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站台中国3月群展《向厚看》

(2009-03-08 10:49:09)
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向厚看

站台中国

青年艺术家群展

3月

分类: 展览活动

向厚看

2009.03.14 - 200.05.17

参展艺术家:陈彧君/陈彧凡、谷静、郭玲、金石、梁冰、骆海铭、马笑萧、裘世明、陶大珉、吴光宇、郑强

策展人:陈海涛、邓大非

开幕日期:2009年3月14日3pm

地点:站台中国当代艺术机构

站台中国3月群展《向厚看》 

站台中国将于3月14日推出2009年的第一个展览——12位青年艺术家的群展《向厚看》。这些艺术家是一些无论外部环境好坏,一直默默无闻关注内心,试图在自我的艺术创作中寻求更深层次探索的年轻人。

 

当波及全球的经济危机逐渐与身边的人和事紧密相联并影响到自己阶段性的生活方式,我们都会明确的感受到,在全球化的挤压下,那些似乎独属于局部、地方的问题,其实并不孤立地存在。面对各种新思想和新观念的不断创造,人们的行为方式自然是从多重的价值标准和认同感中获益,各种思想自身的表述逻辑挟裹着相应的价值观,也易使人们陷入一种虚拟的安全感中。

 

本次参展的青年艺术家们,避开了以往标榜着新锐头衔、面向大众文化的愤世嫉俗。在广义上,他们只是并不认同或不满足目前流行的那种强调快感的、无深度的文化模式;在方法论的层面更多的是强调对生存的复杂体验;从内容上他们大都采用一种对深度模式的探索和向“厚”看的努力,与各种历史资源的若即若离,对个体存在生命之依靠感的关系式勾连……从作品的效果上看,他们并不都采用求新求异、怪招迭出的策略,而是在各自生存的真实背景中追问自己在其中的关系与位置,在多元的价值观面前,把存在关系的深度当做自己的求证方式,以朴实无华来代替新奇怪绝。

 

当艺术家们用以创作的新奇方式由当初的惊世骇俗逐渐使观众审美疲劳的时候,我们自然会冷静下来思考一下其他的可能性还有哪些。我们的创作真的要制造一个个视觉奇观,去满足越来越挑剔的欣赏标准吗?我们的创作是不是应该不时地回到一个原点中去,重新思考和体会它与生活本身的关系这个最古老的命题?

 

从这次展览的标题,可以看出策展人希望进行讨论的学术方向和气质,愿这次展览能够抛砖引玉,引起我们对于当代艺术更进一步的思考。

站台中国3月群展《向厚看》

陈彧君,陈彧凡Chen Yujun, Chen Yufan/流动的空Flowing Space/间绘画installed painting / 2008-2009

站台中国3月群展《向厚看》

谷静《条形码》示意图Gujing Bar Code Shetch Map

说明:途中的桌子No.5为最后展示的作品,桌面的粉末来源于材料No.1-No.4

Instruction:The table in this picture (No.5) will be finally shown,

the powders are made of those materials such as No.1 to No.4.

站台中国3月群展《向厚看》

郭玲Guo Ling /偏见系列10号Preconception Series No.10/布面油画oil on canvas / 200x300cm / 2008

站台中国3月群展《向厚看》

金石Jin Shi/小买卖之卡拉OK Retail Business - Karaoke/装置installation

综合材料mixed materials /2009

站台中国3月群展《向厚看》

金石Jin Shi /椅子Chair /装置installation /木头wood /45x45x85cmx6 /2009

站台中国3月群展《向厚看》

骆海铭Luo Haiming /春分Vernal Equinox /单频道录像single channel video /6'30'' /2009

站台中国3月群展《向厚看》

马笑萧Ma Xiaoxiao/作品名称是一个关系名词The work titlle is a noun of relationship(未完成/ unfinished)

你好,我是你外甥的小姨子的男友的同事的侄女的外婆的儿媳的学生的爸爸的邻居的女儿的哥哥的妻子的小姑子的朋友的干儿子的妈妈的房客的同事的表弟的室友的表叔的表姐的侄子的外公的孙子的妈妈的同事的部下的丈夫的朋友的同乡的外甥女的爸爸的朋友的网友的叔舅的堂姐的儿子的舅舅的同事的外甥女的弟弟的女友的妈妈的同学的战友的女儿,很高兴认识你!

Hello, I'm your nephew's sister's boyfriend's colleague's niece's grandmother's ......

摄影装置photography installation / 13x500cm /2009

站台中国3月群展《向厚看》

裘世明Qiu Shiming /立秋残片Pieces of Autumn Begins /多频道录像multi-channel video /10' /2008

站台中国3月群展《向厚看》

陶大珉Tao Damin /完形-官邸Gestalt-official Residence

布面丙烯acrylic on canvas /100x80cmx3 /2009

站台中国3月群展《向厚看》

陶大珉Tao Damin /完形-演员Gestalt-Actors

布面丙烯acrylic on canvas /150x130cmx3 /2008

站台中国3月群展《向厚看》

吴光宇Wu Guangyu /盛京医院Shengjing Hospital /布面油画oil on canvas /200x380cm /2008

站台中国3月群展《向厚看》

郑强Zheng Qiang /救生筏Life Raft /布面油画oil on canvas /300x150cm /2008

 

Look Deeper

2009.03.14 - 2009.05.17

Artists: Chen Yujun / Chen Yufan, Gu Jing, Guo Ling, Jin Shi, Liang Bing, Luo Haiming, Ma Xiaoxiao, Qiu Shiming, Tao Damin, Wu Guangyu, Zheng Qiang

Curators: Chen Haitao, Deng Dafei

Opening Reception: March 14th, 2009, 3pm

VenuePlatform China Contemporary Art Institute

 

Platform China is pleased to present its first exhibition in 2009 on March 14th-Look Deepera group exhibition with 12 young artists. These artists are some young people that  attempt to explore deeply their artistic creation and self-seeking of their hearts obscurely, in good times or bad.  

 

As the world-wide economic crisis closely around us and affect our ways of life in stages, we can all experience that  in the great context of globalization, those problems which seem local or partial, in fact, do not exist in isolation. Facing with the creation of various new ideas, people naturaly benefited from multiple value standards and the feeling of identity. Kinds of thought’s own logics contain corresponding values, easily making people into a virtual sense of security.

 

These participating young artists avoided the public-oriented and cynical attitude. In general, they do not agree with the superficial cultural patterns that emphasize pleasure, which are popularly used among the currently art world in China. From the methodology level, they emphasized more on the the complex experience of survival; From the content, most of them insisted on a “deeper” exploration and effort of their own artistic creation. This appeared on the selective use of variety historical resources or the reseach on the relationship of individual and its life… From the appearance of the works, they used plain and unvarnished languange instead of eccentric tactics and mathods to question their position and the relationship with the backgroud which they are within. At the face of pluralistic values, they considered the depth as their proving mode.

 

When the newfangled ways which seem shocking at first but finally tire the audience, we will of cause calm down to think about what other possibilities are. Should we really make a visual spectacle to meet the more and more critical standards? Or should we go back to the original point to re-consider the relationship between art and life itself.

 

The title of this exhibition points the academic direction and temperament that the curators hope to achieve. We’d like to stimulate more thoughts of the contemporary art in China from others.

 

Please contact us for more information or any further images.

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