魅力,展示了观淫癖和群体性行为并不是是现今的发明。 的确,引入第三人的模式,通常是一名好奇的观察者,经常是个孩子,是在同性恋艺术中重复发生,这可以追溯到古希腊和古罗马。 虽然同性恋盛产,在这汇集的ménage à trois春宫图展示了同样有男人和女人被性交,并且这些3人性行为展示了各种各样的体位。

 

Scroll art is a particularly Eastern form of erotic art, ranging from cheap prints to elegant paintings executed with exotic and precious colors on fine silk. Ishikawa Toyonobu's shunga book of gay love between men and their boy-friends is an example of a "mass-market" production, showing male actor prostitutes engaging in vigorous seduction and passionate, if not downright crude and explicit gay sex. Miyagawa Isshô's painted silk scroll is a subtle, thoughtful work intended for a refined and wealthy buyer. The individual vignettes explore tender allusions to desire, implied seduction, foreplay, less-than-explicit sex and the inevitable disillusionment that follows a passionate tryst.

 

Scroll艺术是春宫艺术的一个特别的东方形式,范围从便宜的印刷品到典雅的绘画,甚至在非常精美的丝绸上也展示着异乎寻常和珍贵的颜色。Ishikawa Toyonobu 的shunga春画里的男人之间和他们的男朋友们之间的同性爱是“大众市场”的产物,显示热情的男歌舞伎参与精力旺盛的诱惑和激情,如果不完全是粗暴和明确同性性爱。 Miyagawa Isshô的绘制的丝绸纸卷是精美的,做工缜密精良以卖给达官贵人。独立的小插图探索对欲望的细微渴望,含蓄的诱惑、性交前的爱抚、不甚明确的性行为和不可避免的幻灭,随后是激情的约会。

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