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荷兰电影展内容预告(1)

(2008-04-17 13:24:59)
标签:

杂谈

 

shape of the moon  月影

92 min documentary             92分钟 纪录片

The Netherlands, 2004        2004年荷兰出品

A FILM BY LEONARD RETEL HELMRICH 莱奥那·拉提尔·赫尔穆里奇导演作品

PRODUCED BY SCARABEEFILMS 斯卡拉比电影公司出品

selected as opening film at IDFA 2004 and for the Joris Ivens competition

and selected for Sundance 2005

2004阿姆斯特丹国际纪录片电影节开幕电影,尤里斯·伊文思影展,2005年圣丹斯电影节入选作品

 

SHORT BIOGRAPHY AND FILMOGRAPHY OF THE DIRECTOR

导演简介及作品年表

 

Leonard Retel Helmrich was born in 1959. He finished the Netherlands Film Academy in 1986 as a fiction director of the short fiction film called “De Drenkeling” (the drowning man). He made his debut with the feature film “The Phoenix Mystery”  in 1990. His documentary “Moving Objects” (1991) has won several prizes at International film festivals.

莱奥那·拉提尔·赫尔穆里奇1959年出生。1986年结束在荷兰电影学院的学习并导演了了剧情短片《正在溺死的男人》。1990年以故事长片“凤凰传说”正式在电影界出道。凭纪录片《移动的物体》(1991)赢得了众多国际电影节奖项。

 

These last years, Leonard Retel Helmrich gave workshops to lecture his ‘single-shot cinema’ theory all over the world, on several Art Academies like Kansas or Jakarta. Next to attending workshops as a tutor he has shot several short documentaries before,  during and after  Suharto stepped down as a president. With his feature documentary ‘De stand van de zon’ / ‘The eye of the day’, he instantly became famous in the documentary film world and won many international awards (see short filmography below).

最近几年,莱奥那多·拉提尔·赫尔穆里奇通过在世界各地像堪萨斯州、雅加达这样的艺术院校建立工作室来讲授他的“单镜头电影”理论。并在苏哈托担任总统之前,任期中及之后作为老师拍摄了一系列纪录短片。并且凭借他的纪录片“白天的眼睛”一跃成为纪录片领域里的知名导演,频频赢得国际奖项。(参阅以下作品目录)

 

 

2002-2004:   ‘Shape of the Moon’             《月影》

              Function: script/director/camera        编剧/导演/摄影

          93 min / color / DV converted to 35mm film

 93分钟 彩色 DV35毫米胶片

 

2003:            ‘Flight from heaven’         《来自天堂的班机》

              Function: director, camera.                   编剧,摄影

              50 min / color / DV-cam              50分钟/彩色/DV-cam

 

2001:            ‘De stand van de zon’ / ‘The eye of the day’ 《白天的眼睛》

             Function: script/director/camera  编剧/导演/摄影

              94 min / color / DV converted to 35mm film

94分钟 彩色 DV35毫米胶片

Third place public award  IDFA 2001    

Special mention FIPA-Biarritz 2002  

Public award Visions du Reel Nyon 2002

Award Prix SRG SSR idée suisse 2002  

Public Award 7th International Filmfestival Split 2002

Grand Prix of the Jury Maremma Doc Festival Palmares 2002

Third place public award Maremma Doc Festival Palmares 2002

Dutch Emmy Award (Gouden Beeld) Best Documentary 2003

2001阿姆斯特丹国际纪录片电影节 第三地方公众奖    

在荷兰、瑞士、南斯拉夫等国际影展获奖

 

 

2000:            ‘The body of Indonesia's conscience’ 《印尼良心的躯体》

              Function: director/editing/script.            导演/剪辑/编剧

              15 min / color / DV-cam                 15分钟/彩色/DV-cam

 

1999:            ‘Als een vloedlijn’                   Als een vloedlijn

              Documentary.                              纪录片

              Function: script/director                   编剧/导演

              50 min / color / Betacam-sp                50分钟/彩色/ Betacam-sp

 

1994-1996:   ‘Art Non-Blok’                      《艺术的非布劳克》

              Function: Director/cameraman/editor          导演/摄影/剪辑

              50 min/color / Betacam-sp                  50分钟/彩色/ Betacam-sp

 

