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【原】< The Angel > 绘图过程(1)脑袋瓜子

(2007-07-16 06:47:27)
标签:

cg

绘图过程

cg教学

林慕枫

分类: 林慕枫原创之CG教学
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
两年过去了,这一系列的绘画过程版权到期鸟,丢出来砸人玩~~
 
虽说这图两年半以前的旧画了,相比起现在是不可同日而语,不过画面上还是有些自己满意的地方,当年做这个怎么看都纯粹是一种眩技……,不过也多亏了这种炫耀心里呢,也就留下了这批过程图,说不定对喜爱华丽风格的朋友会有用处吧~~~
 
不过这个系列的图恐怕无法给没有足够绘画基础的初学者以帮助,如果只是想学习基础技法,建议不要看这个浪费时间,还是多画几张素描来的有用。否则如果是连基本的造型都还做不好的话,恐怕也不可能画出端正的人形了…… 
 
看了不要受刺激……基本上画图就是一笔一笔又一笔这么枯燥的一件事情了,预防针先打好。
 
第一部分:脑袋瓜子,顾名思义就是脸轮廓、五官、面部神采、头发这些和脑袋有关的内容了,还是那句话,想画画先把型儿找准了去,否则看什么都是白搭……= =
第二部分回头再放,一次放全了恐怕要杀猫……= =
 
 
绘画说明:技术支持[Adobe Photoshop7.0]
模特:Vitas
英文翻译:Ithilia
 

话说当年这个命题基本上就是一切都要华丽丽……orz

 

 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子

001:
这幅图没有草稿,因为在过去的一段时间里我充分的了解过了这个人的面部结构。
用选好的皮肤底色铺好面部轮廓,并确定五官的位置。这实际上就等于是在电脑中直接打草稿了,有绘画
厚涂色彩经验的朋友可能也知道,油画和水粉画有时候就是用类似这样的方法来定型。

There isn’t a draft to this drawing, because I’ve thoroughly
understood this person’s facial structure.
Use the desired skin colour to lay down the silhouette of the face and
locate the facial features. This is equivalent to drafting on the
computer, those with experience in painting should know that, similar
method is used in oil and water colour paintings to set the design.

 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
002:
铺好阴影。脸不是一平平的一张,而是有弧度的曲面,双颊是靠后的部分,因此就有阴影。
Lay down the shadows. The human face is not flat but with curves. The
cheeks are the parts bent backwards, therefore are shaded.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
003、004:
将眼睛的具体位置确定下来,并且比较精确的画好边沿和眼球的位置。注意两眼的位置要平衡些,虽然基本上人的眼睛都不是那么标准平衡的,到后期也可以更改,不过也不要出现过分的错位,以免之后的麻烦。
Set down the approximate location of the eyes, and accurately draw on
the edge of the eyes and the eyeballs. Notice that the two eyes need
to be balanced, even though everyone’s eyes are not always in balance,
but this can be changed later. But do not dislocate them to much, in
order to save the troubles later.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
005:
绘画出眼球,重点是画出深浅色彩和眼球的结构。中间的瞳孔最重。
Paint out the eye balls. The key is to properly depict the different
shades and structure of the eye. It is darkest at the pupil.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
006:
在虹膜主体加入一定的蓝色,能看出眼睛颜色的主要就是这一部分,注意稍稍的提亮。
Add in a certain degree of blue at the iris, this is the part that
shows the colour of the eyes. Remember to brighten it a bit.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
007:
所谓画龙点睛在这张图的体现便是在瞳孔上的这一点高光了,顿时整个眼球的立体感和透明感就被表现出来。
The finishing point of the photo is dependent on this bright spot on
the pupil, this immediately adds lucidity and the sense of 3D
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
  
