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HAND-DRAWN ILLUSTRATION COME BACK

(2009-07-15 12:52:24)
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杂谈

分类: 社会视觉

HAND-DRAWN ILLUSTRATION COME BACK

手绘插画又卷土重来

(本人翻译自美国 USA  ART 网络文章)

 

There’s been an interesting trend recently in print and advertising work in particular away from the perfect symmetry and airbrushed cleanliness of vector art and back towards a looser form of hand-drawn illustration. I see it everywhere,from the middle pages of highbrow pop culture publications to the style sections of local broadsheets. And yet ,it’s unexpected, especially so soon after the wave of vector art which swamped the print world just a few years back.

最近在印刷和广告作品中有了一个有趣的趋势,普遍远离完善匀称和喷绘清晰的矢量艺术,转而向轻松形式的手绘插画。我看到很多地方从波普文学出版物的中页到当地大幅海报的部分风格。在矢量艺术浪潮淹没印刷世界仅几年之后它又特别快的回潮,这是没料到的。

(待续)

New York-based Australian designer Deanne Check, who for so long was responsible for the beautiful artistic vision of edgy culture magazine Tokion, is one who noticeably shied away from embracing vector art during her tenure as the magazine’s director. Which is not to say that she never used it,  but rather that she always seemed to have a real appreciation for the subtle rawness of hand-drawn fonts and ink rendered design touches.

以NEW YORK 为基地的澳大利亚设计师Deanne Check,她长期负责TOKION先锋文学杂志的艺术视觉,她是一个在她任职期内接受矢量艺术有明显顾虑的人。但这不是说她从不采用矢量艺术,但至少她看起来是位对原创手绘和经艺术处理设计痕迹真正具有鉴赏和敏锐观察力的人。

(待续)

In many ways, her art direction veered toward classicism, which in turn encouraged countless of younger art directors to look back again for their artistic inspiration. Many of the better European, Australian and American magazines, for instance, are now dominated by more abstract, hand-drawn work, while vector art is finding its footing amongst CD packing and gallery prints.

 

And yet, there are exceptions to this trend.

 

从各方面来看,她的艺术方向已转向古典主义,转向鼓励无数年轻艺术编辑再次回到古典艺术中去寻找他们现在的创作灵感。例如,现在比较好的美国,澳大利亚,欧洲的正被大量抽象艺术,手绘作品所控制的杂志,以及正在CD包装中寻找立足的矢量艺术和画廊印刷品。

 

但是,这个趋势也有例外。

(还有一部分,等我有时间翻译了再发上来.有兴趣的请耐心等等,抱歉)

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