1994:            ‘Jemand auf der Treppe’               Jemand auf der Treppe

50 min/color                             50分钟/彩色

              Function: director and screenplay                导演、编剧

Nomination Media Award Top Televison München 慕尼黑顶级电视媒体奖提名

 

1991:          ‘Moving Objects’                        《移动的物体》

Function: director and director of photography.  导演、摄影执导

50 min/16 mm/ color          50分钟16毫米胶片 彩色

A special jury award of the International Golden Gate film festival of San Francisco.      旧金山金门电影节评委会特别奖

 

1990:            ‘Het Phoenix Mysterie’                      《凤凰传说》

Feature film debut.                          长篇出道作品

                        Function: Screenplay/Director            编剧/导演

                93 min/16 mm/color               93分钟16毫米胶片 彩色

 

SYNOPSIS  内容简介

 

Indonesia is the fourth biggest nation in the world, and the country with the largest Muslim community on the globe. In Leonard Retel Helmrich’s latest film, SHAPE OF THE MOON, the audience is transported to the heart of this almost unknown landscape through the life of one family of three generations, who are struggling to build a bridge between hope and faith.

印尼是世界上面积第四的国家,并拥有地球上最大的穆斯林团体。通过莱奥那多·拉提尔·赫尔穆里奇这部最新纪录片展现的当地一个三代同堂家庭的生活境遇,观众们将被带到那个几乎不为人知的美丽地方的中心,去了解那些为了在希望和信任之间建立桥梁而苦苦奋斗着的人们。

 

Rumidjah, a 62-year-old widow, lives in Jakarta, Indonesia with her son Bakti and her 13-year-old granddaughter Tari. Since the fall of dictator Suharto seven years ago, she has witnessed the country passing through a tumultuous period of socio-political chaos…

若米德佳,一位62岁的寡妇和他的儿子巴克提和13岁的孙女塔丽住在印尼的雅加达。自从苏哈托总统下台之后,她见证了这个国家所经历的那段社会政治混乱的喧嚣时期……

 

 

 

 

Foreland 潮涨潮落

SYNOPSIS  内容简介

On the banks of the Nederrijn River is Loowaard, a beautiful stretch of

water meadow between the dykes. When water levels rise, the river

floods its banks and takes possession of the land. A season later, traffic

signs are straightened and cows graze again contentedly in the sun. Then

Loowaard turns into land again, at least for as long as the river

allows.

在下莱茵河分支的岸边是劳渥德,延伸在堤坝之间的一片美丽的水草牧场。水位升高时,河水淹没堤坝吞噬了陆地。一个季节后,交通标志又被竖起,牛群们重新在阳光下尽情吃草。劳渥德又变成了陆地,直到河水再次来袭。

 

The coming and going of the water and the seasons has been observed for

seven years, without any commentary, soberly styled and with a sharp

eye for detail. This resulted in seven poetic chapters in which we hardly

hear anyone speak and the landscape is given the space to tell its own

story. Close to the remains of a Roman encampment, an old brick factory

is demolished. Men in orange jackets digging a railway tunnel. And a

wagtail sits on the mirror of a parked car gazing in fascination at its

own reflection.

这样的来来往往和季节变换被冷静地观察了七年,没有解说词,只有一双锐利的眼睛洞察着细节。最终呈现出了七个诗意的篇章,我们几乎听不见谁说话而这片风景本身已经被赋予了空间来讲叙它自己的故事。在接近罗马营地的遗迹处,一个旧砖厂被拆除。穿着桔色夹克的男人们在挖铁路隧道。而一只鸟坐在一辆停着的车的镜子上,入迷地凝视着自己在镜子里的倒影。

It took quite a time, but progress has reached Loowaard. Yet human

activity, however intrusive, only seems a strange footnote in the story of

a breathtakingly beautiful and very Dutch landscape.

花了很长时间,但最终还是抵达了劳渥德。但是人类的活动却是一种打扰,好像是对讲述这个美得让人难以呼吸的荷兰景色的故事的一个奇怪的注脚。

 

 

Iles flottantes  漂浮的岛

feature, 85 min. 35mm

剧情长片 85分钟 35毫米

导演简介同“格恩西”

Nanouk Leopold, education and filmography

纳努克·里奥泊德导演简介及作品年表

Nanouk Leopold (1968) studied directing at the Dutch Film & Television Academy in Amsterdam. Her graduation film Weekend received the Tuschinski Award at the Dutch Film Festival and the Kodak Prize at the München Film Festival.

