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当今世界最著名的艺术家Matthew Barney

(2007-06-08 21:58:56)
 

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  Matthew Barney(马修·巴尼)1967年生于美国加利福尼亚州,目前工作与生活在纽约。

马修·巴尼是当今世界最著名的艺术家之一。他早期的《绘画约束》(Drawing Restraint)系列和后来的《悬丝》系列作品,以艺术实验的方式,在表演、摄影、录像、装置、电影等方面展现了自己对艺术创造的无限潜力的兴趣与探索。

  马修·巴尼把身体作为一种抽象的运动结构的象征,试图通过自我约束机制把个人包围起来,尝试人的意志力在物理性的制约下,身体能力从无差异状态到有差异状态的变化与发展。在《悬丝》作品系列中,马修·巴尼将心理分析、生物作用和神话阐释相结合,创造了一个多义的主题结构。看他的作品,可以清晰地发现其中贯穿的是一个雕塑性非常强的艺术设计,其强烈的视觉美感和超现实的魅力,给予观众立体化的体验。

  马修·巴尼将所有的艺术形式融合在一个作品中的试验,将艺术的极致推到了一个至高点。

Cremaster (USA)

悬丝 (美国)

Director: Matthew Barney

导演

 

The conceptual departure point of "Cremaster"is the male cremaster muscle, which controls testicular contractions in response to external stimuli.

This is a self-enclosed aesthetic cycle consisting of five feature-length films. The cycle unfolds not just cinematically, but also through the photographs, drawings, sculptures, and installations. The primary theme is sexual difference. There are sequences that imply sex, gestation, birth and death in symbolic ways. The director weaves a mythic, self-contained universe that riffs on biology, cinema, architecture and American history.

“Cremaster”概念上的出发点是男性的提睾肌,它的功能是在感受到外界刺激时控制睾丸的收缩。

这是一个封闭的美学循环系统,由五部长片组成。这个循环不仅是通过电影手法来呈现的,还有照片、绘画、雕塑和装置艺术。很多段落用象征的方法暗示着性、孕育、出生以及死亡。导演编织了一个穿插着生物学、电影、建筑和美国历史的神秘世界。

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Cremaster 1

Footage: 40min

片长

Year: 1995

出品时间

On the football field of Bronco Stadium, a flock of stewardesses and showgirls converge, forming intricate dance/movement patterns while two  Goodyear blimps hover above them. In the blimps a woman writhes and directs the dancers on the field, using red and green grapes to draw the patterns on the floor under the tables.

Bronco体育场上,一群空中小姐和艳舞女郎聚集在一起,舞蹈和运动组成了难以理解的图形,这时两个带有Goodyear商标的小飞艇在她们头上盘旋。飞艇里,一个女人躲在桌子底下,用红色和绿色的葡萄摆成各种图形,来控制体育场里的舞蹈者。

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Cremaster 2

Footage: 79min

片长

Year: 1999

出品时间

This installment about America, mythology, and death focuses on executed murderer Gary Gilmore, who sits in a strange, womb-like car in a Utah gas station. Barney constructs a personal narrative from elements and symbols of the American west.

这一部分是关于美国、神话和死亡的,讲述的是已被处死的杀手Gary Gilmore的故事,他呆在犹他州一所加油站的一辆奇怪的子宫状的汽车里。Barney以自己的方式使用一些元素和象征符号描述着美国西部。

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Cremaster 3

Footage: 182min

片长

Year: 2002

出品时间

This is either the final episode or the climactic one. It encompasses a dizzying number of themes. Much of the action takes place in two New York landmarks, the Chrysler Building and the Guggenheim Museum (where much of Barney's work is actually shown). It concludes with an old Celtic myth "Fionn versus Fingal the Giant".

这既是最后一部也是整个系列的高潮。它包含了数不清的主题。很多表演都是在纽约的两个标志性建筑——克莱斯勒大厦和古根海姆美术馆(Barney的许多作品就是在这里展出)——里进行。影片结束于一个古老的凯尔特神话“Fionn大战巨人Fingal”。

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Cremaster 4

Footage: 42min

片长

Year: 1995

出品时间

Set on the Isle of Man, this episode centers on a motorcycle race, re-interpreted as the formative process of gender determination. Flame-Haired Satyr slowly taps his way through an eroding floor into the sea, as competing colour coded motorcycle teams set off in opposite directions to circle the Isle of Man.

这一部分的地点在曼岛,中心内容是一场摩托车赛,它被按照性别决定论重新阐述。红发的森林之神慢慢地踱过被侵蚀的地板走进海里,与此同时不同彩色标记的摩托车队出发,沿相反的方向环绕曼岛。

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Cremaster 5

Footage: 55min

片长

Year: 1997

出品时间

Filmed in the Budapest Opera House, the lush operatic spectacle is accompanied by fairies, a magician, various attendants of unspecified gender and species, and a bevy of live pigeons. All are watched by The Queen of Chain while she sings. Beautifully shot with sweeping camera angles and an intriguing use of water, the film is full of Weird images.

拍摄于布达佩斯歌剧厅,华美的歌剧场景中还有一些仙女、一个魔法师、各种各样难辨雌雄和物种的使者以及一群鸽子。所有这些都逃不过正在唱歌的Chain女王的眼睛。电影使用优美的平移镜头拍摄,还对水进行了有趣的利用,屏幕上充满了怪异的图像。

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