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印象派:  Paulémile  Pissarro

(2013-01-25 09:32:27)
标签:

绘画

文化

分类: 绘画与艺术
印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

印象派: <wbr> <wbr>Paulémile <wbr> <wbr>Pissarro

 Paulémile  Pissarro

 

今天还有很多人喜欢印象派,不但因为她朦胧与优美,

更多的是因为印象派是一个革新时代的代名词。

印象派是建立在传统与现代之间的一个重要的符号,

如果没有印象派的唐吉可德式的勇气,

或许今天我们看见的绘画会是基本一致的严谨单调以至于有点乏味。

而历史嘲笑的正式那些当年嘲笑印象派的所谓“知名人士”。

诚然现代还有很多在模仿前人的印象派风格,然而时代变了,

一百年前的印象派是革新人类,今天的印象派就纯属“休闲”了。

我之所以不厌其烦地发很多各种印象派的作品,其实是在纪念这种革新精神。

 

 

作者个人介绍(French, 1884 - 1972) 

 

Paulémile Pissarro was born on August 22, 1884 in Eragny, the fifth and youngest son of Camille Pissarro.  Brought up in an artistic household, inevitably he began drawing at an early age.  At the age of fifteen he attended a college in Gisors, but left after a few months in order to join his father on painting trips to Le Havre, Dieppe and Rouen.  For the last few years of Camille’s life the family lived in Paris, where Paulémile attended a private art academy.

Following his father’s death in 1903, Paulémile returned to Eragny with his mother.  Monet, who lived only twenty miles away at Giverny, became his tutor, guardian and friend.  Monet encouraged him to paint and gave him lessons in art and in horticulture.  In 1905 Paulémile exhibited for the first time at the Salon des Indépendants, showing an Impressionist landscape.

It was during the late 1920’s and early 1930’s that Paulémile reached the peak of his artistic development.  During this period he abandoned the pure colors and divided brush strokes of Impressionism for mixed tones and broader gestures.  His compositions became strong and clear, and his application tighter and thicker.  In addition, Cézanne’s long-term influence on Paulémile’s work became evident in his green-gold palette and classical compositions, and later in his use of a palette knife instead of paintbrushes. 

In 1930 Paulémile visited the hills and valleys known as Swiss Normandy.  He instantly fell in love with the Orne, a river that runs adjacent to the villages of Clécy and LeVey.  The blue hills and green meadows, separated by the calm waters of the river, offered him a new setting for his work.  Working from a boat equipped as a floating studio, he could focus on his favorite subject, reflections on calm water. 

In 1935, Paulémile’s first marriage ended and he moved to Swiss Normandy.  Two years later he bought a house in Clécy with his second wife, Yvonne Beaupel, with whom he had three children – Hugues Claude, Yvon and Véra.

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