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TOO SOON OLD, TOO LATE SMART: Thirty true things you need to know
now.
书名翻译过来就是： 《青春易逝，醒悟已晚：你需要知道的30个真理》
by. Gordon Livingston, M.D.,
书名翻译过来就是： 《青春易逝，醒悟已晚：你需要知道的30个真理》
by. Gordon Livingston, M.D.,
by Rudolph Arnheim
Notes by Frederic F. Leymarie
September 12, 2001
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist and perceptual psychologist. He himself said that his major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a New Version in 1974, it has been translated into 14 languages, and is very likely one of the most widely read and influential art books of the twentieth century.
Notes by Frederic F. Leymarie
September 12, 2001
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist and perceptual psychologist. He himself said that his major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a New Version in 1974, it has been translated into 14 languages, and is very likely one of the most widely read and influential art books of the twentieth century.
央美附近某高考画室，她有空也去那里画画速写，混在人群里一眼望去也的确看不到什么差别，只是感觉拿着铅笔的小手特别使劲，昨天刚刚放下怀抱的奶瓶，今天就拿起了画笔，这就是生活的节奏！油画系的大哥哥还特别爱给她做示范，顺便忘不了和她调侃几句；版画系的大姐姐在下课点评作业时候叹了口气：你们这些高2高3的真应该想想办法了，那个小妹妹的画和你们的放在一起也没分出个距离。大姐姐顺便问道：你几岁啦？她挺胸正义凛然地回答：我差3天11岁！听起来很严肃的一句话引来一阵大笑。
又长大了不少，思想依然简单幼稚。幼儿园时候个子小爱闹，传说中午带领全体同学在午睡时间藏在床下，老师查房开门没看见孩子们霎那间简直懵了；学前班中午睡觉在宿舍墙上画壁画，老师传令家长拎桶白灰去刷墙；2年级写作文告诉老师这是意识流写法；3年级弄的她老爹在整个学校名声鹊起，也没什么了不起的！不就是经常去“拔拔份儿”吗！；4年级课堂听写英语用卫生纸答卷交给老师，老师大怒，请家长！5年级却发生了变化，“英雄形象”少了，除了在家里，任何时候都微笑着，嘴巴那么一抿不知道在得意什么呢？
也可能，学会了些克制，周末她与那几个“死党”朋友一
又长大了不少，思想依然简单幼稚。幼儿园时候个子小爱闹，传说中午带领全体同学在午睡时间藏在床下，老师查房开门没看见孩子们霎那间简直懵了；学前班中午睡觉在宿舍墙上画壁画，老师传令家长拎桶白灰去刷墙；2年级写作文告诉老师这是意识流写法；3年级弄的她老爹在整个学校名声鹊起，也没什么了不起的！不就是经常去“拔拔份儿”吗！；4年级课堂听写英语用卫生纸答卷交给老师，老师大怒，请家长！5年级却发生了变化，“英雄形象”少了，除了在家里，任何时候都微笑着，嘴巴那么一抿不知道在得意什么呢？
也可能，学会了些克制，周末她与那几个“死党”朋友一
by Michael Atkinson
Tuesday, October 1st 2002
Gathering a complete retrospective of Spanish master Victor Erice's work is as easy as falling off a log, seeing as he has made only three films—all contemplative, wide-eyed masterpieces—at 10-year intervals, an output that makes Robert Bresson look prolific. Naturally, Erice's work reflects patience, deep-dish humanist priorities, and a sense that vision is a sacrament with nature. His debut, The Spirit of the Beehive (1973), with its communion between the life of two young sisters in rural Spain and the mythic torque of James Whale's 1931 Frankenstein, is one of the very best films about childhood, possibly the loveliest movie ever shot on Spanish landscapes, and a startling essay on the cinema's capacity to infect real life with mystery. In a sense Erice's big 'international' film (starring Taviani staple Omero Antonutti and Malle vet Aurore Clément), El Sur (1982) tracks the fissuring bond between a little gi
Tuesday, October 1st 2002
Gathering a complete retrospective of Spanish master Victor Erice's work is as easy as falling off a log, seeing as he has made only three films—all contemplative, wide-eyed masterpieces—at 10-year intervals, an output that makes Robert Bresson look prolific. Naturally, Erice's work reflects patience, deep-dish humanist priorities, and a sense that vision is a sacrament with nature. His debut, The Spirit of the Beehive (1973), with its communion between the life of two young sisters in rural Spain and the mythic torque of James Whale's 1931 Frankenstein, is one of the very best films about childhood, possibly the loveliest movie ever shot on Spanish landscapes, and a startling essay on the cinema's capacity to infect real life with mystery. In a sense Erice's big 'international' film (starring Taviani staple Omero Antonutti and Malle vet Aurore Clément), El Sur (1982) tracks the fissuring bond between a little gi
36.2 x 54.4 cms.1980
Archer M. Huntngton Art. Gallery, The University of Texas at Austin, Barbara Duncan Fund..
42.2 x 57.2 cms.1990
Colección Sres. Claude C. Albritton.
Gris negro, roj
不管学校功课多么紧张，看到女儿每天都在和时间斗争坚持画画，恪守她的目标。这一丝不苟的态度令我敬佩。无论素描还是色彩，把写实作为基点出发的确是一种态度。难能一个五年级的孩子有这么可贵的态度，这也在“迫使”我自己
-“一个每天关小黑屋面对画板反省的人”编写一些心得，献给我的宝贝！
以下是一些心得片段，愿与心灵可以互发电波的人共勉。
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以下是一些心得片段，愿与心灵可以互发电波的人共勉。
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小学5年级 / 每天至少2小时绘画时间 /
作业尺寸8开。第一幅完全凭自己的直觉绘画，还保留着很多儿童画的痕迹；第二幅作业着重影子的模糊形状，直至第三幅开始对型体进行归纳。这三幅作业是从一个月的学习中抽取出的三个典型。
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Active life-the oboli fot Charon are in his left palm: the
fantastic mask on his chest has bat ears and his delicate sensitive
hands lie listlessly on his batton which he will never again usde
to command- a role he had in active life (similar to that of a
Roman General). His head is alert yet world- weary, sad expression
of a powerful mortal on the brink of death. Listening to a sudden
call lookin towards the Madonna. His strange armour looks
transparent because we can see clearly his torso in detail- the
armour is like a ghostly thing.
'Study of the head of Giuliano de' Medici by Michelangelo'
c1540
Jacopo Tintoretto (1518 - 1594)
Black and white chalk on coarse buff paper, 39 x 25.5cm
Jacopo Tintoretto (1518 - 1594)
Black and white chalk on coarse buff paper, 39 x 25.5cm