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 008、009:
绘画睫毛只能是靠平时的多多观察,可以对着镜子看自己的睫毛根部位置和方向等等。
将眼窝也描绘出来,西方人靠近眉弓的位置比较深,东方人则一般没有那么重的阴影。
另外毛发比较浅淡的人,就连睫毛也会有反光。
To drawing the eye lashes you need to observe more often, look in the
mirror to see the root of the lashes and direction etc.
Put on the sockets as well, Anglo-Saxons people have deeper indents
around the eyebrows, whereas Asians don’t have as heavier shade.
As well, those with lighter hair colour will even have eyelashes which
are reflective.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 010、011:
同样的方法绘画另一只眼睛,绘画中同样要注意两眼颜色位置的基本统一。
Paint the other eye using the same method, be careful that the colour
of the two need to be in basically the same places.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 012:
开始融合面部的阴影和底色。
Begin to blend together the shadow and the grounding colour.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 013:
基本上如果不是底光,那么额头应该都是比较亮的部位,所以也选了比较鲜艳些的颜色来涂。
If bottom lighting is not used, then the forehead should be more
bright, therefore choose fresh colors to fill.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 014:
画出唇型,当然,这要参照模特本人的具体特征来绘画。Vitas的唇型比较饱满,厚薄恰当。
Outline the lips, of course, this need to be referred back to the
particular model. Vitas’ lips are more full and just about the right
thickness
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
 015:
靠进口腔的部位比较深,因为它的位置比较远,会有阴影。其实下唇很类似一个横放的圆柱体,有素描经验的人应该会比较能理解。
The place closer into the mouth are deeper because it is further, and
there will be a shade. The lower lip actually looks like a
horizontally placed cylinder, people with experience in sketching
should understand.
 
 【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
016:
用浅色提亮下唇突出的位置。一般都在下唇中部。
Use light colours to brighten up the extruded place of the lower lip.
Usually at the middle.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
017:
最后将几个部分的颜色进一步细致的融合,就可以看到最终比较完美的效果了。
At last finely blend the colours of different part, then there will be
a perfect finish.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子

018:
最终给给眉弓提亮。基本上面部的基本涂色就完成了。不过这样从局部开始绘画的弊病就在于无法掌握全图的色调统一,最终完成品中,面部的颜色被我完全提亮了,这过程中我至少把脸重画了4次……。步骤、方法都是一样,只是换了颜色。
Finally brighten the top of the eyebrows and it is basically done.
However, doing this by parts has the disadvantage of not having
control on the colour tone usage. In the finish product, the facial
colour is totally lifted, and in the process I have at least repainted
the face 4 times…..same method, but just changing the colours.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
019:
铺好头发的底色和明暗,要考虑到光源的问题,基本上我都喜欢采用自然光,就是散光源。虽然没有强调光的来源,但是基本上可以依循前亮后暗的原则。
Lay down the colour and brightness of the hair, but take the light
source in consideration. Basically I light using natural light.
Without highlighting the light source, but basically you can follow
the front--bright back--dark rule.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
020:
铺好衣服的颜色,同时勾勒出身体的轮廓。事先要决定要衣服样式的设计。
Choose a colour for clothing, at the same time outline the silhouette.
Decide the style of the clothing first.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
021:
没头没脑的添了鼻子上的一道高光……。
Adding a top light to the nose for no reason…..
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
022:
开始从头顶细化头发。发迹根部比较深,头发从发根长出来之后自己会凑成一片一片、一捋一捋,错落有致,自然的铺出明暗就可以。需要注意的就是发间经常有些缝隙,画出来可以表现出头发的特殊质感。
Start fining the hair from the top. It is deeper closer to the roots,
hair separates itself into parts, strands and layered, just naturally
set the shades. Take care with the gaps in between, adding in those
can provide the special texture of the hair.
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
023、024:
融合颜色到没有明显的接缝即可,这只是一个大体的概括。过程中可以添加一些别致的发丝,不过也是点到为止。
Blend colours until there are no obvious joints, this is only a rough
summary. In the process you can add some fine strands, but do not go
over the top
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
025、026:
开始绘画比较具体的发丝。从中缝拉出一根一根粗细不等的发丝,颜色取亮部的即可。这是比较考验线条功力的部分,也是很好的练习,尽量画的完美和理想些吧~。
Start to add in particular fine strands. Pull out strands of
different thickness from the part at the top, taking a brighter
colour. This tests your skills of lines, and is a good practice to,
try to make it more perfect and ideal~~
 
【原】< <wbr>The <wbr>Angel <wbr>> <wbr>绘图过程(1)脑袋瓜子
 
027:
画完之后是不觉得有些真实了?当然这只是第一层的发丝而已,头发我也修正了无数次,每次提亮颜色,几乎都要勾。
Does it seem more real after that? Of course this is only the first
layer of hair strands, I’ve fixed the hair numerous times, every time
the colour is brightened there needs more brushing.
 
 

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