纳努克·里奥泊德(1968)在阿姆斯特丹的荷兰电影&电视学院学习导演课程。她的毕业作品《周末》在荷兰电影节和慕尼黑电影节上获奖。

 

Next to writing and directing several short films and the television drama Max Lupa, she works as a freelance journalist for the filmmagazine Skrien and as a reviewer for the VPRO program Stardust. Îles Flottantes (2001) is her feature film debut.

在执导编剧了几部短片和电视剧《麦克斯 露帕》之后,她开始为电影杂志Skrien做自由撰稿人并为VPRO节目“星团”写评论。《漂浮的岛》(2001)是她首部长篇电影。

 

2002      LA GRANDE GUERRE

TV-adaptation theatre play by Hotel Modern, 50 mins

2002  《大战争》  由“时髦饭店”戏剧改编的电视剧,50分钟

 

2000      ÎLES FLOTTANTES   《漂浮的岛》

feature, 85 min. 35mm

剧情长片 85分钟 35毫米

Selected for the Tiger Award Competition IFF Rotterdam 2001

入选2001年鹿特丹IFF虎奖竞赛单元

Nominated Prize of the Film Critics 2001, Utrecht

2001年提名乌得勒支电影评论家奖

Prize City of Utrecht 2001

2001年乌得勒支城奖

J.Jordaan Award from Art Foundation of Amsterdam (2002)

2002年 阿姆斯特丹艺术基金会J.Jordaan奖

Festivals: Rotterdam IFF, Karlovy Vary IFF, Flanders IFF, Cairo IFF, Bergen IFF, Kiev IFF, Sao Paulo Mostra, Pusan IFF, Stockholm IFF

参加电影节:鹿特丹,卡罗维发利,佛兰德斯,开罗,卑尔根,基辅,圣保罗影展,釜山,斯德哥尔摩

 

1999      MAX LUPA 《麦克斯 露帕》

TV film, 45 min.

电视电影 45分钟 剧情片

 

1998      WEEKEND       《周末》

graduation film,16mm, 27 min.   毕业作品  16毫米 27分钟 

Tuschinski Award for best student film Dutch Film Festival Utrecht

荷兰电影节最佳学生作品奖

Kodak Award on Munich Film Festival

慕尼黑电影节柯达奖

 

SYNOPSIS  内容简介

Kaat leaves Max the day after her thirtieth birthday and moves in with her friend Sascha. Kaat is in a dilemma. She is pregnant and does not know who the father is, Max or Christophe, the boyfriend of her other friend Isa. Though Sascha and Isa are suspicious of her curious behaviour. Kaat remains silent and quickly arranges an abortion. When it turns out that Kaat isn’t pregnant after all, she confesses everything to Sascha and resolves to return to Max. But Max doesn’t want her back and what is more. Sascha insists that she comes clean with Isa. While Kaat is ignorant of the mess she has made of her and other people’s lives. Sascha suffers a personal tragedy. Then Isa is forced to confront herself, and the extent of her ambition, when she is dumped by Christophe. But whereas Sascha and Isa show signs of confronting their problems, Kaat remains obsessed with restoring the past, and in her futile efforts to get Max back she risks losing the most important thing of all, her friends.

凯特在三十岁生日后的第二天离开了麦克斯和她的朋友莎思卡搬进了新房子。凯特正面临着麻烦事。她怀孕了但不知道谁是孩子的父亲,是麦克斯还是她另一个朋友伊莎的男友克里斯特芬。虽然莎思卡和伊莎对她的古怪行为产生了怀疑,凯特还是保持沉默并且很快做好了堕胎的准备。当一切明了凯特并没有怀孕时,她向莎思卡坦白了一切并决定回到麦克斯的身边。但是麦克斯并不想和她重归于好。而且莎思卡坚持她要向伊莎交待一切。当凯特不知道她给自己和别人的生活带来的混乱时,莎思卡正在经历自己的悲剧。而伊莎在被克里斯特芬甩了后不得不面对自己,和她的野心。但是尽管莎思卡和伊莎表现出了要面对她们的问题,凯特却仍然为了要找回过去而困惑,挽回麦克斯的徒劳努力使得她得冒着失去最宝贵的东西,她的朋友们。

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