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2015年1月20日

(2015-01-20 13:27:47)
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杂谈

2015年1月20日
ADP069 BARBATOS - Let's Fucking Die! CD 接受预定
(#1月30日统一发货#)

 国籍:日本 
风格:黑暗/速度金属/朋克 (Evil Speed Metal Punk) 
发行日期:2015年1月30日
 
唱片简介:大名鼎鼎日本黑金属先驱级乐队 ABIGAIL 乐队核心人物 Yasuyuki Suzuke(铃木靖之)的个人分支。90年代初期开始,他更专注于早期的激流金属以及80年代朋克音乐风格的音乐创作。由此创建 BARBATOS。这支乐队与 SABBAT、ABIGAIL、GORGON 等乐队一带动了全世界风行的日本地下老式邪恶黑暗激流风潮,在国际上有相当大的影响。Yasuyuki 本人也是 Old School 领域最著名的日本金属艺人之一。
 
相对于前一张 Rocking Metal Motherfucker 的浓重朋克色彩,这张专辑更强调了早期黑暗激流金属风格,VENOM, BATHORY对这张的创作影响格外多。依旧还是BARBATOS标志性的歌词,直白,放荡充满了朋克的意味。同时,这张唱片也是乐队传播最广泛的一张,2006 年由荷兰厂牌 Displeased Records 发行,现在在国外的拍卖网站上售价高达 200 美元以上!
 
这次的“Let's Fucking Die!” 的再版也几经周折,本来应该是在2014年初发行的唱片,一直拖延到了2015年!新的再版由 Yasuyuki 本人亲自撰写了序言,同时有12首加歌,其中包含一些只在黑胶上发表过的罕见曲目。

A must for fans of Evil Speed Metal/Punk! 限量发行1000张。


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海外媒体对这张专辑的评价(摘录)

Barbatos - Let's Fucking Die! CD

Let's Fucking Die Raw fuckin' eighties metal album by Abigail's Yasuyuki! For fans of very early Venom & Bathory! Total kamikaze headbangin' 

material! BARBATOS has been described as a band possessing the Metal Punk feeling such as WARFARE, CARNIVORE, MOTORHEAD, TANK, AT WAR and VENOM. 

For recording sessions, close and dedicated friends/musicians from the Japanese extreme metal scene summon around Yasuyuki. BARBATOS' music is always 

written by Yasuyuki himself, lyrical contributions are done by his many friends from the scene, such as members of DECAYED, BESTIAL MOCKERY, 

BLASPHEMY and FROSTMOON ECLIPSE.

原文:http://www.redstream.org/Barbatos-Let-s-Fucking-Die_RD14501.php
---

BARBATOS LET'S FUCKING DIE!
Posted on 1/2007   By: Chris Chellis

The most primal, bestial, and raw riffs you will hear in your deprived life comprise most, if not all, of Barbatos' fourth full-length, Let's Fucking 

Die!. This is no-bullshit blackened thrash from Japan's two finest genre exporters, Yasuyuki Suzuki and Youhei, both of whom are also responsible for 

Abigail and Cut Throat. Expect no more and certainly no less from this rather prolific and hardworking duo.

Though it's easy to dismiss this as yet another phone-it-in black/thrash hybrid affair, the musicianship is exceptional (LISTEN to some of these 

solos, damn it), the songwriting is often superb, and there is an obvious sense of passion written all over this release. Sure, the subject matter is 

firmly tongue-in-cheek, but that doesn't mean that the music is a joke. Stack this up with any of last year's thrash albums and it will, without a 

doubt, shred at least 80% of the competition. It's catchy in the same way that Ghoul's Splatterthrash was, but it's just a little more linear. 

There's none of that rockabilly experimental shit here. Toxic Holocaust wouldn't be an entirely fair comparison, but the tone and pace is similar 

enough. This should come as no surprise considering Toxic Holocaust's own Joel Grind has lent his vocals to a number of Barbatos tracks in the past.

If you consider the fact that track titles include "Beer is My Leader," "Crazy as Hell," "Grave Violator," and "Sodomy at the Graves," you would have 

to be stupid to guess that this is anything but in your face thrash. Hell, I don't even think you have to really like black metal at all to like this 

stuff. Yes, the vocals are derived slightly from black metal and the drums are more relentless than most of the weakened, diluted tripe we call 

thrash today, but the riffs are closer to thrash than anything I've heard from Slayer in years. 

