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“上房抽梯”当代艺术展 展讯

(2006-04-11 00:40:03)
分类: 展览类
展览说明:

    "上房抽梯"-- 《三十六计之二十八》,源于《孙子兵法· 九地篇》。军事计谋的历史典故置换于当代艺术的语境中,可以衍生出多重涵义。

  一、东北年轻艺术家用一种新现实主义的手法和具像写实的形像、场景作为一把"梯子",将观者引上对叙事性情节猜测的"屋顶"。然而,任何情节的指向性都已经被模糊,被消解,是暧昧不清,不可琢磨,无来由的。将观众置于屋顶之上,不可得其意。

  二、70 年代出生的艺术家,经历了价值观转换的过渡期,当沿着理想主义的价值观爬上梯子时,整个社会已经转换为实用主义,利益原则盛行,原来所坚信的价值观体系全面失效,艺术家本人也被搁置在"屋顶",无路可去。

  三、从终极意义上讲,建立体系是为了解构体系,跨越语言、图像、逻辑,砸毁工具,进入无碍的境界,终将" 得鱼"而"忘筌","得意"而"忘像"。

  策展人:付晓东、孙宁

  参展艺术家:

  贾蔼力、李大方、李威、秦琦、王宁德、吴光宇、吴薇、杨大治、尹志欣、赵亮、郑强(按姓氏排列)

  主办:站台·中国当代艺术机构

  展览时间:2006年4月29日—— 6月18日

  开幕酒会:2006年4月29日下午18:00 – 22:00


  展览地点:北京朝阳区草场地319-1号艺术东区A区站台·中国(机场辅路去往机场方向过南皋桥右转后第一个路口左转)

  开放时间:上午10:00 - 下午18:00 (周二至周日,周一休息)

  咨询电话: 010 - 64320110 13601006060

  Email: info@platformchina.org

  www.platformchina.org


Removing the Ladder after One on the Roof


Title: Removing the Ladder after One on the Roof -- Contemporary Art Exhibition


Exhibition introduction:

‘Removing the Ladder after One on the Roof ’ -- The 28th strategy of “Thirty-six Strategies", take its source at the Art of War by Sun Tzu. It may spread out multiple implications when this historical literary quotation from the military scheme is replaced in a contemporary art semantic meaning.


Firstly, in this show, these young artists who are working base on the Northeast of China apply a new realism technique, including figures and scenes, as a ladder. Leading audiences to climb up on the roof where they will found a conjecture on the narrative plot. However, any directional plot are blurred and dispelled. All are ambiguous and can’t be pondered over. Leave the audience above the roof but don’t show them the result.


Secondly, all these artists born in the 1970’s have experienced the transition period when the form of value transforms. When they climbed up along with the idealism form of value, the entire society has already transformed into the pragmatism. The beneficial principle is current. What we used to believe is failed. The artist himself is laid on the top of the roof and can’t find the way back.


Thirdly, regarding to the ultimate aim, to establish one system also means to deconstruct, to surmount the language, the image and the logic, to destroy tools so as to enter a boundless realm. At the end, we will ‘forget the trap’ as soon as ‘the fish is caught’. In another word, we will ‘forget the image and meaning’ when ‘receive the impression’.

Artists:

Jia Aili, Li Dafang, Li Wei, Qin Qi, Wang Ningde, Wu Guangyu, Wu Wei, Yang Dazhi, Yin Zhixin, Zhao Liang, Zheng Qiang

Sponsor: Platform China Contemporary Art Institute

Curators: Fu Xiaodong, Sun Ning

Exhibition Date: 29th April – 18th June, 2006

Opening Party: 29th April 2006, 18:00pm—22:00pm

Exhibition Venue: Platform China Contemporary Art Institute

Address: East End Art Zone – A/Caochangdi Village/ Chaoyang District/ Beijing [airport side road (Jichangfulu), turn right after Nangao Bridge, then the first cross turn left]

Opening hours: 10:00am – 18:00pm ( Tuesday – Sunday, close on Monday)

Tel: 010-64320110 13601006060

Email: info@platformchina.org

www.platformchina.org

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