Nine of the 16 tracks on Let's Fucking Die! are under 3 minutes. Five of those 9 are under 2 minutes. Now what did I say about straightforward? 

Taking that grind ethic of mashing every essential piece of a song and turning it into a 2 and a half minute thrashfest is one hell of an idea and it 

is executed to near-perfection here. If you're a thrash maniac like me and you like your songs fun, vulgar, and short, picking this up is a no-

brainer. 

原文:http://lastrit.es/reviews/3220/barbatos-lets-fucking-die!.aspx
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BARBATOS Let's Fucking Die!

Fourth full-length (without counting a lot of EPs and a live album) of this bunch, formed by members of ABIGAIL (Japan). They also had people from so 

different outfits such as RITUAL CARNAGE, ARES KINGDOM, TOXIC HOLOCAUST on the studio side, or MALICIOUS SECRETS, DEATHSPELL OMEGA or INFERNAL 

(Columbia) on the live one in their ranks already. Most of them don't share much similarities with any of them, except ABIGAIL and TOXIC HOLOCAUST. 

BARBATOS are playing pure Thrash Metal with a big Punk rocking (music and attitude) side, so the difference is not that big with their other band 

(ABIGAIL). It's still thrashing madness, although their main influence here is without any doubt coming from MOT?RHEAD and these primordial Thrash 

Metal bands who were so influenced by Punk music. The lyrics are not less barbaric here, dealing with war ('Satanik Butcher! Apocalyptic War!'), sex 

('Baby I'm Your Man', or just take a look at the cover) and alcohol ('Beer Is My Leader'), which is simply perfect for this music I think. Anyway, I 

must admit I found this album a bit boring towards the end, as the songs are quite simple and repeatitive. I prefer ABIGAIL, as they sound as hateful 

as them, but not so punkish and primitive. Let's say their songs are better constructed, not so boring. But for anyone searching for some old Thrash 

Metal vibes and for a crazy disco destroying saturday night, this is just perfect for you.

Jeroni Sancho

原文:http://www.voicesfromthedarkside.de/Albums-EPs-Demos/B/BARBATOS--310.html
---

Barbatos - Let's Fucking Die! - Japan - 2006
Genre: Black Metal / Thrash Metal

Blackened Thrash all the way from Tokyo? Why the hell not. BARBATOS sound as drunk, vicious, and goddamn Metal  as the best from the European scene, 

quickly taking a nod from SODOM and upping the ante with a bit of MAYHEM. The constant rape, necrophilia, and alcoholic imagery in combination with a 

rather provocative album cover may prove over-the-top, yet the glorious hooks and fantastic riffage more than make this journey memorable.
 
Vocalist/bassist Yasuyuki Suzuki and drummer Youhei are the main pieces of this project, taking a break from their involvement in ABIGAIL to pummel 

the masses with unnerving volume. Session musicians round out the rest of the recording team as the whole entity comes together like an enormous 

battering ram which simply refuses to knock politely upon your door. Distorted guitars picked at a frenzied pace and deliberate up-tempo drumming 

provide the meat of the album, keeping things moving at a rapid pace and always kicking the listener in the jaw. You抮e head will never cease to bob 

as you scream along with passion:
 
Crushing bare 
Never stop 
Kamikaze attack 
Holocaust
Victory! Blazing war!!!?
 
The production is absolutely raw as one would come to expect, perfectly enhancing frantic solos with an air of static pain and always keeping things 

pleasantly retro. This only enhances the Black Metal/Thrash/Punk vibe which is always snarling in your face like a vagrant dog fighting for scraps of 

sustenance. This factor, in combination with the excellent Old-School riffing, is what makes for such a fun and laid back Thrashing experience. 

Nothing is overly complex or technically mind-boggling; rather, this is Metal at its zenith in its most simplistic form.   
 
Pump your fist, bang your head, kick an Emo kid in the jaw; do something for christ's sake. Simply sitting still and listening to this fucker would 

make even Lars Ulrich weep (and he doesn't even have a soul). 
 
Don't stop the metal music 
We are hungry we need energy 
Get off stage posers 
I'm a fucking disco crusher 

Where is my Beer? 
Where is my Pussy? 

Smash the fucking discos!!!?
 
What? Exactly, you can't resist this disc.
(Online April 3, 2007)
原文:http://metal-observer.com/articles.php?lid=1&id=12041

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